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| Author | : Gregory M. Pfitzer |
| Publisher | : |
| Total Pages | : 489 |
| Release | : 2008 |
| Genre | : American literature |
| ISBN | : 9781613761502 |
| Author | : Gregory M. Pfitzer |
| Publisher | : Studies in Print Culture and t |
| Total Pages | : 496 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781558496255 |
Explores how the emergence of a new literary marketplace in the mid-nineteenth century affected the study of history in America. In an effort to illuminate the cultural conditions for this boom, this book focuses on the business of book making and book promotion. It analyzes the subscription sales techniques of book agents.
| Author | : Mark Towsey |
| Publisher | : Cambridge University Press |
| Total Pages | : 317 |
| Release | : 2019-05-02 |
| Genre | : History |
| ISBN | : 1108483003 |
Presents a dramatic account of how readers across the English-speaking world used history to understand the Age of Enlightenment and Revolutions.
| Author | : Gary Kelly |
| Publisher | : |
| Total Pages | : 742 |
| Release | : 2011 |
| Genre | : Books and reading |
| ISBN | : 019923406X |
Planned nine-volume series devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present.
| Author | : Florian Freitag |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2020-10-01 |
| Genre | : History |
| ISBN | : 100019695X |
New Orleans is unique – which is precisely why there are many Crescent Cities all over the world: for almost 150 years, writers, artists, cultural brokers, and entrepreneurs have drawn on and simultaneously contributed to New Orleans’s fame and popularity by recreating the city in popular media from literature, photographs, and plays to movies, television shows, and theme parks. Addressing students and fans of the city and of popular culture, Popular New Orleans examines three pivotal moments in the history of New Orleans in popular media: the creation of the popular image of the Crescent City during the late nineteenth century in the local-color writings published in Scribner’s Monthly/Century Magazine; the translation of this image into three-dimensional immersive spaces during the twentieth century in Disney’s theme parks and resorts in California, Florida, and Japan; and the radical transformation of this image following Hurricane Katrina in public performances such as Mardi Gras parades and operas. Covering visions of the Crescent City from George W. Cable’s Old Creole Days stories (1873-1876) to Disneyland’s "New Orleans Square" (1966) to Rosalyn Story’s opera Wading Home (2015), Popular New Orleans traces how popular images of New Orleans have changed from exceptional to exemplary.
| Author | : Paul Laurence Dunbar |
| Publisher | : University Alabama Press |
| Total Pages | : 318 |
| Release | : 2021-02-09 |
| Genre | : Literary Collections |
| ISBN | : 0817320784 |
These 250 transcribed and annotated letters reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals Paul Laurence Dunbar (1873–1906) was arguably the most famous African American poet, novelist, and dramatist at the turn of the twentieth century and one of the earliest African American writers to receive national recognition and appreciation. Scholars have taken a renewed interest in Dunbar but much is still unknown about this once-famous African American author’s life and literary efforts. Dunbar’s letters to various editors, friends, benefactors, scholars, and family members are crucial to any critical or theoretical understanding of his journey as a writer. His literary correspondence, in particular, records the development of an extraordinary figure whose work reached a broad readership in his lifetime, but not without considerable cost. The Selected Literary Letters of Paul Laurence Dunbar is a collection of 250 letters, transcribed and annotated, that reveal the personal and literary life of one of the most highly regarded African American writers and intellectuals. Editors Cynthia C. Murillo and Jennifer M. Nader highlight Dunbar not just as a determined author and master of rhetoric, but also as a young, sensitive, thoughtful, keenly intelligent, and talented writer who battled depression, alcoholism, and tuberculosis as well as rejection and racism. Despite Dunbar’s personal struggles, his literary letters disclose that he was full of hopes and dreams coupled with the resolve to flourish as a writer—at almost any cost, even when it caused controversy. Taken together, Dunbar’s letters depict his concerted effort to succeed as an author within an overtly racist literary culture, among sharp divides within the African American intellectual community, and in opposition to the demands of popular public tastes—often dictated by the demands of publishers. This wide-ranging selection of Dunbar’s most relevant literary letters will serve to correct many matters of conjecture about Dunbar’s life, writing, and choices by supplying factual evidence to counter speculation, assumption, and incomplete information.
| Author | : Alexandra Ganser |
| Publisher | : Springer Nature |
| Total Pages | : 302 |
| Release | : 2020-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 3030436233 |
This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
| Author | : Lindsay DiCuirci |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 286 |
| Release | : 2018-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 081229551X |
In the long nineteenth century, the specter of lost manuscripts loomed in the imagination of antiquarians, historians, and writers. Whether by war, fire, neglect, or the ravages of time itself, the colonial history of the United States was perceived as a vanishing record, its archive a hoard of materially unsound, temporally fragmented, politically fraught, and endangered documents. Colonial Revivals traces the labors of a nineteenth-century cultural network of antiquarians, bibliophiles, amateur historians, and writers as they dug through the nation's attics and private libraries to assemble early American archives. The collection of colonial materials they thought themselves to be rescuing from oblivion were often reprinted to stave off future loss and shore up a sense of national permanence. Yet this archive proved as disorderly and incongruous as the collection of young states themselves. Instead of revealing a shared origin story, historical reprints testified to the inveterate regional, racial, doctrinal, and political fault lines in the American historical landscape. Even as old books embodied a receding past, historical reprints reflected the antebellum period's most pressing ideological crises, from religious schisms to sectionalism to territorial expansion. Organized around four colonial regional cultures that loomed large in nineteenth-century literary history—Puritan New England, Cavalier Virginia, Quaker Pennsylvania, and the Spanish Caribbean—Colonial Revivals examines the reprinted works that enshrined these historical narratives in American archives and minds for decades to come. Revived through reprinting, the obscure texts of colonial history became new again, deployed as harbingers, models, reminders, and warnings to a nineteenth-century readership increasingly fixated on the uncertain future of the nation and its material past.
| Author | : Laura Carter |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2021 |
| Genre | : History |
| ISBN | : 0198868332 |
Histories of Everyday Life is a study of the production and consumption of popular social history in mid-twentieth century Britain. It explores how non-academic historians, many of them women, developed a new breed of social history after the First World War, identified as the 'history of everyday life'. The 'history of everyday life' was a pedagogical construct based on the perceived educational needs of the new, mass democracy that emerged after 1918. It was popularized to ordinary people in educational settings, through books, in classrooms and museums, and on BBC radio. After tracing its development and dissemination between the 1920s and the 1960s, this book argues that 'history of everyday life' declined in the 1970s not because academics invented an alternative 'new' social history, but because bottom-up social change rendered this form of popular social history untenable in the changing context of mass education. Histories of Everyday Life ultimately uses the subject of history to demonstrate how profoundly the advent of mass education shaped popular culture in Britain after 1918, arguing that we should see the twentieth century as Britain's educational century.
| Author | : Nick Witham |
| Publisher | : University of Chicago Press |
| Total Pages | : 229 |
| Release | : 2023-07-26 |
| Genre | : History |
| ISBN | : 0226826996 |
"Nick Witham investigates how widely popular history books have gotten written, promoted, and institutionalized. Not just a matter of writing style, popular accessibility is also a product of an author's frame of mind, the editor's skill, and the publisher's marketing acumen, among other factors. Witham has done extensive work not just in historians' archives but in publishers' files. His primary subjects are Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Gerda Lerner, and Howard Zinn-all popular historians who were explicitly concerned with the question of popularity. Collectively, they reveal the cross-influences of popular history writing and American popular culture"--
