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| Author | : Dominic O'Meara |
| Publisher | : CUA Press |
| Total Pages | : 283 |
| Release | : 2018-03-02 |
| Genre | : Philosophy |
| ISBN | : 081323090X |
This collection of papers is devoted to the significance of particular formal and literary aspects of the Platonic dialogues.
| Author | : Angelo J. Corlett |
| Publisher | : Parmenides Publishing |
| Total Pages | : 174 |
| Release | : 2005-12-01 |
| Genre | : Philosophy |
| ISBN | : 1930972466 |
This new way of approaching Plato neither sees Plato's words as doctrines according to which the dialogues are to be interpreted, nor does it reduce Plato's dialogues to dramatic literature. Rather, it seeks to interpret the primary aim of Plato's writings as being influenced primarily by Plato's respect for his teacher, Socrates, and the manner in which Socrates engaged others in philosophical discourse. It places the focus of philosophical investigation of Plato's dialogues on the content of the dialogues themselves, and on the Socratic way of doing philosophy.
| Author | : William A. Welton |
| Publisher | : Lexington Books |
| Total Pages | : 338 |
| Release | : 2002 |
| Genre | : Philosophy |
| ISBN | : 9780739105146 |
The "theory of forms" usually attributed to Plato is one of the most famous of philosophical theories, yet it has engendered such controversy in the literature on Plato that scholars even debate whether or not such a theory exists in his texts. Plato's Forms: Varieties of Interpretation is an ambitious work that brings together, in a single volume, widely divergent approaches to the topic of the forms in Plato's dialogues. With contributions rooted in both Anglo-American and Continental philosophy, the book illustrates the contentious role the forms have played in Platonic scholarship and suggests new approaches to a central problem of Plato studies.
| Author | : Filip Karfík |
| Publisher | : Walter de Gruyter |
| Total Pages | : 440 |
| Release | : 2013-09-03 |
| Genre | : Philosophy |
| ISBN | : 3110324660 |
Die einzelnen Beiträge dieses Bandes sind unterschiedlichen Formen der Wiederbelebung des Platonismus innerhalb der antiken Philosophie gewidmet. Besondere Aufmerksamkeit ist den Themen der Einheit und der Schönheit, des Geistes und der Erkenntnis, der Seele und des Leibes, der Tugend und des Glücks sowie der politischen und der religiösen Dimension des platonischen Denkens gewidmet. Ausgehend von Platon und Aristoteles werden die Verwandlungsformen von Platonismus, insbesondere bei den Neuplatonikern Plotin, Porphyrios, Jamblich, Themistios, Proklos und Marinos sowie bei den christlichen Autoren Augustin, Boethius und Dionysios Areopagites untersucht. Die Autoren des Bandes knüpfen dabei in vielfältiger Weise an die Arbeiten von Dominic J. O’Meara an. Die Weiterführung seiner Ansätze rückt insbesondere die spätplatonische Ethik in ein neues Licht. Die jeweiligen Studien tragen darüber hinaus zur Erforschung der vielfältigen Bezüge der Platoniker aufeinander sowie auf andere Denker bei. Das Buch macht in seiner ganzen Breite das Erneuerungs- und Verwandlungspotenzial des antiken Platonismus deutlich.
| Author | : Kevin Corrigan |
| Publisher | : Penn State Press |
| Total Pages | : 270 |
| Release | : 2015-10-29 |
| Genre | : Philosophy |
| ISBN | : 0271075589 |
The Symposium is one of Plato’s most accessible dialogues, an engrossing historical document as well as an entertaining literary masterpiece. By uncovering the structural design of the dialogue, Plato’s Dialectic at Play aims at revealing a Plato for whom the dialogical form was not merely ornamentation or philosophical methodology but the essence of philosophical exploration. His dialectic is not only argument; it is also play. Careful analysis of each layer of the text leads cumulatively to a picture of the dialogue’s underlying structure, related to both argument and myth, and shows that a dynamic link exists between Diotima’s higher mysteries and the organization of the dialogue as a whole. On this basis the authors argue that the Symposium, with its positive theory of art contained in the ascent to the Beautiful, may be viewed as a companion piece to the Republic, with its negative critique of the role of art in the context of the Good. Following Nietzsche’s suggestion and applying criteria developed by Mikhail Bakhtin, they further argue for seeing the Symposium as the first novel. The book concludes with a comprehensive reevaluation of the significance of the Symposium and its place in Plato’s thought generally, touching on major issues in Platonic scholarship: the nature of art, the body-soul connection, the problem of identity, the relationship between mythos and logos, Platonic love, and the question of authorial writing and the vanishing signature of the absent Plato himself.
| Author | : R. B. Rutherford |
| Publisher | : Harvard University Press |
| Total Pages | : 360 |
| Release | : 1995 |
| Genre | : History |
| ISBN | : 9780674048119 |
This book is not a study of Plato's philosophy, but a contribution to the literary interpretation of the dialogues, through analysis of their formal structure, characterisation, language and imagery. Among the dialogues considered in these interrelated essays are some of Plato's most admired and influential works, including the Gorgias, the Symposium, the Republic and the Phaedrus. Special attention is paid to the personality of Socrates, Plato's remarkable mentor, and to his interaction with the other characters in the dialogues. Rutherford also includes detailed discussion of particular problems such as the sources for our knowledge of Socrates, the origins of the dialogue form, Plato's use of myth, and the 'totalitarianism' of the Republic. The combination of sympathetic literary criticism with exact historical scholarship gives The Art of Plato its special qualities.
| Author | : Walter T. Schmid |
| Publisher | : SUNY Press |
| Total Pages | : 252 |
| Release | : 1998-04-02 |
| Genre | : Philosophy |
| ISBN | : 9780791437643 |
In this book, W. Thomas Schmid demonstrates that the Charmides -- a platonic dialogue seldom referenced in contemporary studies -- is a microcosm of Socratic philosophy. He explores the treatment of the Socratic dialectic, the relation between it and the Socratic notion of self-knowledge, the Socratic ideal of rationality and self-restraint, the norm of holistic and moral health, the interpretation of the soul as the rational self, the Socratic attitude toward democracy, and the connections between dialectic autonomy and moral community. Schmid argues that the depiction and account of sophrosune -- human moderation -- in the Charmides adumbrates Plato's vision of the life of critical reason, and of its uneasy relation to political life in the ancient city.
| Author | : Sandra Peterson |
| Publisher | : Cambridge University Press |
| Total Pages | : 311 |
| Release | : 2011-03-10 |
| Genre | : Philosophy |
| ISBN | : 1139497979 |
In Plato's Apology, Socrates says he spent his life examining and questioning people on how best to live, while avowing that he himself knows nothing important. Elsewhere, however, for example in Plato's Republic, Plato's Socrates presents radical and grandiose theses. In this book Sandra Peterson offers a hypothesis which explains the puzzle of Socrates' two contrasting manners. She argues that the apparently confident doctrinal Socrates is in fact conducting the first step of an examination: by eliciting his interlocutors' reactions, his apparently doctrinal lectures reveal what his interlocutors believe is the best way to live. She tests her hypothesis by close reading of passages in the Theaetetus, Republic and Phaedo. Her provocative conclusion, that there is a single Socrates whose conception and practice of philosophy remain the same throughout the dialogues, will be of interest to a wide range of readers in ancient philosophy and classics.
| Author | : Ruby Blondell |
| Publisher | : Cambridge University Press |
| Total Pages | : 466 |
| Release | : 2002-06-27 |
| Genre | : Philosophy |
| ISBN | : 1139433660 |
This book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek 'character' words (especially ethos), including ancient Greek views about the influence of dramatic character on an audience. The figure of Sokrates qua Platonic 'hero' also receives preliminary discussion. The remaining chapters offer close readings of select dialogues, chosen to show the wide range of ways in which Plato uses his characters, with special emphasis on the kaleidoscopic figure of Sokrates and on Plato's own relationship to his 'dramatic' hero.
| Author | : Kevin Crotty |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 261 |
| Release | : 2022-11-08 |
| Genre | : Philosophy |
| ISBN | : 1666927120 |
A 2023 Choice Reviews Outstanding Academic Title Socrates famously claimed that he knew nothing, and that wisdom consisted in awareness of one’s ignorance. In Ignorance, Irony and Knowledge in Plato, Kevin Crotty makes the case for the centrality and fruitfulness of Socratic ignorance throughout Plato’s philosophical career. Knowing that you don’t know is more than a maxim of intellectual humility; Plato shows how it lies at the basis of all the virtues, and inspires dialogue, the best and most characteristic activity of the philosophical life. Far from being simply a lack or deficit, ignorance is a necessary constituent of genuine knowledge. Crotty explores the intricate ironies involved in the paradoxical relationship of ignorance and knowledge. He argues, further, that Plato never abandoned the historical Socrates to pursue his own philosophical agenda. Rather, his philosophical career can be largely understood as a progressive deepening of his appreciation of Socratic ignorance. Crotty presents Plato as a forerunner of the scholarly interest in ignorance that has gathered force in a wide variety of disciplines over the last 20 years.
