Portrait of the Isle of Wight
Author | : Lawrence Patrick Roy Wilson |
Publisher | : |
Total Pages | : 190 |
Release | : 1965 |
Genre | : Isle of Wight (England) |
ISBN | : |
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Author | : Lawrence Patrick Roy Wilson |
Publisher | : |
Total Pages | : 190 |
Release | : 1965 |
Genre | : Isle of Wight (England) |
ISBN | : |
Author | : Lawrence Wilson |
Publisher | : |
Total Pages | : 190 |
Release | : 1966 |
Genre | : |
ISBN | : |
Author | : Lawrence Wilson |
Publisher | : |
Total Pages | : 190 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Don French |
Publisher | : |
Total Pages | : 0 |
Release | : 1991 |
Genre | : |
ISBN | : |
Author | : Don French |
Publisher | : |
Total Pages | : 125 |
Release | : 1991 |
Genre | : Isle of Wight |
ISBN | : 9780946159895 |
Author | : |
Publisher | : |
Total Pages | : 276 |
Release | : 1808 |
Genre | : Isle of Wight |
ISBN | : |
Author | : Ian Badley |
Publisher | : Halsgrove |
Total Pages | : 144 |
Release | : 2009-05 |
Genre | : |
ISBN | : 9781841149578 |
Author | : Geraint Tellem |
Publisher | : |
Total Pages | : 144 |
Release | : 2010-06-30 |
Genre | : Coasts |
ISBN | : 9780857040077 |
Starting and finishing near The Needles and Alum Bay, this book represents a photographic exploration of the Isle of Wight's numerous coastal highlights and characteristics, captured in all their glory through more than 140 images from the incomparable camera of Geraint Tellem.
Author | : William Cooke |
Publisher | : Forgotten Books |
Total Pages | : 242 |
Release | : 2018-03-22 |
Genre | : Travel |
ISBN | : 9780365289388 |
Excerpt from A New Picture of the Isle of Wight: Illustrated With Thirty-Six Plates of the Most Beautiful and Interesting Views Throughout the Island Work, has proved the public testimony in its favour. A second edition being called for, the proprietors directed their attention to the improvement of the work. In the octa vo they have rejected some Of the plates, the least worthy of notice, and have added new ones of the most interesting views. In the descriptive part such alterations have been made as time and circumstances required, and some additional information given. An. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Max Saunders |
Publisher | : OUP Oxford |
Total Pages | : 608 |
Release | : 2010-04-22 |
Genre | : Literary Criticism |
ISBN | : 0191614734 |
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.