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| Author | : Michel Ciment |
| Publisher | : |
| Total Pages | : 298 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : |
A pre-eminent film magazine since its inception, the monthly Positif has always been at the forefront of critical thought, discerning trends in cinema as they are happening. This compendium reveals some of the accomplishments the magazine has had throughout its existence.
| Author | : Michel Ciment |
| Publisher | : |
| Total Pages | : 294 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : |
A pre-eminent film magazine since its inception, the monthly Positif has always been at the forefront of critical thought, discerning trends in cinema as they are happening. This compendium reveals some of the accomplishments the magazine has had throughout its existence.
| Author | : Vrasidas Karalis |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 343 |
| Release | : 2012-02-02 |
| Genre | : Performing Arts |
| ISBN | : 1441112782 |
The history of Greek cinema is a rather obscure and unexamined affair. Greek cinema started slowly and then collapsed; for several years it struggled to reinvent itself, produced its first mature works, then collapsed completely and almost vanished. Because of such a complex historical trajectory no comprehensive survey of the development of Greek cinema has been written in English. This book is the first to explore its development and the contexts that defined it by focusing on its main films, personalities and theoretical discussions. A History of Greek Cinema focuses on the early decades and the attempts to establish a "national" cinema useful to social cohesion and national identity. It also analyses the problems and the dilemmas that many Greek directors faced in order to establish a distinct Greek cinema language and presents the various stages of development throughout the background of the turbulent political history of the country. The book combines historical analysis and discussions about cinematic form in to construct a narrative history about Greek cinematic successes and failures.
| Author | : Jacob Leigh |
| Publisher | : A&C Black |
| Total Pages | : 388 |
| Release | : 2012-05-03 |
| Genre | : Performing Arts |
| ISBN | : 1441198318 |
Presents in chronological order the themes and ideas of his twenty-three feature films, and the complexity of their cinematic style.
| Author | : Barrett Hodsdon |
| Publisher | : McFarland |
| Total Pages | : 338 |
| Release | : 2017-05-19 |
| Genre | : Performing Arts |
| ISBN | : 1476668736 |
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.
| Author | : Michael Richardson |
| Publisher | : Berg |
| Total Pages | : 208 |
| Release | : 2006-03 |
| Genre | : Art |
| ISBN | : 1845202260 |
Tracing the work of Luis Buänuel, Jacques Prâevert, Nelly Kaplan, Walerian Borowcyzk, Jan Svankmajer, Raul Ruiz and Alejandro Jodorowsky, this work charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to 2005.
| Author | : Kristoffer Noheden |
| Publisher | : Manchester University Press |
| Total Pages | : 410 |
| Release | : 2021-07-06 |
| Genre | : Performing Arts |
| ISBN | : 1526149974 |
This is the first volume to focus on the diverse permutations of international surrealist cinema after the canonical interwar period. The collection features eleven original contributions by prominent scholars such as Tom Gunning, Michael Löwy, Gavin Parkinson and Michael Richardson, alongside other leading and emerging researchers. An introductory chapter offers a historical overview as well as a theoretical framework for specific methodological approaches. The collection demonstrates that renowned figures such as Leonora Carrington, Maya Deren, Alejandro Jodorowsky and Jan Švankmajer took part in shaping a vibrant and distinctive surrealist film culture following the Second World War. Addressing highly influential films and directors related to international surrealism during the second half of the twentieth century, it expands the purview of both surrealism and film studies by situating surrealism as a major force in postwar cinema.
| Author | : Leila Wimmer |
| Publisher | : Peter Lang |
| Total Pages | : 320 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9783039113606 |
This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
| Author | : Adrian Danks |
| Publisher | : John Wiley & Sons |
| Total Pages | : 536 |
| Release | : 2015-03-31 |
| Genre | : Performing Arts |
| ISBN | : 1118338952 |
A Companion to Robert Altman presents myriad aspects ofAltman’s life, career, influence and historical context. Thisbook features 23 essays from a range of experts in the field,providing extensive coverage of these aspects and dimensions ofAltman’s work. The most expansive and wide-ranging book yet published onAltman, providing a comprehensive account of Altman’scomplete career Provides discussion and analysis of generally neglected aspectsof Altman’s career, including the significance of his work intelevision and industrial film, the importance of collaboration,and the full range and import of his aesthetic innovations Includes essays by key scholars in “Altmanstudies”, bringing together experts in the field, emergingscholars and writers from a broad range of fields Multi-disciplinary in design and draws on a range of approachesto Altman’s work, being the first substantial publication tomake use of the recently launched Robert Altman Archive at theUniversity of Michigan Offers specific insights into particular aspects of film styleand their application, industrial and aesthetic film and TVhistory, and particular areas such as the theorisation of space,place, authorship and gender
| Author | : Richard Armstrong |
| Publisher | : McFarland |
| Total Pages | : 221 |
| Release | : 2012-09-18 |
| Genre | : Performing Arts |
| ISBN | : 0786493143 |
The first in-depth study of its subject, this book seeks to account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American "intellectual melodramas" of the postwar decades, the book provides a taxonomy of characteristics. In the course of detailed case studies, the book deploys the film theory of Gilles Deleuze and Daniel Frampton while making use of Freudian psychoanalysis and present-day grief counseling theory. In making its case for the new genre, the book reflects upon the ways in which the very notion of genre has, in the post-classical period, responded to changing exhibition patterns, the rise of domestic spectatorship and the proliferation of Web-based film literature.
