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| Author | : Andrew Miller |
| Publisher | : |
| Total Pages | : |
| Release | : 2016 |
| Genre | : Ekphrasis |
| ISBN | : 9781781382356 |
A detailed study of the ekphrasis of photography in poetry since the 19th century. Unlike other critical studies of ekphrasis, Miller's study concentrates solely on the lyrical ekphrasis of photographs, setting out to define how the photographic image provides a unique form of poetic ekphrasis.
| Author | : Janée J. Baugher |
| Publisher | : McFarland |
| Total Pages | : 241 |
| Release | : 2020-06-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1476679452 |
A common definition of ekphrasis is descriptive writing influenced by the visual arts. Beyond the written word, however, responding to art can engender self-reflection, creativity, and help writers to build characters, plot, and setting. This book unites the history and tradition of ekphrasis, its conventions, the writing process, and multi-genre writing prompts. In addition to subjects such as early art engagement, psychology, and the eye-brain-perception relationship, this book discusses artists' creative processes, tools, and techniques, and offers instruction on how to read art by way of deep-looking.
| Author | : John Ashbery |
| Publisher | : Penguin |
| Total Pages | : 98 |
| Release | : 1990-01-01 |
| Genre | : Poetry |
| ISBN | : 0140586687 |
John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
| Author | : Jane Hedley |
| Publisher | : University of Delaware Press |
| Total Pages | : 317 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : 0874130468 |
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
| Author | : James A. W. Heffernan |
| Publisher | : University of Chicago Press |
| Total Pages | : 261 |
| Release | : 2004-04 |
| Genre | : Literary Criticism |
| ISBN | : 0226323145 |
Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.
| Author | : Andrew D. Miller |
| Publisher | : Oxford University Press |
| Total Pages | : 352 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 1781381909 |
A detailed study of the ekphrasis of photography in poetry since the 19th century. Unlike other critical studies of ekphrasis, Miller's study concentrates solely on the lyrical ekphrasis of photographs, setting out to define how the photographic image provides a unique form of poetic ekphrasis.
| Author | : Adam Kirsch |
| Publisher | : Other Press, LLC |
| Total Pages | : 137 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 1590517342 |
Through his portraits of ordinary people August Sander, the German photographer whose work chronicled the extreme tensions and transitions of the twentieth century, captured a moment in history whose consequences he himself couldn't have predicted. Using these photographs as a lens, Adam Kirsch's poems connect the legacy of the First World War with the turmoil of the Weimar Republic and foreshadow the Nazi era. Kirsch writes both urgently and poignantly about these photographs, creating a unique dialogue of word and image that will speak to readers.
| Author | : Sandra Lee Kleppe |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 220 |
| Release | : 2015-10-19 |
| Genre | : Literary Criticism |
| ISBN | : 1443885061 |
Ekphrasis in American Poetry: The Colonial Period to the 21st Century provides a sample of the chronological range and stylistic variety of ekphrastic poetry, or poetry that engages in various ways with different types of visual art, including pictographs, paintings, moving panoramas, daguerreotypes, photographs, landscape, and more. The volume shows how ekphrasis has been a part of American poetry from its inception, and that as many American men as women have produced work in this genre. The book opens with an overview chapter followed by an examination of American ekphrastic poems during the formative Colonial period where Europe, Africa, and Indigenous America met in encounters that are depicted in art and literature. It closes with two chapters on Native American poetry that consider how American landscapes serve as ekphrastic prompts for personal and collective experiences. In between are contributions on men and women poets and artists who have engaged with ekphrasis in a variety of ways from different periods. As such, American ekphrasis emerges as a genre that has implications far beyond the Eurocentric versions of the canon that have hitherto been discussed in the critical literature on the topic.
| Author | : Lorette Luzajic |
| Publisher | : Independently Published |
| Total Pages | : 224 |
| Release | : 2020-01-18 |
| Genre | : |
| ISBN | : 9781658005142 |
A collection of ekphrastic prose poems by mixed-media artist Lorette C. Luzajic. The poetry is inspired by a range of personal experiences, her travels, love and loss, and paintings from Picasso to Basquiat to Darger.
| Author | : Robert D. Denham |
| Publisher | : McFarland |
| Total Pages | : 342 |
| Release | : 2010-03-10 |
| Genre | : Literary Criticism |
| ISBN | : 0786456582 |
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
