Poesía, 1898-1938
Author | : Enrique González Martínez |
Publisher | : |
Total Pages | : 320 |
Release | : 1939 |
Genre | : |
ISBN | : |
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Author | : Enrique González Martínez |
Publisher | : |
Total Pages | : 320 |
Release | : 1939 |
Genre | : |
ISBN | : |
Author | : Enrique González Martínez |
Publisher | : |
Total Pages | : 340 |
Release | : 1940 |
Genre | : |
ISBN | : |
Author | : John Stubbs Brushwood |
Publisher | : Ardent Media |
Total Pages | : 170 |
Release | : 1969 |
Genre | : Poets, Mexican |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 618 |
Release | : 1976 |
Genre | : Spanish American literature |
ISBN | : |
Author | : Otto Maria Carpeaux |
Publisher | : CONVIVIVM |
Total Pages | : 188 |
Release | : |
Genre | : Literary Criticism |
ISBN | : |
Have you ever wanted to dive deep into the world of modernism and truly understand its roots, development, and impact on literature and art? Look no further than "The Modernist Revolts" by Otto Maria Carpeaux, a comprehensive analysis of modernism in Europe, the United States, and Latin America, now available in English for the first time. This book will provide you with a modernism education like no other, leaving you with an unparalleled understanding of this transformative movement. Otto Maria Carpeaux, a renowned literary critic, writer, and essayist, meticulously examines the most significant works and authors from Europe, the United States, and Latin America, highlighting their contributions to the modernist movement and the unique characteristics of each region. Throughout "The Modernist Revolts," Carpeaux discusses a wide array of authors, movements, and works, including the likes of Freud, Proust, Kafka, Joyce, Eliot, Pound, Woolf, Huxley, Borges, García Lorca, Pessoa, Bandeira, and the Andrade brothers, to name just a few. The book covers both prose and poetry, exploring the stylistic innovations that defined modernism and transformed Western literature. Not only does Carpeaux delve into the literary aspects of modernism, but he also investigates the influence of other artistic fields such as painting, music, and theater on the evolution of the movement. This interdisciplinary approach enriches the reader's understanding of the complex interactions between literature and other forms of artistic expression during the modernist period. "The Modernist Revolts" is an essential reference for students, researchers, and enthusiasts of modernist literature, offering a combination of scholarship and clear exposition. The English translation expands the reach of Carpeaux's work, allowing an even broader audience to appreciate his insightful analysis of modernism and its lasting impact on literature and art. "The Modernist Revolts" will provide you with an unparalleled understanding of this revolutionary movement, opening your eyes to the artistic and cultural transformations that took place in the 20th century.
Author | : Ronald Hilton |
Publisher | : |
Total Pages | : 496 |
Release | : 1971 |
Genre | : Latin America |
ISBN | : |
Author | : María Antonia Salgado |
Publisher | : Dictionary of Literary Biograp |
Total Pages | : 488 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : |
Contains alphabetically arranged entries that provide career biographies of nearly fifty modern Spanish American poets, each tracing the development of the author's canon and the evolution of his or her reputation, and including a bibliography of works.
Author | : Andrew A. Anderson |
Publisher | : |
Total Pages | : 478 |
Release | : 1990 |
Genre | : History |
ISBN | : |
Federico García Lorca (1898-1938), is often thought of as a fine lyric poet of the 1920s who then developed into one of Spain's greatest playwrights (1931-36). But other aspects of Lorca's literary career are equally significant: the earlier theatrical pieces, which he had started writing by 1918, the bold, experimental, expressionist plays of 1930-31, and (the subject of this volume) the later poetry written as his powers as a dramatist matured in the 1930s. Professor Anderson's book is the first in any language to focus specifically on Lorca's poetic output from 1931 to 1936. It offers extensive, detailed analyses of all the poetry composed during that period: Diván del Tamarit with its Arab-Andalusian flavour and stylization, the Llanto por Ignacio Sánchez Mejías, a sustained lament on the death of a bullfighter friend, Seis poemas galegos, and Sonetos, love poetry echoing Petrarch, Shakespeare and Góngora - four collections equal or superior in quality, power and suggestiveness to Lorca's canonic poetical works. Adopting a literary-critical approach based on the close reading of individual texts, with relevant background information, Professor Anderson elaborates on the themes and techniques, imagery and symbolism, strengths and weaknesses, of each poem in the four collections. Thereby he can relate this corpus to the whole of Lorca's work, showing that it cannot be neatly categorized under any of the avant-garde "-isms" prevalent in the 1920s and 1930s. His arguments for a revised appraisal of Lorca's creative development lead to a compelling case for a re-evaluation of his "late poetry". An Appendix gives English translations of all the poems under discussion (other Spanish quotations are translated in the text), and there is a fifteen-page bibliography of primary and secondary material.
Author | : |
Publisher | : |
Total Pages | : 656 |
Release | : 1939 |
Genre | : |
ISBN | : |
Author | : Christopher Barnes |
Publisher | : Cambridge University Press |
Total Pages | : 532 |
Release | : 2004-02-12 |
Genre | : Biography & Autobiography |
ISBN | : 9780521520720 |
This authoritative new biography of the Russian poet and prose writer Boris Pasternak is the first part of a two-volume set, covering the period 1890-1928. Drawing on archives and many eyewitness accounts, Barnes' study sheds light on currently unexplored aspects of Pasternak's character and family background, and his artistic, social and historical environment. He combines biographical investigation with detailed textual analysis of translated quotations in verse and prose to reveal the source of Pasternak's extraordinary writings. The book examines a wide range of topics that include his musical enthusiasm and relations with Scriabin, his philosophical studies, his activities in World War I and his response to the 1917 revolutions, and his stance as a liberal artistic intellectual in the 1920s.