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| Author | : Helene Wieruszowski |
| Publisher | : Ed. di Storia e Letteratura |
| Total Pages | : 706 |
| Release | : 1971 |
| Genre | : Catalonia (Spain) |
| ISBN | : |
| Author | : Thomas Dandelet |
| Publisher | : BRILL |
| Total Pages | : 620 |
| Release | : 2006-12-01 |
| Genre | : History |
| ISBN | : 9047411188 |
Nuanced understanding of the reciprocal nature of Spanish-Italian relations and the rich cultural production that was the product of the far-reaching exchanges between the two peninsulas throughout the early modern period guides the nineteen essays in this volume. The key political reality of sixteenth and seventeenth-century Spanish imperial domination in Italy—formal (Sicily, Sardinia, Naples, Milan), informal (Rome, Genoa, Tuscany), and more neutral or independent (Venice)—introduces the investigation in this volume into the methods and mechanisms of control and collaboration, cooperation and cooptation, assimilation and resistance. The connections between topics and problems in social, administrative, economic, and cultural history follow from political theory and practice. Politics, society, economy, and religion help us see both Spain and Italy more clearly.
| Author | : Piers Baker-Bates |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2016-02-17 |
| Genre | : Art |
| ISBN | : 1317015010 |
The sixteenth century was a critical period both for Spain’s formation and for the imperial dominance of her Crown. Spanish monarchs ruled far and wide, spreading agents and culture across Europe and the wider world. Yet in Italy they encountered another culture whose achievements were even prouder and whose aspirations often even grander than their own. Italians, the nominally subaltern group, did not readily accept Spanish dominance and exercised considerable agency over how imperial Spanish identity developed within their borders. In the end Italians’ views sometimes even shaped how their Spanish colonizers eventually came to see themselves. The essays collected here evaluate the broad range of contexts in which Spaniards were present in early modern Italy. They consider diplomacy, sanctity, art, politics and even popular verse. Each essay excavates how Italians who came into contact with the Spanish crown’s power perceived and interacted with the wider range of identities brought amongst them by its servants and subjects. Together they demonstrate what influenced and what determined Italians’ responses to Spain; they show Spanish Italy in its full transcultural glory and how its inhabitants projected its culture - throughout the sixteenth century and beyond.
| Author | : R. Collins |
| Publisher | : Springer |
| Total Pages | : 265 |
| Release | : 2002-07-30 |
| Genre | : History |
| ISBN | : 1403919771 |
This volume of essays contains contributions from a very wide range of British, American and Spanish scholars. Its primary concern is the relationships between the various ethnic, cultural, regional and religious communities that co-existed in the Iberian peninsula in the later Middle Ages. Conflicts and mutual interactions between them are here explored in a range of both historical and literary studies, to expose something of the rich diversity of the cultural life of later medieval Spain.
| Author | : Ronald G. Witt |
| Publisher | : Cambridge University Press |
| Total Pages | : 617 |
| Release | : 2012-03-19 |
| Genre | : History |
| ISBN | : 1107376688 |
This book traces the intellectual life of the Kingdom of Italy, the area in which humanism began in the mid thirteenth century, a century or more before exerting its influence on the rest of Europe. Covering a period of over four and a half centuries, this study offers the first integrated analysis of Latin writings produced in the area, examining not only religious, literary, and legal texts. Ronald G. Witt characterizes the changes reflected in these Latin writings as products of the interaction of thought with economic, political, and religious tendencies in Italian society as well as with intellectual influences coming from abroad. His research ultimately traces the early emergence of humanism in northern Italy in the mid thirteenth century to the precocious development of a lay intelligentsia in the region, whose participation in the culture of Latin writing fostered the beginnings of the intellectual movement which would eventually revolutionize all of Europe.
| Author | : William James Callahan |
| Publisher | : Harvard University Press |
| Total Pages | : 348 |
| Release | : 1984 |
| Genre | : History |
| ISBN | : 9780674131255 |
This contribution to European historical literature provides a clear and dispassionate account of successive ecclesiastical-secular conflicts and controversies in Spain and deftly summarizes the diverse ideological and intellectual currents of the times.
| Author | : Céline Dauverd |
| Publisher | : Cambridge University Press |
| Total Pages | : 311 |
| Release | : 2020-03-26 |
| Genre | : History |
| ISBN | : 1108489850 |
Examines the relation between imperialism and religion through the practice of good government in Spanish Naples. Ideal for courses on the Renaissance, imperialism, the Spanish world, European history, diplomatic-international relations and the general reader interested in cultural history, Renaissance Italy, social minorities, and religious rituals.
| Author | : Allen J. Grieco |
| Publisher | : |
| Total Pages | : 327 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9788833670393 |
| Author | : Beth Williamson |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2017-09-29 |
| Genre | : Art |
| ISBN | : 1351788426 |
This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
| Author | : Areli Marina |
| Publisher | : Penn State Press |
| Total Pages | : 220 |
| Release | : 2012-04-07 |
| Genre | : Architecture |
| ISBN | : 0271058919 |
During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma’s urban center in this tumultuous period by reconstructing the city’s two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city’s ruling elite. By the early fourteenth century, Parma’s patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities. Moreover, Marina establishes that the piazzas’ orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma’s squares were also agents in the production of the city-state’s mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city’s leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy’s civic culture and the carefully crafted piazzas from which it emerged.
