Post-Western : Postmodern Fictions of the U.S. West
Author | : Jake J. Thomas |
Publisher | : |
Total Pages | : 486 |
Release | : 2011 |
Genre | : |
ISBN | : |
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Author | : Jake J. Thomas |
Publisher | : |
Total Pages | : 486 |
Release | : 2011 |
Genre | : |
ISBN | : |
Author | : Sara L. Spurgeon |
Publisher | : Texas A&M University Press |
Total Pages | : 180 |
Release | : 2005 |
Genre | : History |
ISBN | : 1603445927 |
The frontier and Western expansionism are so quintessentially a part of American history that the literature of the West and Southwest is in some senses the least regional and the most national literature of all. The frontier--the place where cultures meet and rewrite themselves upon each other's texts--continues to energize writers whose fiction evokes, destroys, and rebuilds the myth in ways that attract popular audiences and critics alike. Sara L. Spurgeon focuses on three writers whose works not only exemplify the kind of engagement with the theme of the frontier that modern authors make, but also show the range of cultural voices that are present in Southwestern literature: Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo. Her central purposes are to consider how the differing versions of the Western "mythic" tales are being recast in a globalized world and to examine the ways in which they challenge and accommodate increasingly fluid and even dangerous racial, cultural, and international borders. In Spurgeon's analysis, the spaces in which the works of these three writers collide offer some sharply differentiated visions but also create new and unsuspected forms, providing the most startling insights. Sometimes beautiful, sometimes tragic, the new myths are the expressions of the larger culture from which they spring, both a projection onto a troubled and troubling past and an insistent, prophetic vision of a shared future
Author | : |
Publisher | : BRILL |
Total Pages | : 371 |
Release | : 2022-11-21 |
Genre | : Social Science |
ISBN | : 9004525300 |
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
Author | : Robert Rebein |
Publisher | : University Press of Kentucky |
Total Pages | : 298 |
Release | : 2021-10-21 |
Genre | : Literary Criticism |
ISBN | : 0813184592 |
Robert Rebein argues that much literary fiction of the 1980s and 90s represents a triumphant, if tortured, return to questions about place and the individual that inspired the works of Hawthorne, Melville, Twain, Faulkner, and other giants of American literature. Concentrating on the realist bent and regional orientation in contemporary fiction, he discusses in detail the various names by which this fiction has been described, including literary postmodernism, minimalism, Hick Chic, Dirty Realism, ecofeminism, and more. Rebein's clearly written, nuanced interpretations of works by Raymond Carver, Cormac McCarthy, Don DeLillo, Louise Erdrich, Dorothy Allison, Barbara Kingsolver, E. Annie Proulx, Chris Offut, and others, will appeal to a wide range of readers.
Author | : Paul S. Varner |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 288 |
Release | : 2013-10-03 |
Genre | : Performing Arts |
ISBN | : 1443853348 |
The writers of these chapters are often working with changing assumptions about literary and media interpretations of an American West. Here we see critical approaches to a West that never was, a West of myth so enduring that the myth dominates nearly all artistic representation about this place that never was. In this collection, we see critical approaches to a New West, a West that is a state of mind, not a geographical place but a mythic space with no boundaries and no political inevitabilities. These New Western studies accept the idea of a West that includes Canada, Mexico, Alaska, and, in the case of the US, every geographic and historical point west of the historic founding settlements. The West we study today is a post-West, an idea of the West past the traditional views of an old West dominated by white US nationalism and gendered as uncompromisingly masculine. The idea itself of a single West no longer holds validity. We now understand that all renderings of the West are renderings of multiple Wests; Wests constructed by American nationalists, Wests constructed by EuroAmerican writers and filmmakers, Wests constructed by native peoples, or Wests constructed outside the geographical boundaries of the US. This collection presents an eclectic array of new scholarship ranging freely over the New Wests and Post Wests, dealing with issues such as the literature of a 1950s California West; eco-crime genre fiction; the West of Edward Dorn and the Beat Movement; images of prostitution in California Gold Rush literature; European perspectives on film representations of the first peoples; the six shooter and the American West; German Westerns and Italian Westerns; The Authentic Death of Hendry Jones, by Charles Neider; and films such as The Treasure of Sierra Madre, Into the Wild, There Will Be Blood, and The Last Picture Show. A unique aspect of this collection is the range of writers interpreting the American West in film and literature; besides those writing from within the United States, five of the writers provide international perspectives from the United Kingdom, and the Universities of Tunis, Vienna, and Rome. Each chapter includes a review of scholarship on its subject and an extended bibliography for further research.
Author | : Paul Varner |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 215 |
Release | : 2020-03-12 |
Genre | : Poetry |
ISBN | : 1527548422 |
This book examines the poetics of the 20th-century American West depicted by Edward Dorn through the influence and inspiration of his Black Mountain College mentor and fellow poet Charles Olson. It considers some of the most important and challenging poetic representations of the 20th-century American West to come out of the Beat Movement and avant-garde literary scene.
Author | : A. Robert Lee |
Publisher | : Universitat de València |
Total Pages | : 331 |
Release | : 2011-11-28 |
Genre | : Literary Criticism |
ISBN | : 8437084032 |
Aquest estudi analitza un ordre literari canviant: Amèrica com unitat i diversitat, com un ens nacional i transnacional. Els escrits crítics literaris reunits aquí ofereixen una sèrie de perspectives que tracen gran part de la geografia cultural en joc: la narrativa, l'autobiografia, el teatre, etc. Es presenten també un conjunt d'assajos i ressenyes que, amb diverses direccions d'enfocament, posen atenció als fonaments previs a Colón, a una antologia canònica nord-americana de poesia i al que s'ha omès; la narrativa llatina i als principals dramaturgs antics. Inclou entrevistes a creatius i acadèmics com Gerald Vizenor, Frank Chin, Louis Owens, John Cawelti i Rex Burns. La secció de ressenyes final ofereix una sèrie de monografies de rellevant erudició multicultural així com contribucions a l'emergent i ampli mural d'anàlisi.
Author | : Sumit Chakrabarti |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 190 |
Release | : 2013-07-29 |
Genre | : Literary Criticism |
ISBN | : 1443851191 |
It is a cliché now to claim that we live in a “post”-marked world, and indeed the “post-isms” are some of the most used, and abused, expressions in the language. In a general sense, the various kinds of “post-isms” are regarded as a rejection of a prevailing number of cultural certainties on which our life in the so-called Western world has been structured since the eighteenth century. Engaging with the “post-isms” can be regarded as both a philosophical and political endeavour, which demonstrates, among other things, the instability of language, meaning, narrativity and generally any formal systems. In the wake of such theoretical aporia, this volume represents an investigation in the (re)thinking of the implications of the term “post” in current theoretical parlance. Is there a politics always/already embedded within the “post”? Do we need the “post” any more? Did we, in the first place, need it at all? Is it possible to counter essentialism with the “post” prefix? These are some of the questions the volume raises and explores by examining the “post”-marked terms in the theoretical market. The essays included in this volume address different and relevant issues related to the idea of the “post,” and those that are representative of different parts of the globe. Thus a reader of the volume will not only have a bird’s eye view of the various disciplines where the concept of the “post” is used, but also an eclectic range of contributions about issues that engage with different socio-political dynamics from various parts of the world.
Author | : Barcley Owens |
Publisher | : University of Arizona Press |
Total Pages | : 156 |
Release | : 2000-07-01 |
Genre | : Literary Criticism |
ISBN | : 0816544417 |
In the continuing redefinition of the American West, few recent writers have left a mark as indelible as Cormac McCarthy. A favorite subject of critics and fans alike despite—or perhaps because of—his avoidance of public appearances, the man is known solely through his writing. Thanks to his early work, he is most often associated with a bleak vision of humanity grounded in a belief in man's primordial aggressiveness. McCarthy scholar Barcley Owens has written the first book to concentrate exclusively on McCarthy's acclaimed western novels: Blood Meridian, National Book Award winner All the Pretty Horses, The Crossing, and Cities of the Plain. In a thought-provoking analysis, he explores the differences between Blood Meridian and the Border Trilogy novels and shows how those differences reflect changing conditions in contemporary American culture. Owens captures both Blood Meridian's wanton violence and the Border Trilogy's fond remembrance of the Old West. He shows how this dramatic shift from atavistic brutality to nostalgic Americana suggests that McCarthy has finally given his readers what they most want—the stuff of their mythic dreams. Owens's study is both an incisive look at one of our most important and demanding authors and a penetrating analysis of violence and myth in American culture. Fans of McCarthy's work will find much to consider for ongoing discussions of this influential body of work.
Author | : Brady Harrison |
Publisher | : U of Nebraska Press |
Total Pages | : 334 |
Release | : 2020-06-01 |
Genre | : Literary Criticism |
ISBN | : 1496220382 |
In this volume experienced and new college- and university-level teachers will find practical, adaptable strategies for designing or updating courses in western American literature and western studies. Teaching Western American Literature features the latest developments in western literary research and cultural studies as well as pedagogical best practices in course development. Contributors provide practical models and suggestions for courses and assignments while presenting concrete strategies for teaching works both inside and outside the canon. In addition, Brady Harrison and Randi Lynn Tanglen have assembled insights from pioneering western studies instructors with workable strategies and practical advice for translating this often complex material for classrooms from freshman writing courses to graduate seminars. Teaching Western American Literature reflects the cutting edge of western American literary study, featuring diverse approaches allied with women’s, gender, queer, environmental, disability, and Indigenous studies and providing instructors with entrée into classrooms of leading scholars in the field.