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Post-Crisis European Cinema

Post-Crisis European Cinema
Author: György Kalmár
Publisher: Palgrave Macmillan
Total Pages: 273
Release: 2020-08-10
Genre: Performing Arts
ISBN: 9783030450342

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This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.


Post-Crisis European Cinema

Post-Crisis European Cinema
Author: György Kalmár
Publisher: Springer Nature
Total Pages: 283
Release: 2020-06-02
Genre: Performing Arts
ISBN: 303045035X

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This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.


Contemporary European Cinema

Contemporary European Cinema
Author: Betty Kaklamanidou
Publisher: Routledge
Total Pages: 198
Release: 2018-12-17
Genre: Social Science
ISBN: 1351347063

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This book offers a range of accounts of the state of "European Cinema" in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic, and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination, and reformulation of recent history in the depiction of personal, cultural, and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of "national" cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets.


Cinema of Crisis

Cinema of Crisis
Author: Austin Thomas Austin
Publisher: Edinburgh University Press
Total Pages: 399
Release: 2020-05-28
Genre: Performing Arts
ISBN: 1474448534

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Now more than ever, the idea of Europe as grounded in a shared cultural heritage cannot be taken for granted. For all its diversity, complexity and internal tensions, Europe remains a powerful economic and political superstate. But it is one in crisis, where the postwar social democratic consensus has collapsed, the failings of neoliberalism have led to widespread austerity, and extremism, xenophobia and racism are on the rise. This collection of original essays considers filmmakers' engagements with pressing issues of the moment. Taking a long view of the crisis and considering geopolitical changes that took place towards the end of the 20th century, this book examines European cinema's response to the economic, political and social crises that afflict Europe in the present.


Women at Work in Twenty-First-Century European Cinema

Women at Work in Twenty-First-Century European Cinema
Author: Barbara Mennel
Publisher: University of Illinois Press
Total Pages: 272
Release: 2019-01-30
Genre: Performing Arts
ISBN: 0252050967

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From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.


Nationalism in Contemporary Western European Cinema

Nationalism in Contemporary Western European Cinema
Author: James Harvey
Publisher: Springer
Total Pages: 259
Release: 2018-06-21
Genre: Performing Arts
ISBN: 3319736671

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This book investigates screen representations of 21st century nationalism—arguably the most urgent and apparent phenomenon in the Western world today. The chapters explore recurrent thematic and stylistic features of 21st century western European cinema, and analyse the ways in which film responds to contemporary developments of mounting tensions and increasing hostilities to difference. The collection blends incisive sociological and historical engagement with close textual analysis of many types of screen media, including popular cinema, art-house productions, low-budget independent work, documentary and video installation. Identifying motifs of nationhood and indigeneity throughout, the contributors of this volume present important perspectives and a timely cultural response to the contemporary moment of nationalism.


The Routledge Companion to European Cinema

The Routledge Companion to European Cinema
Author: Gábor Gergely
Publisher: Routledge
Total Pages: 484
Release: 2021-12-30
Genre: Social Science
ISBN: 1000512290

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Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.


European Cinema after the Wall

European Cinema after the Wall
Author: Leen Engelen Leen Engelen
Publisher: Rowman & Littlefield
Total Pages: 216
Release: 2013-11-21
Genre: Performing Arts
ISBN: 1442229608

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Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.


European Cinema

European Cinema
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
Total Pages: 567
Release: 2005
Genre: Performing Arts
ISBN: 9053565949

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'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.


Religion in Contemporary European Cinema

Religion in Contemporary European Cinema
Author: Costica Bradatan
Publisher: Routledge
Total Pages: 233
Release: 2014-02-18
Genre: Religion
ISBN: 1317860187

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The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.