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Poetry, Print, and the Making of Postcolonial Literature

Poetry, Print, and the Making of Postcolonial Literature
Author: Nathan Suhr-Sytsma
Publisher: Cambridge University Press
Total Pages: 301
Release: 2017-07-10
Genre: Literary Criticism
ISBN: 1316739015

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Poetry, Print, and the Making of Postcolonial Literature reveals an intriguing history of relationships among poets and editors from Ireland and Nigeria, as well as Britain and the Caribbean, during the mid-twentieth-century era of decolonization. The book explores what such leading anglophone poets as Seamus Heaney, Christopher Okigbo, and Derek Walcott had in common: 'peripheral' origins and a desire to address transnational publics without expatriating themselves. The book reconstructs how they gained the imprimatur of both local and London-based cultural institutions. It shows, furthermore, how political crises challenged them to reconsider their poetry's publics. Making substantial use of unpublished archival material, Nathan Suhr-Sytsma examines poems in print, often the pages on which they first appeared, in order to chart the transformation of the anglophone literary world. He argues that these poets' achievements cannot be extricated from the transnational networks through which their poems circulated - and which they in turn remade.


Poetry, Print, and the Making of Postcolonial Literature

Poetry, Print, and the Making of Postcolonial Literature
Author: Nathan Suhr-Sytsma
Publisher: Cambridge University Press
Total Pages: 301
Release: 2017-07-10
Genre: Literary Criticism
ISBN: 1107166845

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The book reveals how mid-twentieth-century African, Caribbean, Irish, and British poets profoundly affected each other in person and in print.


Contemporary Caribbean Women's Poetry

Contemporary Caribbean Women's Poetry
Author: Denise deCaires Narain
Publisher: Routledge
Total Pages: 276
Release: 2003-08-29
Genre: Literary Criticism
ISBN: 1134601824

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Contemporary Caribbean Women's Poetry provides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry.


The Cambridge Companion to Postcolonial Poetry

The Cambridge Companion to Postcolonial Poetry
Author: Jahan Ramazani
Publisher: Cambridge University Press
Total Pages: 311
Release: 2017-02-27
Genre: Literary Criticism
ISBN: 1107090717

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This Companion is the first to explore postcolonial poetry through regional, historical, political, formal, textual and gender approaches.


Mongrel Nation

Mongrel Nation
Author: Ashley Dawson
Publisher: University of Michigan Press
Total Pages: 241
Release: 2010-02-05
Genre: Literary Criticism
ISBN: 0472025058

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Mongrel Nation surveys the history of the United Kingdom’s African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom’s exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies. Mongrel Nation gives readers a broad landscape from which to view the shifting currents of politics, literature, and culture in postcolonial Britain. At a time when the contradictions of expansionist braggadocio again dominate the world stage, Mongrel Nation usefully illuminates the legacy of imperialism and suggests that creative voices of resistance can never be silenced.Dawson “Elegant, eloquent, and full of imaginative insight, Mongrel Nation is a refreshing, engaged, and informative addition to post-colonial and diasporic literary scholarship.” —Hazel V. Carby, Yale University “Eloquent and strong, insightful and historically precise, lively and engaging, Mongrel Nation is an expansive history of twentieth-century internationalist encounters that provides a broader landscape from which to understand currents, shifts, and historical junctures that shaped the international postcolonial imagination.” —May Joseph, Pratt Institute Ashley Dawson is Associate Professor of English at the City University of New York’s Graduate Center and the College of Staten Island. He is coeditor of the forthcoming Exceptional State: Contemporary U.S. Culture and the New Imperialism.


The Cambridge Companion to Postcolonial Poetry

The Cambridge Companion to Postcolonial Poetry
Author: Jahan Ramazani
Publisher: Cambridge University Press
Total Pages: 311
Release: 2017-02-27
Genre: Literary Criticism
ISBN: 1108228615

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The Cambridge Companion to Postcolonial Poetry is the first collection of essays to explore postcolonial poetry through regional, historical, political, formal, textual, gender, and comparative approaches. The essays encompass a broad range of English-speakers from the Caribbean, Africa, South Asia, and the Pacific Islands; the former settler colonies, such as Canada, Australia, and New Zealand, especially non-Europeans; Ireland, Britain's oldest colony; and postcolonial Britain itself, particularly black and Asian immigrants and their descendants. The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry's response to, and reimagining of, globalization. Strengthening the place of poetry in postcolonial studies, this Companion also contributes to the globalization of poetry studies.


Postcolonial Poetics

Postcolonial Poetics
Author: Elleke Boehmer
Publisher: Springer
Total Pages: 220
Release: 2018-06-27
Genre: Literary Criticism
ISBN: 3319903411

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Postcolonial Poetics is about how we read postcolonial and world literatures today, and about how the structures of that writing shape our reading. The book’s eight chapters explore the ways in which postcolonial writing in English from various 21st-century contexts, including southern and West Africa, and Black and Asian Britain, interacts with our imaginative understanding of the world. Throughout, the focus is on reading practices, where reading is taken as an inventive, border-traversing activity, one that postcolonial writing with its interests in margins, intersections, subversions, and crossings specifically encourages. This close, sustained focus on reading, reception, and literariness is an outstanding feature of the study, as is its wide generic range, embracing poetry, essays, and life-writing, as well as fiction. The field-defining scholar Elleke Boehmer holds that literature has the capacity to keep reimagining and refreshing how we understand ourselves in relation to the world and to some of the most pressing questions of our time, including resistance, reconciliation, survival after terror, and migration.


Postcolonial Love Poem

Postcolonial Love Poem
Author: Natalie Diaz
Publisher: Graywolf Press
Total Pages: 116
Release: 2020-03-03
Genre: Poetry
ISBN: 1644451131

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WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.


The Bloomsbury Handbook of Postcolonial Print Cultures

The Bloomsbury Handbook of Postcolonial Print Cultures
Author: Toral Jatin Gajarawala
Publisher: Bloomsbury Publishing
Total Pages: 529
Release: 2023-08-10
Genre: Literary Criticism
ISBN: 1350261769

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The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism 'from below', and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism.


Postcolonial Poetics

Postcolonial Poetics
Author: Patrick Crowley
Publisher: Liverpool University Press
Total Pages: 296
Release: 2011-01-01
Genre: Literary Criticism
ISBN: 1846317452

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Responding to calls to focus on postcolonial literature's literary qualities instead of merely its political content, this volume investigates the idiosyncrasies of postcolonial poetics. However, rather than privileging the literary at the expense of the political, the essays collected here analyze how texts use genre and form to offer multiple and distinct ways of responding to political and historical questions. By probing how different kinds of literary writing can blur with other discourses, the contributors offer key insights into postcolonial literature's power to imagine alternative identities and societies.