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Polish Theatre Revisited

Polish Theatre Revisited
Author: Agata Luksza
Publisher: University of Iowa Press
Total Pages: 368
Release: 2024-01-19
Genre: History
ISBN: 1609389298

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Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Luksza places special emphasis on the most engaged spectators, known as "theatremaniacs"--from what they wore, to what they bought, to what they ate. The theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.


Polish Theatre Revisited

Polish Theatre Revisited
Author: Agata Luksza
Publisher: University of Iowa Press
Total Pages: 368
Release: 2024-01-19
Genre: Performing Arts
ISBN: 1609389301

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Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.


A History of Polish Theater, 1939-1989

A History of Polish Theater, 1939-1989
Author: Kazimierz Braun
Publisher: Praeger
Total Pages: 256
Release: 1996-02-06
Genre: Performing Arts
ISBN:

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This work explores Polish theater within the context of the political predicament of the country, which was conquered and divided by Nazi Germany and the Soviet Union (1939-1945) and then ruled by the Soviets' imposed Communist regime (1945-1989). Braun examines theatrical events, describes productions, and portrays artists from aesthetic, cultural, and political viewpoints with a scholarly and impartial perspective. This comprehensive introduction, the first of its kind in English, includes brief overviews of the history of Poland and Polish theater, clear discussions of major theatrical developments and the facets of theatrical life in Poland, and 26 detailed profiles of the leading theater artists of the period. The book is supplemented with a bibliography of sources in English and Polish, and indexes of names and plays (with titles in both English and Polish).


Twentieth Century Polish Theatre

Twentieth Century Polish Theatre
Author: Bohdan Drozdowski
Publisher: London : J. Calder
Total Pages: 260
Release: 1979
Genre: Performing Arts
ISBN:

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Rowdy Carousals

Rowdy Carousals
Author: J. Chris Westgate
Publisher: University of Iowa Press
Total Pages: 297
Release: 2024-07-01
Genre: Performing Arts
ISBN: 1609389484

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Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.


Polish Theatre Map

Polish Theatre Map
Author: Joanna Nawrocka
Publisher:
Total Pages:
Release: 2009
Genre: Theater
ISBN:

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Polish Theatre after the Fall of Communism

Polish Theatre after the Fall of Communism
Author: Olga Śmiechowicz
Publisher: Cambridge Scholars Publishing
Total Pages: 220
Release: 2018-10-09
Genre: Performing Arts
ISBN: 1527518469

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In international theatre studies, there has been a dearth of studies on Polish contemporary theatre. This book investigates how Polish theatre has changed since 1989 and the fall of Communism. It introduces the most prominent Polish theatre directors, namely Krystian Lupa and his two extremely talented students Krzysztof Warlikowski and Jan Klata. All three of them represent three absolutely different types of aesthetics and ways of thinking about theatre: Krystian Lupa mostly concentrates on Austrian and Russian literature. Krzysztof Warlikowski’s theatre is based on stage versions of William Shakespeare or Ancient authors. Jan Klata focuses his attention on Polish history and current social problems. This book highlights the creativity of Polish contemporary theatre, and shows how different from most theatre traditions in other European countries it is.


A History of Polish Theatre

A History of Polish Theatre
Author: Katarzyna Fazan
Publisher:
Total Pages:
Release: 2021
Genre: DRAMA
ISBN: 9781108619028

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"There is no such thing as one Polish culture. Even understood in the most broad and simple sense, that is, as a collection of all the cultural achievements made by Poles together, one immediately faces problems with understanding the concepts of 'Polishness' and 'cultural achievement' themselves. The historical, geographical, legal, ethnic, religious, and linguistic changes - and differences - create such a diversity that it is impossible to find one commonality through which one homogeneous sense or meaning can be teased out. Even though schooling - for example - reproduces such simplifying, patriotic models, it does not mean they translate into a consistent interpretation. Lastly, every narrative within cultural studies reveals and names as much as it covers and conceals; this is because it cannot be constructed without emphasizing certain facts while silencing others. The 'one culture', then, breaks up into a multitude of cultures. The monologue of the centrally-defined discourse of Polishness passes into a polyphony of peripheries, into a dialogue of subcultures of borderlands, into a chorus of those who are to be silenced by the homogeneous centre"--