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| Author | : Louis Fantasia |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Drama |
| ISBN | : 9781433175237 |
Playing Shakespeare's Monarchs and Madmen is the third volume in the Peter Lang series, Playing Shakespeare's Characters. Distinguished contributors discuss approaches to Shakespeare's portrayals of power and the lessons they hold for us in the the era of Brexit and Trump.
| Author | : Richard van Oort |
| Publisher | : Stanford University Press |
| Total Pages | : 376 |
| Release | : 2022-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 1503633586 |
This book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the "originary scene," the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the "originary hypothesis"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.
| Author | : Louis Fantasia |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : |
| Release | : 2022-07-31 |
| Genre | : |
| ISBN | : 9781433195549 |
Curated from the first four volumes of Peter Lang's Playing Shakespeare's Characters series, this omnibus edition selects the most practical essays for actors and directors wanting to play and produce Shakespeare's plays. The dozen contributors in this volume explore ways to play Shakespeare's lovers, villains, monarch, madmen, rebels, and tyrants. It gives critical guidance for directors and producers wanting to stage Shakespeare in the age of Black Lives Matter and #MeToo. The book is a valuable companion for students, actors, directors, and designers who want insight into playing Shakespeare today.
| Author | : Jeffrey Kahan |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2008-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
| Author | : John Clarke Stobart |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1925 |
| Genre | : |
| ISBN | : |
| Author | : William Carew Hazlitt |
| Publisher | : |
| Total Pages | : 458 |
| Release | : 1864 |
| Genre | : Chapbooks |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 1928 |
| Genre | : |
| ISBN | : |
| Author | : William Carew Hazlitt |
| Publisher | : |
| Total Pages | : 458 |
| Release | : 1864 |
| Genre | : Chapbooks |
| ISBN | : |
| Author | : Paul A. Cantor |
| Publisher | : University of Chicago Press |
| Total Pages | : 309 |
| Release | : 2017-06-28 |
| Genre | : History |
| ISBN | : 022646251X |
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
| Author | : Marjorie Garber |
| Publisher | : Anchor |
| Total Pages | : 1010 |
| Release | : 2008-11-19 |
| Genre | : Drama |
| ISBN | : 0307490815 |
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
