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Players and Plays of the Last Quarter Century, Vol. 1

Players and Plays of the Last Quarter Century, Vol. 1
Author: Lewis Clinton Strang
Publisher:
Total Pages: 398
Release: 2015-09-27
Genre: History
ISBN: 9781330616024

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Excerpt from Players and Plays of the Last Quarter Century, Vol. 1: An Historical Summary of Causes and a Critical Review of Conditions as Existing in the American Theatre at the Close of the Nineteenth Century At first thought it may seem inconsistent to begin the tale of the theatre of the last quarter of the nineteenth century with an account of the life and work of Thomas Betterton, the first of the great actors and the especial pride of the theatre of the seventeenth century. When the writer first considered the present work, it was his purpose to stick closely to his text; but as his subject expanded and his own view broadened, he found that, if he were to present any conclusions that were really worth while, he would have to go back to the beginning for the premises from which to make his deductions. The theatre has developed with remarkable consistency. Certain conditions in the thought life of the people have invariably resulted in dramatic buoyancy; opposite conditions have brought dramatic depression. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


PLAYERS & PLAYS OF THE LAST QU

PLAYERS & PLAYS OF THE LAST QU
Author: Lewis Clinton 1869-1935 Strang
Publisher: Wentworth Press
Total Pages: 408
Release: 2016-08-29
Genre: History
ISBN: 9781373312396

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Fascination

Fascination
Author: Patrick Kindig
Publisher: LSU Press
Total Pages: 225
Release: 2022-12-14
Genre: Literary Criticism
ISBN: 0807179116

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Most cultural critics theorize modernity as a state of disenchanted distraction, one linked to both the rationalizing impulses of scientific and technological innovation and the kind of dispersed, fragmented attention that characterizes the experience of mass culture. Patrick Kindig’s Fascination, however, tells a different story, showing that many fin-de-siècle Americans were in fact concerned about (and intrigued by) the modern world’s ability to attract and fix attention in quasi-supernatural ways. Rather than being distracting, modern life in their view had an almost magical capacity to capture attention and overwhelm rational thought. Fascination argues that, in response to the dramatic scientific and cultural changes of the late nineteenth and early twentieth centuries, many American thinkers and writers came to conceive of the modern world as fundamentally fascinating. Describing such diverse phenomena as the electric generator, the movements of actresses, and ethnographic cinema as supernaturally alluring, they used the language of fascination to process and critique both popular ideologies of historical progress and the racializing logic upon which these ideologies were built. Drawing on an archive of primary texts from the fields of medicine, (para)psychology, philosophy, cultural criticism, and anthropology—as well as creative texts by Harriet Prescott Spofford, Charles Chesnutt, Theodore Dreiser, Paul Laurence Dunbar, Edward S. Curtis, Robert J. Flaherty, and Djuna Barnes—Kindig reconsiders what it meant for Americans to be (and to be called) modern at the turn of the twentieth century.


Theatre in the United States: Volume 1, 1750-1915: Theatre in the Colonies and the United States

Theatre in the United States: Volume 1, 1750-1915: Theatre in the Colonies and the United States
Author: Barry Witham
Publisher: Cambridge University Press
Total Pages: 370
Release: 1996-02-23
Genre: Drama
ISBN: 9780521308588

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Describes the growth and development of theatre in the United States. Documents and commentary are arranged into chapters on business practice, acting, theatre buildings, drama, design, and audience behavior.


From San Francisco Eastward

From San Francisco Eastward
Author: Carolyn Grattan Eichin
Publisher: University of Nevada Press
Total Pages: 300
Release: 2020-02-12
Genre: Performing Arts
ISBN: 1948908379

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Finalist for the 2021 Willa Literary Award in Scholarly Non-Fiction Finalist for the 2021 Will Rogers Medallion Award in Western Non-Fiction Carolyn Grattan Eichin’s From San Francisco Eastward explores the dynamics and influence of theater in the West during the Victorian era. San Francisco, Eichin argues, served as the nucleus of the western theatrical world, having attained prominence behind only New York and Boston as the nation’s most important theatrical center by 1870. By focusing on the West’s hinterland communities, theater as a capitalist venture driven by the sale of cultural forms is illuminated against the backdrop of urbanization. Using the vagaries of the West’s notorious boom-bust economic cycles, Eichin traces the fiscal, demographic, and geographic influences that shaped western theater. With an emphasis on the 1860s and 70s, this thoroughly researched work uses distinct notions of ethnicity, class, and gender to examine a cultural institution driven by a market economy. From San Francisco Eastward is a thorough analysis of the ever-changing theatrical personalities and strategies that shaped Victorian theater in the West, and the ways in which theater as a business transformed the values of a region.