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| Author | : Michel Ciment |
| Publisher | : |
| Total Pages | : 298 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : |
A pre-eminent film magazine since its inception, the monthly Positif has always been at the forefront of critical thought, discerning trends in cinema as they are happening. This compendium reveals some of the accomplishments the magazine has had throughout its existence.
| Author | : Michel Ciment |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Film criticism |
| ISBN | : |
| Author | : Kristoffer Noheden |
| Publisher | : Manchester University Press |
| Total Pages | : 410 |
| Release | : 2021-07-06 |
| Genre | : Performing Arts |
| ISBN | : 1526149974 |
This is the first volume to focus on the diverse permutations of international surrealist cinema after the canonical interwar period. The collection features eleven original contributions by prominent scholars such as Tom Gunning, Michael Löwy, Gavin Parkinson and Michael Richardson, alongside other leading and emerging researchers. An introductory chapter offers a historical overview as well as a theoretical framework for specific methodological approaches. The collection demonstrates that renowned figures such as Leonora Carrington, Maya Deren, Alejandro Jodorowsky and Jan Švankmajer took part in shaping a vibrant and distinctive surrealist film culture following the Second World War. Addressing highly influential films and directors related to international surrealism during the second half of the twentieth century, it expands the purview of both surrealism and film studies by situating surrealism as a major force in postwar cinema.
| Author | : Barrett Hodsdon |
| Publisher | : McFarland |
| Total Pages | : 338 |
| Release | : 2017-05-19 |
| Genre | : Performing Arts |
| ISBN | : 1476668736 |
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.
| Author | : Michael Richardson |
| Publisher | : Berg |
| Total Pages | : 208 |
| Release | : 2006-03 |
| Genre | : Art |
| ISBN | : 1845202260 |
Tracing the work of Luis Buänuel, Jacques Prâevert, Nelly Kaplan, Walerian Borowcyzk, Jan Svankmajer, Raul Ruiz and Alejandro Jodorowsky, this work charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to 2005.
| Author | : Jacob Leigh |
| Publisher | : A&C Black |
| Total Pages | : 388 |
| Release | : 2012-05-03 |
| Genre | : Performing Arts |
| ISBN | : 1441198318 |
Presents in chronological order the themes and ideas of his twenty-three feature films, and the complexity of their cinematic style.
| Author | : Richard Neupert |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 442 |
| Release | : 2007-04-20 |
| Genre | : Performing Arts |
| ISBN | : 0299217035 |
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
| Author | : Leila Wimmer |
| Publisher | : Peter Lang |
| Total Pages | : 320 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9783039113606 |
This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
| Author | : Kelley Conway |
| Publisher | : University of Illinois Press |
| Total Pages | : 209 |
| Release | : 2015-11-15 |
| Genre | : Performing Arts |
| ISBN | : 0252097823 |
Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors.
| Author | : James Stratton |
| Publisher | : Dog Ear Publishing |
| Total Pages | : 534 |
| Release | : 2017-07-29 |
| Genre | : Performing Arts |
| ISBN | : 1457555883 |
Along with such familiar titles as The Devil Wears Prada and Remember the Titans, Stratton introduces readers to lesser-known gems like Diplomatic Courier, The Narrow Margin, Prime Cut and Under Fire. The selections represent every major genre of film: domestic drama, musical, film noir, Western, science fiction, comedy, biopic, war, espionage, sports, superhero and horror. Among the acting careers examined are those of Cary Grant, Marlene Dietrich, Judy Garland, Greer Garson, Burt Lancaster, Meryl Streep, Matt Damon, Mark Wahlberg, Denzel Washington, Daniel Craig and many others. Covering over ninety years of film history, this is a book for the casual fan as well as the seasoned student. Easy to read and to navigate, it is a must-have reference.
