Plymouth In An Uproar A Musical Farce As It Is Performed At The Theatre Royal In Covent Garden The Music Composed By Mr Dibdin The Second Edition PDF Download

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Plymouth in an Uproar

Plymouth in an Uproar
Author: Edward Neville
Publisher:
Total Pages: 36
Release: 1779
Genre: English drama
ISBN:

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Plymouth in an Uproar; A Musical Farce, as It Is Performed at the Theatre-Royal in Covent-Garden. the Music Composed by Mr. Dibdin. the Second Edition

Plymouth in an Uproar; A Musical Farce, as It Is Performed at the Theatre-Royal in Covent-Garden. the Music Composed by Mr. Dibdin. the Second Edition
Author: Edward Neville
Publisher: Gale Ecco, Print Editions
Total Pages: 50
Release: 2018-04-22
Genre:
ISBN: 9781385111642

Download Plymouth in an Uproar; A Musical Farce, as It Is Performed at the Theatre-Royal in Covent-Garden. the Music Composed by Mr. Dibdin. the Second Edition Book in PDF, ePub and Kindle

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T002097 Anonymous. By Edward Neville. A reimpression of the first edition, with an altered titleage. With a half-title. London: printed for G. Kearsley, 1779. [6],41, [1]p.; 8°


Plymouth in an Uproar

Plymouth in an Uproar
Author: Edward Neville
Publisher:
Total Pages: 90
Release: 1779
Genre: Operas
ISBN:

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Notes and Queries

Notes and Queries
Author:
Publisher:
Total Pages: 592
Release: 1902
Genre: Electronic journals
ISBN:

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Plymouth in an Uproar

Plymouth in an Uproar
Author:
Publisher:
Total Pages:
Release: 1779
Genre:
ISBN:

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The Western Antiquary

The Western Antiquary
Author: William Henry Kearley Wright
Publisher:
Total Pages: 278
Release: 1882
Genre: Cornwall (England : County)
ISBN:

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"Reprinted after revision and correction from the 'Weekly Mercury,'" Mar. 1881-May 1884.


The Antiquary

The Antiquary
Author:
Publisher:
Total Pages: 324
Release: 1886
Genre: Antiquities
ISBN:

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Music Entries at Stationers' Hall, 1710–1818

Music Entries at Stationers' Hall, 1710–1818
Author: Michael Kassler
Publisher: Routledge
Total Pages: 812
Release: 2016-04-29
Genre: Music
ISBN: 131709204X

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The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.