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Possible Worlds Theory and Contemporary Narratology

Possible Worlds Theory and Contemporary Narratology
Author: Alice Bell
Publisher: U of Nebraska Press
Total Pages: 440
Release: 2019
Genre: Language Arts & Disciplines
ISBN: 149621305X

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The notion of possible worlds has played a decisive role in postclassical narratology by awakening interest in the nature of fictionality and in emphasizing the notion of world as a source of aesthetic experience in narrative texts. As a theory concerned with the opposition between the actual world that we belong to and possible worlds created by the imagination, possible worlds theory has made significant contributions to narratology. Possible Worlds Theory and Contemporary Narratology updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume systematically outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analyzing fictional narrative, and profiles those methods via the analysis of a range of different texts, including contemporary fiction, digital fiction, video games, graphic novels, historical narratives, and dramatic texts. Through the variety of its contributions, including those by three originators of the subject area--Lubomír Doležel, Thomas Pavel, and Marie-Laure Ryan--Possible Worlds Theory and Contemporary Narratology demonstrates the vitality and versatility of one of the most vibrant strands of contemporary narrative theory.


Possible Worlds Theory and Contemporary Narratology

Possible Worlds Theory and Contemporary Narratology
Author: Alice Bell
Publisher: University of Nebraska Press
Total Pages: 354
Release: 2019-01-01
Genre: Literary Criticism
ISBN: 1496213076

Download Possible Worlds Theory and Contemporary Narratology Book in PDF, ePub and Kindle

The notion of possible worlds has played a decisive role in postclassical narratology by awakening interest in the nature of fictionality and in emphasizing the notion of world as a source of aesthetic experience in narrative texts. As a theory concerned with the opposition between the actual world that we belong to and possible worlds created by the imagination, possible worlds theory has made significant contributions to narratology. Possible Worlds Theory and Contemporary Narratology updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume systematically outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analyzing fictional narrative, and profiles those methods via the analysis of a range of different texts, including contemporary fiction, digital fiction, video games, graphic novels, historical narratives, and dramatic texts. Through the variety of its contributions, including those by three originators of the subject area—Lubomír Doležel, Thomas Pavel, and Marie-Laure Ryan—Possible Worlds Theory and Contemporary Narratology demonstrates the vitality and versatility of one of the most vibrant strands of contemporary narrative theory.


Possible Worlds Theory and Contemporary Narratology

Possible Worlds Theory and Contemporary Narratology
Author: Alice Bell
Publisher: University of Nebraska Press
Total Pages: 353
Release: 2019-01-01
Genre: Literary Criticism
ISBN: 0803294999

Download Possible Worlds Theory and Contemporary Narratology Book in PDF, ePub and Kindle

The notion of possible worlds has played a decisive role in postclassical narratology by awakening interest in the nature of fictionality and in emphasizing the notion of world as a source of aesthetic experience in narrative texts. As a theory concerned with the opposition between the actual world that we belong to and possible worlds created by the imagination, possible worlds theory has made significant contributions to narratology. Possible Worlds Theory and Contemporary Narratology updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume systematically outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analyzing fictional narrative, and profiles those methods via the analysis of a range of different texts, including contemporary fiction, digital fiction, video games, graphic novels, historical narratives, and dramatic texts. Through the variety of its contributions, including those by three originators of the subject area—Lubomír Doležel, Thomas Pavel, and Marie-Laure Ryan—Possible Worlds Theory and Contemporary Narratology demonstrates the vitality and versatility of one of the most vibrant strands of contemporary narrative theory.


Possible Worlds, Artificial Intelligence, and Narrative Theory

Possible Worlds, Artificial Intelligence, and Narrative Theory
Author: Marie-Laure Ryan
Publisher: Indiana University Press
Total Pages: 310
Release: 1991
Genre: Computers
ISBN: 9780253350046

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In this important contribution to narrative theory, Marie-Laure Ryan applies insights from artificial intelligence and the theory of possible worlds to the study of narrative and fiction. For Ryan, the theory of possible worlds provides a more nuanced way of discussing the commonplace notion of a fictional "world," while artificial intelligence contributes to narratology and the theory of fiction directly via its researches into the congnitive processes of texts and automatic story generation. Although Ryan applies exotic theories to the study of narrative and to fiction, her book maintains a solid basis in literary theory and makes the formal models developed by AI researchers accessible to the student of literature. By combining the philosophical background of possible world theory with models inspired by AI, the book fulfills a pressing need in narratology for new paradigms and an interdisciplinary perspective.


Storyworlds Across Media

Storyworlds Across Media
Author: Marie-Laure Ryan
Publisher: U of Nebraska Press
Total Pages: 379
Release: 2014-07-01
Genre: Social Science
ISBN: 0803245637

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The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media—everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games—is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness? The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.


Fiction Updated

Fiction Updated
Author: Calin Andrei Mihailescu
Publisher: Heritage
Total Pages: 352
Release: 1996
Genre: Literary Criticism
ISBN:

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A collection of 24 essays dedicated to critic Lubomir Dolezel contributing to the theory of fictionality and examining issues in narratology and the history of poetics. The international group of scholars (including renowned critics such as Umberto Eco and Michael Riffaterre) keep their distance from deconstruction and approach fictionality from a philosophical perspective, considering theories of models, character, genre and gender, and dealing with questions of fiction from a historical and poetics standpoint. Two concluding essays expand Dolezel's contribution to the theory of fictionality and fictional semantics, and the works of Homer, Casanova, Woolf, Borges, Kundera, and Bakhtin are given particular attention. Lacks an index. Canadian card order number C95-933272-3. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR


Possible Worlds in Literary Theory

Possible Worlds in Literary Theory
Author: Ruth Ronen
Publisher: Cambridge University Press
Total Pages: 260
Release: 1994-05-26
Genre: Language Arts & Disciplines
ISBN: 9780521456487

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The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.


Narrative Truthiness

Narrative Truthiness
Author: Annjeanette Wiese
Publisher: U of Nebraska Press
Total Pages: 266
Release: 2021-10
Genre: Literary Criticism
ISBN: 1496226798

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Narrative Truthiness presents a new model for understanding truth and shows how a specific vein of postmodern writing engages with the overall goal of enhancing our interpretations of the complexities of the human experience.


Optional-Narrator Theory

Optional-Narrator Theory
Author: Sylvie Patron
Publisher: U of Nebraska Press
Total Pages: 400
Release: 2021-02
Genre: Literary Criticism
ISBN: 1496224507

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Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars--including Jonathan Culler and John Brenkman--and covers a breadth of genres, from biblical narrative to poetry to comics. This volume bolsters the dialogue among optional-narrator and pan-narrator theorists across multiple fields of research. These essays make a strong intervention in narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives. This topic is an important one for narrative theory and thus also for literary practice. Optional-Narrator Theory advances a range of arguments for dispensing with the narrator, except when it can be said that the author actually "created" a fictional narrator.


New Narratives

New Narratives
Author: Ruth E. Page
Publisher: U of Nebraska Press
Total Pages: 296
Release: 2011-12-01
Genre: Literary Criticism
ISBN: 0803217862

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Just as the explosive growth of digital media has led to ever-expanding narrative possibilities and practices, so these new electronic modes of storytelling have, in their own turn, demanded a rapid and radical rethinking of narrative theory. This timely volume takes up the challenge, deeply and broadly considering the relationship between digital technology and narrative theory in the face of the changing landscape of computer-mediated communication. New Narratives reflects the diversity of its subject by bringing together some of the foremost practitioners and theorists of digital narratives. It extends the range of digital subgenres examined by narrative theorists to include forms that have become increasingly prominent, new examples of experimental hypertext, and contemporary video games. The collection also explicitly draws connections between the development of narrative theory, technological innovation, and the use of narratives in particular social and cultural contexts. Finally, New Narratives focuses on how the tools provided by new technologies may be harnessed to provide new ways of both producing and theorizing narrative. Truly interdisciplinary, the book offers broad coverage of contemporary narrative theory, including frameworks that draw from classical and postclassical narratology, linguistics, and media studies.