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Poetics of Emptiness

Poetics of Emptiness
Author: Jonathan Stalling
Publisher: Fordham Univ Press
Total Pages: 292
Release: 2011-10-03
Genre: Literary Criticism
ISBN: 0823231461

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The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Buddhism known as Shin Bukkyo ("New Buddhism"). Chapter 2 explores the classical Chinese poetics that undergirds the lost half of Fenellosa's essay. Chapter 3 concludes the first half of the book with an exploration of the didactic and soteriological function of "emptiness" in Gary Snyder's influential poetry and poetics. The second half begins with a critical exploration of the three-decades-long career of the poet/translator/critic Wai-lim Yip, whose "transpacific Daoist poetics" has been an important fixture in American poetic late modernism and has begun to gain wider notoriety in China. The last chapter engages the intertextual weave of poststructural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha's important body of heterocultural productions. By formulating interpretive frames as hybrid as the texts being read, this book makes available one of the most important yet still largely unknown stories of American poetry and poetics.


Emptiness and Temporality

Emptiness and Temporality
Author:
Publisher: Stanford University Press
Total Pages: 225
Release: 2008
Genre: Literary Criticism
ISBN: 0804779406

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This is an account of classical Japanese poetics based on the two concepts of emptiness (ku) and temporality (mujo) that ground the medieval practice and understanding of poetry.


Emptiness and Temporality: Buddhism and Medieval Japanese Poetics

Emptiness and Temporality: Buddhism and Medieval Japanese Poetics
Author: Esperanza U. Ramirez-Christensen
Publisher:
Total Pages: 208
Release: 2008
Genre: Buddhism and literature
ISBN: 9780804779401

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This is an account of classical Japanese poetics based on the two concepts of emptiness (ku) and temporality (mujo) that ground the medieval practice and understanding of poetry.


Make It the Same

Make It the Same
Author: Jacob Edmond
Publisher: Columbia University Press
Total Pages: 393
Release: 2019-07-30
Genre: Literary Criticism
ISBN: 0231548672

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The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.


敞开的视界——跨学科与跨文化视野下的文学研究

敞开的视界——跨学科与跨文化视野下的文学研究
Author: 耿幼壮著
Publisher: BEIJING BOOK CO. INC.
Total Pages: 393
Release: 2021-11-12
Genre: Literary Criticism
ISBN:

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本书试图以宽广的视野再度审视西方文学与文化之间的关系。作者相信,从奥古斯丁到阿冈本,西方文学和文学理论的发展始终与西方哲学、宗教和艺术传统的形成紧密相连,只能也必须从跨学科的角度来加以认识和探讨。不仅如此,从柏拉图到德里达,西方文化也总是在与作为他者的东方文化的相互影响和相互作用下而形成和发展的;对于前者,那是更为古老的埃及文化,对于后者,则是相对陌生的中国文化。因此,使我们的视界得以敞开的前提就是世界自身在向我们不断敞开。


Experience

Experience
Author: Norman Fischer
Publisher: University of Alabama Press
Total Pages: 348
Release: 2016
Genre: Literary Criticism
ISBN: 0817358285

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Norman Fischer's Experience is the fruit of forty years of thinking on experimental writing and its practice, both as an investigation of reality and as a religious endeavor, by a major figure in contemporary Zen Buddhist practice and theology.


The Chinese Written Character as a Medium for Poetry

The Chinese Written Character as a Medium for Poetry
Author: Ernest Fenollosa
Publisher: Fordham Univ Press
Total Pages: 240
Release: 2009-08-25
Genre: Literary Collections
ISBN: 0823228703

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First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.


the emptiness

the emptiness
Author: Albert A. Villalobos
Publisher: FriesenPress
Total Pages: 126
Release: 2019-11-14
Genre: Poetry
ISBN: 1525527681

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This book of poetry “the emptiness" I wrote when I was going through some very difficult times in life. After my marriage of 9yrs ended, I realized that I was wrestling with a familiar demon. It was formed some 20yrs earlier right after my relationship had ended with my first love. The demon was in a form of emptiness within me. A definition of emptiness – the state of containing nothing, “The vast emptiness of space" synonyms: void, vacuum, gap, vacancy, hollowness, hole, lack. I had been following a Japanese anime series called “Bleach “created by Tite Kubo. In this anime series, the main character Ichigo Kurosaki would transform into a “Hollow.” To mark the beginning of Ichigo’s transformation - his eyes would turn yellow, signifying his Hollowfication has begun and then Ichigo became a creature he could not control. Although the state of Hollowfication in the anime series served an entirely different purpose, I chose to use the concept for my book cover, because I felt that when I was going through my hard times that I became a hollow in a sense. You could see the emptiness in my eyes and then I became someone that I could not control. This poetry is very personal, but I want to share it with you. The purpose of publishing this book is to help other people suffering from the same types of hardships as I did. I’m praying that many will be able to connect and relate to my poetry, read and see that I went through exactly what they are and that I made it through all my hardships! And so, will they. I know that if I did not have faith in God, loving family and concerned friends that I would not be here today. If you find that you are going through hardships, then surround yourself with positive influence, pray and give yourself time to heal before you move forward. I hope to inspire others to write. To pursue their dreams and to not give up in life...I pursued my dream and you are holding it in your hand, maybe I should have entitled this book “My dream“ Lol. I hope you enjoy this book. This is my first book, written from my heart. I chose to not have it edited. I wanted it published exactly as I wrote it. So, please excuse my grammatical errors. Thank you, Albert A. Villalobos


On the Shore of Nothingness

On the Shore of Nothingness
Author: Reuven Tsur
Publisher: Andrews UK Limited
Total Pages: 374
Release: 2015-11-03
Genre: Psychology
ISBN: 1845405552

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This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.


The Book of Emptiness

The Book of Emptiness
Author: Vasile Munteanu
Publisher: Dog Ear Publishing
Total Pages: 108
Release: 2016-09-29
Genre: Poetry
ISBN: 1457550059

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The book is a collection of poems dealing with various themes, emotions and mental states, the overarching, unifying idea being release. There is positivity in emptiness leaving aside all connotations to the contrary. Emptiness may also mean letting go of past misgivings, getting rid of false images of one self and starting to understand that the act of regretting may sometimes truly be a complete waste of time. Emptiness in this sense has a freeing quality to it allowing for a chance for renewal. The poems want to touch upon some of these possibilities.