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| Author | : Andrea Brady |
| Publisher | : Cambridge University Press |
| Total Pages | : 437 |
| Release | : 2021-10-21 |
| Genre | : Literary Criticism |
| ISBN | : 110884572X |
Offering a new theory of poetic constraint, this book analyses contributions of bound people to the history of the lyric.
| Author | : Erika DeSimone |
| Publisher | : NewSouth Books |
| Total Pages | : 352 |
| Release | : 2014-01-01 |
| Genre | : Poetry |
| ISBN | : 1588382982 |
Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery. The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empowerment of African American voices. For many, poetry became this empowerment. Almost every black-owned periodical featured an open call for poetry, and African Americans, both free and enslaved, responded by submitting droves of poems for publication. Yet until now, these poems -- and an entire literary movement -- have been lost to modern readers. The poems in Voices Beyond Bondage address the horrific and the mundane, the humorous and the ordinary and the extraordinary. Authors wrote about slavery, but also about love, morality, politics, perseverance, nature, and God. These poems evidence authors who were passionate, dedicated, vocal, and above all resolute in a bravery which was both weapon and shield against a world of prejudice and inequity. These authors wrote to be heard; more than 150 years later it is at last time for us to listen.
| Author | : C. S. Lewis |
| Publisher | : Cosimo, Inc. |
| Total Pages | : 89 |
| Release | : 2005-11-01 |
| Genre | : Poetry |
| ISBN | : 1596053720 |
@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@
| Author | : Andrea Brady |
| Publisher | : Uea Publishing Project |
| Total Pages | : 0 |
| Release | : 2021-11 |
| Genre | : |
| ISBN | : 9781913861339 |
| Author | : Vincent Carretta |
| Publisher | : University Press of Kentucky |
| Total Pages | : 419 |
| Release | : 2021-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 0813183200 |
Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.
| Author | : Clive Staples Lewis |
| Publisher | : |
| Total Pages | : 130 |
| Release | : 1926 |
| Genre | : Epic poetry, English |
| ISBN | : |
| Author | : Vincent Carretta |
| Publisher | : University of Georgia Press |
| Total Pages | : 318 |
| Release | : 2014-01-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 0820346640 |
Carretta offers the first full-length biography of Phillis Wheatley (1753?-1784), who became the first English-speaking person of African descent to publish a book and only the second woman--of any race or background--to do so in America.
| Author | : George Moses Horton |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 172 |
| Release | : 1997 |
| Genre | : Poetry |
| ISBN | : 9780807846483 |
a book in the South, and the only slave to earn a significant income through the sale of his poems. As a man and as a poet, Horton's achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction - which combines biography, history, cultural commentary, and critical insight - presents a compelling and detailed picture of this remarkable man's life and art. Covering a wide range of poetical subjects in.
| Author | : Claude McKay |
| Publisher | : Graphic Arts Books |
| Total Pages | : 41 |
| Release | : 2021-11-16 |
| Genre | : Poetry |
| ISBN | : 151322350X |
Spring in New Hampshire and Other Poems (1920) is a poetry collection by Claude McKay. Published toward the beginning of the Harlem Renaissance, Spring in New Hampshire and Other Poems is the first of McKay’s collections to appear in the United States. As a committed leftist, McKay—who grew up in Jamaica—captures the life of African Americans from a realist’s point of view, lamenting their exposure to poverty, racism, and violence while celebrating their resilience and cultural achievement. Several years before T. S. Eliot’s The Waste Land (1922) and William Carlos Williams’ Spring and All (1923), modernist poet Claude McKay troubles the traditional symbol of springtime to accommodate the hardships of an increasingly industrialized world. In “Spring in New Hampshire,” the poet gives voice to a desperate laborer, for whom the beauty and harmony of the season of rebirth are not only sickening, but altogether inaccessible: “Too green the springing April grass, / Too blue the silver-speckled sky, / For me to linger here, alas, / While happy winds go laughing by, / Wasting the golden hours indoors, / Washing windows and scrubbing floors.” A master of traditional forms, McKay brings his experience as a black man to bear on a poem otherwise dedicated to descriptions of natural beauty, challenging the very tradition his language and style invoke. In “The Lynching,” he calls on the reader to witness the brutality of American racism while exposing the complicity of those who would look without feeling: “[S]oon the mixed crowds came to view / The ghastly body swaying in the sun: / The women thronged to look, but never a one / Showed sorrow in her eyes of steely blue...” As children dance around the victim’s body, “lynchers that were to be,” McKay raises a terrible, timeless question: how long will such violence endure? With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay’s Spring in New Hampshire and Other Poems is a classic of Jamaican literature reimagined for modern readers.
| Author | : Cecilia Vicuña |
| Publisher | : |
| Total Pages | : 603 |
| Release | : 2009 |
| Genre | : Literary Collections |
| ISBN | : 0195124545 |
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
