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Politics and Culture in Post-war Italy

Politics and Culture in Post-war Italy
Author: Linda Risso
Publisher: Cambridge Scholars Publishing
Total Pages: 268
Release: 2006
Genre: Political Science
ISBN:

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Features articles by British, Irish and Italian young researchers working on various aspects of Italian Studies defined since the end of World War II. This volume offers insights into several aspects of post-war Italian culture and introduces perspectives on literature, women's studies, cinema, history and politics.


Mass Culture and Italian Society from Fascism to the Cold War

Mass Culture and Italian Society from Fascism to the Cold War
Author: David A. Forgacs
Publisher: Indiana University Press
Total Pages: 754
Release: 2007
Genre: History
ISBN: 0253219485

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From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.


Requiem for a nation

Requiem for a nation
Author: Roberto Cavallini
Publisher: Mimesis
Total Pages: 119
Release: 2017-05-30T00:00:00+02:00
Genre: Art
ISBN: 8869771156

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The primary objective of this collection is to examine the ways in which religion, culture and politics converge in configuring the contradictions of post-war Italy’s cultural history, starting from the assumption that conducting a critical reflection on Italian postwar visual culture requires investigating the inevitable impact of Catholic religion on everyday life in its social, political and cultural dimensions. The volume takes advantage of the privileged position of cinema to explore and critique religion’s influence on the Italian cultural landscape. This edited anthology thus seeks to probe how religion is experienced, practiced, criticized and represented from various methodological perspectives (historical, philological, aesthetic, psychoanalytical, popular studies, etc.) through four main sections: ‘Propaganda and Censorship’, ‘Framing Belief: Pasolini and Petri’, ‘Religion in Italian Popular Cinema’ and ‘Ancient Rituals, Modern Myths’.


Italy in the Cold War

Italy in the Cold War
Author: Christopher Duggan
Publisher: Berg 3pl
Total Pages: 246
Release: 1995-11
Genre: History
ISBN:

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Arguing that many of Italy's current problems can be traced to the first decade of the cold war, 13 essays examine various aspects of that crucial period: the legacy of fascism, limited sovereignty, European integration, Pope Pius XII, cinema, prison notebooks, the family, industrial design, images of Russia, critics and intellectuals, and others. Annotation copyright by Book News, Inc., Portland, OR


Never Give in

Never Give in
Author: Alastair Davidson
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 144
Release: 1998
Genre: History
ISBN:

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For a half century, the experience of Resistance has formed a central reference point within the world of Italian politics and culture. The essays that make up Never Give In offer a critical assessment both of that legacy, and some of the major political forces that have laid claim to it. At the same time, the authors of these essays argue that the Resistance continues as more than simply nostalgia. In each of their historiographical revisions, they also show - even in the much more complicated and less heroic accounts of what happened - a continuing ethic, a way of being and acting politically that is of abiding relevance.


Italy and the Great War

Italy and the Great War
Author: John Alden Thayer
Publisher: Madison : University of Wisconsin Press
Total Pages: 496
Release: 1964
Genre: Italy
ISBN:

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Seeks to explain the conflicts and concepts that led to Mussolini's fascism.


Italian Neofascism

Italian Neofascism
Author: Anna Cento Bull
Publisher: Berghahn Books
Total Pages: 192
Release: 2011-12
Genre: History
ISBN: 085745174X

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During the Cold War Italy witnessed the existence of an anomalous version of a civil conflict, defined as a 'creeping' or a 'low-intensity' civil war. Political violence escalated, including bomb attacks against civilians, starting with a massacre in Milan, on 12 December 1969, and culminating with the massacre in Bologna, on 2 August 1980. Making use of the literature on national reconciliation and narrative psychology theory, this book examines the fight over the 'judicial' and the 'historical' truth in Italy today, through a contrasting analysis of judicial findings and the 'narratives of victimhood' prevalent among representatives of both the post- and the neo-fascist right.


Italian Intellectuals and International Politics, 1945–1992

Italian Intellectuals and International Politics, 1945–1992
Author: Alessandra Tarquini
Publisher: Springer Nature
Total Pages: 287
Release: 2019-10-01
Genre: History
ISBN: 3030249387

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Italian intellectuals played an important role in the shaping of international politics during the Cold War. The visions of the world that they promulgated, their influence on public opinion and their ability to shape collective speech, whether in agreement with or in opposition to those in power, have been underestimated and understudied. This volume marks one of the first serious attempts to assess how Italian intellectuals understood and influenced Italy’s place in the post–World War II world. The protagonists represent the three key post-war political cultures: Catholic, Marxist and Liberal Democratic. Together, these essays uncover the role of such intellectuals in institutional networks, their impact on the national and transnational circulation of ideas and the relationships they established with a variety of international associations and movements.


Italy and the Cultural Politics of World War I

Italy and the Cultural Politics of World War I
Author: Graziella Parati
Publisher: Rowman & Littlefield
Total Pages: 183
Release: 2016-09-14
Genre: History
ISBN: 1611479517

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Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.


Making the Fascist Self

Making the Fascist Self
Author: Mabel Berezin
Publisher: Cornell University Press
Total Pages: 292
Release: 2018-10-18
Genre: History
ISBN: 150172214X

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In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.