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Plastic-Free Biennale

Plastic-Free Biennale
Author: Lucas Ihlein
Publisher:
Total Pages:
Release: 2021-07-17
Genre:
ISBN: 9780648027638

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Publication compiling work by artists Lucas Ihlein and Kim Williams, and collaborators, for the 2020 NIRIN Biennale of Sydney. In 2019, we (Kim Williams and Lucas Ihlein) were invited to take part in the NIRIN 2020 Biennale of Sydney. Artistic director Brook Andrew commissioned us to create a project focused on plastic. Andrew's vision involved artists involved at every level of the festival - from publication design, to food, education, and even transport infrastructure - and with our project, an intervention into the Biennale's environmental impact.Our project emerged slowly, over a few years, beginning well before the start of the public exhibition, and continuing throughout the live time of the festival (and beyond). One of the main aspects of the project was a "consultancy" with the Biennale organisation. In the spirit of Barbara Stevini and John Latham's "Artist Placement Group" from the 1970s, the model of artists-as-consultants pushed us into thinking of our role beyond the standard production of content for an exhibition. Rather, we took on the challenge of trying to re-design what a biennale (and what this biennale) could be, both behind the scenes and in the public eye.This publication compiles diverse elements from the project: offset lithographic printmaking, installation art, collaborations with artists including The Sisters of Perpetual Plastix, MC Nannarchy and Rox de Luca, and the creation of a music video with kids. The project was funded by Australia Council for the Arts, Biennale of Sydney, and Detached Cultural Organisation.


Curating in a Time of Ecological Crisis

Curating in a Time of Ecological Crisis
Author: Felicity Fenner
Publisher: Routledge
Total Pages: 107
Release: 2022-01-31
Genre: Art
ISBN: 1000555739

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Curating in a Time of Ecological Crisis reaffirms the relevance and impactful role of art, revealing how contemporary art exhibitions can capture the zeitgeist and advance new and collaborative approaches to a more sustainable inhabitation of Earth. The book is largely focused on biennales, which it argues are the contemporary exhibition models with the greatest capacity to offer new perspectives and propose alternative ways of connecting with our social and natural environments. Felicity Fenner demonstrates this by showing how curators of these high-profile exhibitions are responding in creative and engaging ways to the issues that preoccupy artists and society more broadly, of which the ecological crisis is paramount. Drawing on case studies from different parts of the world, the author reveals how biennales can make a constructive contribution to debates and attitudes around climate change, and how the role of the curator has evolved to re-embrace a duty of care not just to art but to the natural world as well. Curating in a Time of Ecological Crisis investigates how large-scale exhibitions of contemporary international art can become agents of change. As such, the book will be essential reading for scholars, students, and practitioners with an interest in exhibitions, curating, contemporary art, and environmental sustainability.


Water Lore

Water Lore
Author: Camille Roulière
Publisher: Taylor & Francis
Total Pages: 257
Release: 2022-05-19
Genre: Literary Criticism
ISBN: 1000578291

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Located within the field of environmental humanities, this volume engages with one of the most pressing contemporary environmental challenges of our time: how can we shift our understanding and realign what water means to us? Water is increasingly at the centre of scientific and public debates about climate change. In these debates, rising sea levels compete against desertification; hurricanes and floods follow periods of prolonged drought. As we continue to pollute, canalise and desalinate waters, the ambiguous nature of our relationship with these entities becomes visible. From the paradisiac and pristine scenery of holiday postcards through to the devastated landscapes of post-tsunami news reports, images of waters surround us. And while we continue to damage what most sustains us, collective precarity grows. Breaking down disciplinary boundaries, with contributions from scholars in the visual arts, history, earth systems, anthropology, architecture, literature and creative writing, archaeology and music, this edited collection creates space for less-prominent perspectives, with many authors coming from female, Indigenous and LGBTQIA+ contexts. Combining established and emerging voices, and practice-led research and critical scholarship, the book explores water across its scientific, symbolic, material, imaginary, practical and aesthetic dimensions. It examines and interrogates our cultural construction and representation of water and, through original research and theory, suggests ways in which we can reframe the dialogue to create a better relationship with water sources in diverse contexts and geographies. This expansive book brings together key emerging scholarship on water persona and agency and would be an ideal supplementary text for discussions on the blue humanities, climate change, environmental anthropology and environmental history.


Whitney Biennial 2022

Whitney Biennial 2022
Author: David Breslin
Publisher: Whitney Museum of American Art
Total Pages: 264
Release: 2022-04-26
Genre:
ISBN: 9780300263893

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Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.


Sarah Sze

Sarah Sze
Author: Holly Block
Publisher: Gregory R. Miller
Total Pages: 0
Release: 2013
Genre: Conceptual art
ISBN: 9780982681381

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Sarah Sze (born 1969) has earned deserved acclaim since the late 1990s for her intricate assemblages of everyday consumer products, painstakingly arranged by hand into immense, site-specific installations that engage the viewer in a dizzying play of perspective and scale. Often every crevice of an architectural space is utilized in her complex constructions, composed of thousands of objects, works that converge at the intersection of drawing, sculpture and architecture. Sarah Sze: Triple Point is a major new publication on the work of this celebrated artist, documenting Sze's ambitious, large-scale exhibition at the U.S. Pavilion of the 2013 Venice Biennale, with 64 pages of full-color plates and several significant new texts on Sze and her practice. Included is a conversation between the artist and Pulitzer Prize winning author Jennifer Egan, along with a short story by Egan entitled "Black Box." Curator and scholar Johanna Burton contributes a compelling new examination of Sze's practice, and 2013 Biennale Co-Commissioners Holly Block and Carey Lovelace provide an introduction to the project and artist. Elegantly realized by award-winning designer Takaaki Matsumoto, Sarah Sze: Triple Point is certain to be a lasting testament to the continued development of this exciting and original artist.


The Global Work of Art

The Global Work of Art
Author: Caroline A. Jones
Publisher: University of Chicago Press
Total Pages: 380
Release: 2016
Genre: Art
ISBN: 022629174X

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The first major history of the glamorous art biennial. Biennials have proliferated across the globe since the end of the Cold War and have now stabilized at about 200 a year. While this quintessentially contemporary form has significant roots in the world expositions of the 19th century, Jones argues that the biennial is also the platform for an important new aesthetic shift. Moving away from a focus on visual looking in the mid 20th century, the art world today embraces experience: art fairs give the feel of closeness and spaciousness, crowds, and they engage all our senses, even taste. Jones argues that the dominance of installation art and the simultaneous rise of biennialsor recurring art fairsneed to be examined as joint phenomenamutually reinforcing and linked to specific geo-political and aesthetic conditions. From the rise of tourism to the flows of art commerce, Jones hatches a new way to track the development of international art fairs in nearly every corner of the globe: from the early world fairs of London, Paris, Chicago, and New York to art fairs proper in Venice, Sao Paulo, Havana, Berlin, Lyon, and Beijing, as well as Kassel s Documenta, Whitney Biennial, and moreall explained through a rapidly evolving aesthetics of experience that has never, until now, been addressed in such a substantial way."


Nirin Ngaay

Nirin Ngaay
Author: Brook Andrew
Publisher:
Total Pages:
Release: 2020-03-14
Genre: Art
ISBN: 9780957802391

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NIRIN NGAAY is a compilation, a collection, a volume, an Artist Book, a Reader, an artwork, a sprawling, excessive heterogenous space of connections. Published as part of the 22nd Biennale of Sydney (2020), titled NIRIN, A Wiradjuri word meaning 'edge', this book is a space where ideas, themes, research, and experiments arising out of NIRIN find places on pages. Traversing many disciplines and forms, encompassing new and previously published works, complete works as well as excerpts and fragments and responses, each piece may ask for new modes of reading and seeing. Instead of disorienting, we see many lines darting and weaving across these works, beautiful moments of syncing and overlap, affective and abstract resonances, moments of density, as well as pauses to breathe deeply. Read and see and touch at random or with resolve - we hope that you will appreciate the way these works unfold and twist together, creating movements of meaning between them. 'NGAAY' is a Wiradjuri word meaning 'see.' To really see 'edges', might also be to sense and feel and trace them, they come into view with clarity, hover in the periphery, or drift away like memories.


Aerocene

Aerocene
Author: Eva Horn
Publisher: Skira Editore
Total Pages: 0
Release: 2017
Genre: Art
ISBN: 9788857234731

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The Aerocene project consists of a series of airborne sculptures that will achieve the longest emissions-free journey around the world becoming buoyant only by the heat of the Sun and infrared radiation from the surface of Earth.


Crochet Coral Reef

Crochet Coral Reef
Author: Margaret Wertheim
Publisher:
Total Pages: 0
Release: 2015
Genre: Art, Modern
ISBN: 9780977962235

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Now perhaps the world's largest participatory art and science project, the Crochet Coral Reef combines mathematics, marine biology, environmental consciousness-raising and community art practice. Almost 8,000 people around the world have contributed to making an ever-evolving archipelago of giant woolen seascapes, which have been exhibited at the Hayward Gallery, the Smithsonian and many other venues. This fully illustrated book, written by the project's creators--Margaret and Christine Wertheim of the Institute For Figuring--brings together the scientific and mathematical content behind the project, along with essays about the artistic and cultural resonances of this unique experiment in radical craft practice. With a wealth of color illustrations, the book serves as a record of the 30-plus Crochet Reefs worldwide and names all 7,000-plus contributors in a specially designed section.


Translucent Materials

Translucent Materials
Author: Frank Kaltenbach
Publisher: Walter de Gruyter
Total Pages: 112
Release: 2012-12-17
Genre: Architecture
ISBN: 3034614322

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The current material customer of translucent building materials Translucent materials give architects far more possibilities to exploit the sensual interplay of light and the fascination of interior-exterior interaction than plain glass, a fact proved by their increasing application. Traditionally, stretched paper, finely-cut stone, or stained glass were used to create mood and atmosphere. These are now giving way to a new generation of innovative materials - composite glass, synthetic panels, membranes and perforated metals.