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Pittsburgh's Golden Age of Radio

Pittsburgh's Golden Age of Radio
Author: Ed Salamon
Publisher: Arcadia Publishing
Total Pages: 132
Release: 2010
Genre: History
ISBN: 9780738572239

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Pittsburgh is the birthplace of radio, the location of many of radio's first and most influential stations and broadcast personalities, and a key market for the development of new formats. Pittsburghers' reaction to the music they heard on the radio helped to break records and create stars. Radio provided an unprecedented audience for live performances by local artists. After the big band era, radio gave voice to pop, rock and roll, and rhythm and blues. Pittsburgh's Golden Age of Radio celebrates the city's radio history, deejays, contests, concerts, public service, and promotions from radio's beginnings in the 1920s through the late 1970s, when listening on FM exceeded that on AM for the first time.


Pittsburgh's Golden Age of Rock 'n' Roll

Pittsburgh's Golden Age of Rock 'n' Roll
Author: Ed Salamon
Publisher:
Total Pages: 258
Release: 2015-02-24
Genre: Music
ISBN: 9781931122290

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A history of the numerous rock and roll artists and groups that came out of Pittsburgh, PA in the 50s, 60s, and 70s.


The Golden Age of Boxing on Radio and Television

The Golden Age of Boxing on Radio and Television
Author: Frederick V. Romano
Publisher: Simon and Schuster
Total Pages: 545
Release: 2017-07-25
Genre: Sports & Recreation
ISBN: 1631440756

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Radio and television broadcasting were as important to the growth and popularity of boxing as it was to the reshaping of our very culture. In The Golden Age of Boxing on Radio and Television, Frederick V. Romano explores the many roles that each medium played in both the development and the depiction of the sport. Principal among the topics covered are the ever-changing role of technology during the four-decade-plus period, how it impacted the manner in which the sport was presented to its public audience, the exponential growth of those audiences, and the influence radio and television had on the financial aspects of the sport, including the selective use of radio and television and the financial boom that the mediums created. The Golden Age of Boxing on Radio and Television also assays radio and boxing during World War II, the role of organized crime, and the monopolistic practices during the television era. Romano also presents a detailed account of announcers such as Don Dunphy and Ted Husing who brought the action to the listeners and viewers, the many appearances that boxers including Jack Dempsey, Joe Louis, and Rocky Marciano made on radio and television when they were not in the ring, and the mediums’ portrayal of the sport in an array of programming from drama to comedy. This is a must-have for all serious boxing fans.


Sounds in the Air

Sounds in the Air
Author: Norman H. Finkelstein
Publisher: Atheneum
Total Pages: 128
Release: 1993
Genre: Performing Arts
ISBN: 9780684192710

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A history of radio's effects on American society in the 1930s and 1940s.


A Resource Guide to the Golden Age of Radio

A Resource Guide to the Golden Age of Radio
Author: Susan Siegel
Publisher:
Total Pages: 232
Release: 2006
Genre: Performing Arts
ISBN:

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The first ever guide to 3,800 primary and seconary sources that explore radio's contribution to America's cultural heritage.Index integrates separate listings in Special Collections, Bibliography and Internet chapters and can be searched by program title, person or subject.


Broadcasting the Local News

Broadcasting the Local News
Author: Lynn Boyd Hinds
Publisher: Penn State Press
Total Pages: 210
Release: 2010-11-01
Genre: Performing Arts
ISBN: 9780271041278

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Television came to Pittsburgh in 1949 when WDTV (the forerunner of KDKA-TV) went on the air. Whereas many television stations in the United States began reading news on the air only to comply with FCC requirements, WDTV treated news seriously from day one with its first regular program, a local news show called "Pitt Parade." Today KDKA is still highly regarded among journalists for its news programming. Although television news may seem familiar to us, it was anything but familiar to the men and women of early television. Hinds shows how they borrowed liberally from newspapers, radio, motion picture newsreels, theater, and even magazines to create, by trial and error, suitable ways to present the news. Rather than instantly replacing radio, television news moved slowly from the "rip and read" radio-style format, which simply duplicated what came over the wire services and was in the newspapers, to the conventions of local newscasts we take for granted today--live remotes, lead and feature stories, sports and weather, all brought together by an in-studio anchor. Pittsburghers will recognize many familiar names in Hinds's account--Bill Burns, Paul Long, Florence Sando, Eleanor Schano, and others--veterans of Pittsburgh broadcasting whom Hinds has interviewed for this book. The story they tell is the story of dozens of other stations across the country. In the process, they tell us much about the early history of television in America. Lynn Boyd Hinds spent over twenty years in Pittsburgh television and radio before moving to Penn State University where he was an affiliate producer for WPSX-TV, the public broadcasting station in Central Pennsylvania. There he created and hosted the popular quiz show, "The Pennsylvania Game." Today he is Associate Professor of Broadcast News in the Perley Isaac Reed School of Journalism at West Virginia University.


Jack Benny and the Golden Age of American Radio Comedy

Jack Benny and the Golden Age of American Radio Comedy
Author: Kathryn Fuller-Seeley
Publisher: Univ of California Press
Total Pages: 388
Release: 2017-10-17
Genre: Biography & Autobiography
ISBN: 0520295056

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"Jack Benny became one of the most influential entertainers of the 20th century--by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass medium in the US. In 23 years of weekly radio broadcasts, by aiming all the insults at himself, Benny created Jack, the self-deprecating "Fall Guy" character. He indelibly shaped American humor as a space to enjoy the equal opportunities of easy camaraderie with his cast mates, and equal ego deflation. Benny was the master of comic timing, knowing just when to use silence to create suspense or to have a character leap into the dialogue to puncture Jack's pretentions. Jack Benny was also a canny entrepreneur, becoming one of the pioneering "showrunners" combining producer, writer and performer into one job. His modern style of radio humor eschewed stale jokes in favor informal repartee with comic hecklers like his valet Rochester (played by Eddie Anderson) and Mary Livingstone his offstage wife. These quirky characters bouncing off each other in humorous situations created the situation comedy. In this career study, we learn how Jack Benny found ingenious ways to sell his sponsors' products in comic commercials beloved by listeners, and how he dealt with the challenges of race relations, rigid gender ideals and an insurgent new media industry (TV). Jack Benny created classic comedy for a rapidly changing American culture, providing laughter that buoyed radio listeners from 1932's depths of the Great Depression, through World War II to the mid-1950s"--Provided by publisher.


Lum and Abner

Lum and Abner
Author: Randal L. Hall
Publisher: University Press of Kentucky
Total Pages: 262
Release: 2021-12-14
Genre: Performing Arts
ISBN: 081318925X

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In the 1930s radio stations filled the airwaves with programs and musical performances about rural Americans—farmers and small-town residents struggling through the Great Depression. One of the most popular of these shows was Lum and Abner, the brainchild of Chester "Chet" Lauck and Norris "Tuffy" Goff, two young businessmen from Arkansas. Beginning in 1931 and lasting for more than two decades, the show revolved around the lives of ordinary people in the fictional community of Pine Ridge, based on the hamlet of Waters, Arkansas. The title characters, who are farmers, local officials, and the keepers of the Jot 'Em Down Store, manage to entangle themselves in a variety of hilarious dilemmas. The program's gentle humor and often complex characters had wide appeal both to rural southerners, who were accustomed to being the butt of jokes in the national media, and to urban listeners who were fascinated by descriptions of life in the American countryside. Lum and Abner was characterized by the snappy, verbal comedic dueling that became popular on radio programs of the 1930s. Using this format, Lauck and Goff allowed their characters to subvert traditional authority and to poke fun at common misconceptions about rural life. The show also featured hillbilly and other popular music, an innovation that drew a bigger audience. As a result, Arkansas experienced a boom in tourism, and southern listeners began to immerse themselves in a new national popular culture. In Lum and Abner: Rural America and the Golden Age of Radio, historian Randal L. Hall explains the history and importance of the program, its creators, and its national audience. He also presents a treasure trove of twenty-nine previously unavailable scripts from the show's earliest period, scripts that reveal much about the Great Depression, rural life, hillbilly stereotypes, and a seminal period of American radio.


Points on the Dial

Points on the Dial
Author: Alexander Russo
Publisher: Duke University Press
Total Pages: 293
Release: 2010-02-10
Genre: Performing Arts
ISBN: 0822391120

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The golden age of radio is often recalled as a time when the medium unified the nation, when families gathered around the radios in homes across the country to listen to live, commercially sponsored network broadcasts. In Points on the Dial, Alexander Russo revises our understanding of radio’s past by revealing the hidden histories of production, distribution, and reception practices during this era, which extended from the 1920s into the 1950s. Russo brings to light a tiered broadcasting system with intermingling but distinct national, regional, and local programming forms, sponsorship patterns, and methods of program distribution. Examining a wide range of practices, including regional networking, sound-on-disc transcription, the use of station representatives, spot advertising, and programming aimed at homes with several radios, he not only recasts our understanding of the relationship between national networks and local stations but also charts the development of new ways of listening—often distractedly rather than attentively—that set the stage for radio in the second half of the twentieth century.