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| Author | : Daniel Tobin |
| Publisher | : University of Michigan Press |
| Total Pages | : 314 |
| Release | : 2008 |
| Genre | : Poetry |
| ISBN | : 0472069977 |
An indispensable resource for anyone interested in the art and craft of contemporary poetry
| Author | : Sarah Bay-Cheng |
| Publisher | : Susquehanna University Press |
| Total Pages | : 354 |
| Release | : 2010 |
| Genre | : Drama |
| ISBN | : 1575911280 |
Beginning with Stevens's Three Travelers Watch a Sunrise (1916) as a dynamic introduction to the modernist transformation of poetry into performance, the collection also includes Millay's biting anti-war satire, Aria da Capo (1920) and H.D.'s Hippolytus Temporizes (1927), loosely adapted from the Euripides play. Both plays demonstrate the Greek poets' enduring legacy in modern poetic drama --
| Author | : Robert Browning |
| Publisher | : DigiCat |
| Total Pages | : 5309 |
| Release | : 2023-12-04 |
| Genre | : Poetry |
| ISBN | : |
This carefully crafted ebook: "The Complete Works: Poetry, Plays, Letters, Biographies" is formatted for your eReader with a functional and detailed table of contents. Robert Browning (1812 – 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry. Table of Contents: Life and Letters of Robert Browning: Life and Letters of Robert Browning by Mrs. Sutherland Orr The Brownings: Their Life and Art Letters Life of Robert Browning by William Sharp Robert Browning by G.K. Chesterton Poetry: Bells and Pomegranates No. III: Dramatic Lyrics Bells and Pomegranates No. VII: Dramatic Romances and Lyrics Pauline: A Fragment of a Confession Sordello Asolando Men and Women Dramatis Personae The Ring and the Book Balaustion's Adventure Prince Hohenstiel-Schwangau, Saviour of Society Fifine at the Fair Red Cotton Nightcap Country Aristophanes' Apology The Inn Album Pacchiarotto, and How He Worked in Distemper La Saisiaz and the Two Poets of Croisic Dramatic Idylls Dramatic Idylls: Second Series Christmas-Eve and Easter-Day Jocoseria Ferishtah's Fancies Parleyings with Certain People of Importance in Their Day Plays: Strafford Paracelsus Bells and Pomegranates No. I: Pippa Passes Bells and Pomegranates No. II: King Victor and King Charles Bells and Pomegranates No. IV: The Return of the Druses Bells and Pomegranates No. V: A Blot in the 'scutcheon Bells and Pomegranates No. VI: Colombe's Birthday Bells and Pomegranates No. VIII: Luria and a Soul's Tragedy Herakles The Agamemnon of Aeschylus
| Author | : Willard Spiegelman |
| Publisher | : Oxford University Press |
| Total Pages | : 256 |
| Release | : 2005-06-23 |
| Genre | : Literary Criticism |
| ISBN | : 0190291834 |
Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.
| Author | : Susan Somers-Willett |
| Publisher | : University of Michigan Press |
| Total Pages | : 206 |
| Release | : 2009-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 0472050591 |
How do slam poets and their audiences reflect the politics of difference?
| Author | : Eleanor Cook |
| Publisher | : Stanford University Press |
| Total Pages | : 352 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : 9780804729376 |
This book looks at how poems work, showing how they speak to historical, ethical, and aesthetic questions. It also demonstrates how to read poetry—how to go beyond an elementary approach, to recover the sheer pleasure of good poems.
| Author | : Douglas Kearney |
| Publisher | : Wave Books |
| Total Pages | : 90 |
| Release | : 2022-01-18 |
| Genre | : Poetry |
| ISBN | : 1950268624 |
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
| Author | : Gary Soto |
| Publisher | : Sasquatch Books |
| Total Pages | : 172 |
| Release | : 2013-08-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1570618755 |
Gary Soto is a widely published author of children's and young adult fiction, and he is an acclaimed poet--often referred to as one of the nation's first Chicano poets. With a sharp sense of storytelling and a sly wit, What Poets Are Like is a memoir of the writing life that shares the keen observation, sense of self and humor of such writers as Sherman Alexie and Nora Ephron. In some 60 short episodes, this book captures moments of a writer's inner and public life, close moments with friends and strangers, occasional reminders of a poet's generally low place in the cultural hierarchy; time spent with cats; the curious work of writing. He tells the stories of his time spent in bookstores and recounts the glorious, then tragic, arc of Cody's Bookstore in Berkeley, ending with the author whose scheduled event fell on the day after the business shut down, but who stood outside the locked door and read aloud just the same. As all writers do, Soto suffers the slings and arrows of rejection, often from unnamed Midwest poetry journals, and seeks the solace of a friendly dog at such moments. Soto jabs at the crumbs of reward available to writers--a prize nomination here, a magazine interview there--and notes the toll they take on a frail ego. The pleasure Soto takes in the written word, a dose of comic relief plus his appreciation of the decisive moment in life make this an engaging and readable writer's confession.
| Author | : Reginald Gibbons |
| Publisher | : University of Chicago Press |
| Total Pages | : 320 |
| Release | : 1989-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 0226290549 |
"This anthology brings together essays by 20th-century poets on their own art: some concern themselves with its deep sources and ultimate justifications; others deal with technique, controversies among schools, the experience behind particular poems. The great Modernists of most countries are presented here—Paul Valéry, Federico García Lorca, Boris Pasternak, Fernando Pessoa, Eugenio Montale, Wallace Stevens—as are a range of younger, less eminent figures from the English-speaking world: Seamus Heaney, Denise Levertov, Wendell Berry. . . . The reader will find here a lively debate over the individualistic and the communal ends served by poetry, and over other issues that divide poets: inspiration and craft; the use or the condemnation of science; traditional and 'organic' form."—Alan Williamson, New York Times Book Review
| Author | : Pat Kane |
| Publisher | : Pan Macmillan |
| Total Pages | : 468 |
| Release | : 2011-08-19 |
| Genre | : Psychology |
| ISBN | : 1447207114 |
‘Fizzes with intellectual curiosity. Kane writes engagingly and with a humility difficult to find among idea-entrepreneurs’ James Harkin, Independent We all think we know what play is. Play is what we do as children, what we do outside of work, what we do for no other reason than for pleasure. But this is only half of the truth. The Play Ethic explores the real meaning of play and shows how a more playful society would revolutionize and liberate our daily lives. Using wide and varied sources – from the Enlightenment to Eminem, Socrates to Chaos theory, Kierkegaard to Karaoke – The Play Ethic shows how play is fundamental to both society and to the individual, and how the work ethic that has dominated the last three centuries is ill-equipped to deal with the modern world. With verve, wit and intelligence, Pat Kane takes us on a tour of the playful world arguing that without it business, the arts, politics, education, even our family and spiritual lives are fundamentally impoverished. The Play Ethic seeks to change the way you look at your daily life, how you interact with others, how you view the world. It is a guidebook to new, exciting – and unsettling – times. Shocking, controversial, yet magnificently argued, The Play Ethic is a book no one who works, or has ever worked, can afford to be without. ‘Kane's Manifesto for a Different Way of Living is a brave attempt to inject a little playfulness . . . into the dull grind of the working stiff’ Iain Finlayson, The Times
