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Post Cinematic Affect

Post Cinematic Affect
Author: Steven Shaviro
Publisher: John Hunt Publishing
Total Pages: 200
Release: 2010
Genre: Art
ISBN: 1846944317

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Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.


Post-Cinema

Post-Cinema
Author: Dominique Chateau
Publisher: Key Debates - Mutations and Appropriations in European Film Studies
Total Pages: 376
Release: 2020-09-24
Genre:
ISBN: 9789463727235

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.


Film After Film

Film After Film
Author: J. Hoberman
Publisher: Verso Books
Total Pages: 305
Release: 2013-11-05
Genre: Performing Arts
ISBN: 1781681430

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One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.


The State of Post-Cinema

The State of Post-Cinema
Author: Malte Hagener
Publisher: Springer
Total Pages: 233
Release: 2016-11-30
Genre: Performing Arts
ISBN: 1137529393

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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.


Post-classical Cinema

Post-classical Cinema
Author: Eleftheria Thanouli
Publisher:
Total Pages: 0
Release: 2009
Genre: Cinematography
ISBN: 9781906660093

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This work presents a timely theoretical intervention in the analysis of contemporary film language. It has a truly international scope, featuring films and filmmakers from around the world.


Post-Pop Cinema

Post-Pop Cinema
Author: Jesse Fox Mayshark
Publisher: Praeger
Total Pages: 214
Release: 2007-05-30
Genre: Performing Arts
ISBN:

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Takes us on a film-by-film tour of the works of Wes and P T Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O Russell. This book reveals how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film.


Post-9/11 Horror in American Cinema

Post-9/11 Horror in American Cinema
Author: Kevin J. Wetmore, Jr.
Publisher: Bloomsbury Publishing USA
Total Pages: 242
Release: 2012-03-22
Genre: Performing Arts
ISBN: 1441103961

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The horror film is meant to end in hope: Regan McNeil can be exorcized. A hydrophobic Roy Scheider can blow up a shark. Buffy can and will slay vampires. Heroic human qualities like love, bravery, resourcefulness, and intelligence will eventually defeat the monster. But, after the 9/11, American horror became much more bleak, with many films ending with the deaths of the entire main cast. Post-9/11 Horror in American Cinema illustrates how contemporary horror films explore visceral and emotional reactions to the attacks and how they underpin audiences' ongoing fears about their safety. It examines how scary movies have changed as a result of 9/11 and, conversely, how horror films construct and give meaning to the event in a way that other genres do not. Considering films such as Quarantine, Cloverfield, Hostel and the Saw series, Wetmore examines the transformations in horror cinema since 9/11 and considers not merely how the tropes have changed, but how our understanding of horror itself has changed.


Post-War Italian Cinema

Post-War Italian Cinema
Author: Daniela Treveri Gennari
Publisher: Routledge
Total Pages: 409
Release: 2011-02-23
Genre: History
ISBN: 1135894965

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Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.


Discorrelated Images

Discorrelated Images
Author: Shane Denson
Publisher: Duke University Press
Total Pages: 200
Release: 2020-09-18
Genre: Performing Arts
ISBN: 1478012412

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In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.