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| Author | : Heather Hyde Minor |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Architecture |
| ISBN | : 9780271065496 |
Examines the writings of eighteenth-century Italian engraver and artist Giovanni Battista Piranesi.
| Author | : Susanna Clarke |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2021 |
| Genre | : Fiction |
| ISBN | : 1526622432 |
Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food and waterlilies to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements. There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims? Lost texts must be found; secrets must be uncovered. The world that Piranesi thought he knew is becoming strange and dangerous
| Author | : Carolyn Yerkes |
| Publisher | : Princeton University Press |
| Total Pages | : 240 |
| Release | : 2020-09 |
| Genre | : Art |
| ISBN | : 0691206104 |
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
| Author | : Caroline van Eck |
| Publisher | : Oxford University Press |
| Total Pages | : 221 |
| Release | : 2023-02-16 |
| Genre | : Art |
| ISBN | : 0192845667 |
Near the end of his life, Giovanni Battista Piranesi (1720-78) created three colossal candelabra mainly from fragments of sculpture excavated near the Villa Hadriana in Tivoli, two of which are now in the Ashmolean Museum, and one in the Louvre. Although they were among the most sought-after and prestigious of his works, and fetched enormous prices during Piranesi's life, they suffered a steep decline in appreciation from the 1820s onwards, and even today they are among the least studied of his works. Piranesi's Candelabra and the Presence of the Past uncovers the intense investment, by artists, patrons, collectors, and the public around the start of the nineteenth century in objects that made Graeco-Roman Antiquity present again. Caroline van Eck's study examines how objects make their makers or viewers feel that they are again in the presence of Antiquity, that not only Antiquity has revived, but that classical statues become alive under their gaze. what it takes to make such objects, and what it costs to own them; and about the ramifications of such intense if not excessive attachments to artefacts. This book considers the three candelabra in depth, providing the biography of these objects, from the excavation of the Roman fragments to their entry into private and public collection. Van Eck considers the context that Piranesi gave them by including them in his Vasi, Candelabri e Cippi (1778), to rethink the processes that led to the development of neoclassicism from the perspective of the objects and objectscapes that came into being in Rome at the end of the eighteenth century.
| Author | : Jonathan Hill |
| Publisher | : Routledge |
| Total Pages | : 358 |
| Release | : 2019-03-25 |
| Genre | : Architecture |
| ISBN | : 0429770561 |
The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
| Author | : Susan Stewart |
| Publisher | : University of Chicago Press |
| Total Pages | : 401 |
| Release | : 2021-06-02 |
| Genre | : Architecture |
| ISBN | : 022679220X |
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
| Author | : Giovanni Battista Piranesi |
| Publisher | : Courier Corporation |
| Total Pages | : 118 |
| Release | : 2013-02-19 |
| Genre | : Art |
| ISBN | : 0486134008 |
Reprinted from rare, expensive first and second editions, this version of Piranesi's masterwork presents side-by-side renderings of original and extensively revised drawings in a large format. 33 full-page illustrations.
| Author | : Victor Plahte Tschudi |
| Publisher | : MIT Press |
| Total Pages | : 291 |
| Release | : 2022-11-01 |
| Genre | : Art |
| ISBN | : 0262047179 |
The complex appropriation of Piranesi by modern literature, photography, art, film, and architecture. The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi’s visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In Piranesi and the Modern Age, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi’s work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Piranesi’s modern-day comeback, Tschudi argues, relied on new dimensions found within his work that inspired attempts to inscribe within them a world that was very modern. For more than a century, these interpretations have helped legitimize new forms, theories, technologies, and movements. Tschudi examines, among other things, how Piranesi’s disturbing prison interiors—the Carceri—became modern metaphors for the mind; how Alfred H. Barr and the Museum of Modern Art made the case for Piranesi’s alleged abstraction in the 1930s; and how Sergei Eisenstein reinvented Piranesi as a progenitor of his own innovative filmmaking techniques. Tschudi’s exploration of Piranesi’s influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas. Generously illustrated, Piranesi and the Modern Age offers an entirely new reading of Piranesi’s work.
| Author | : Jeffrey Kipnis |
| Publisher | : AADR – Art Architecture Design Research |
| Total Pages | : 179 |
| Release | : 2019-11-01 |
| Genre | : Architecture |
| ISBN | : 3887788184 |
ZERO PIRANESI Giovanni Battista Piranesi's engravings, Campo Marzio dell'antica Roma of 1762, have a peculiar position within the discipline of ar- chitecture. With their dissemination, the folio collection of six etch- ings have till this day nurtured architects' speculations on the city. Since the Enlightenment, they - and in particular the Campo Marzio plan - have fuelled research, discussions and visions for the future of architecture. These engravings are also some of the most beau- tiful documents in Western architectural history. Zero Piranesi, is guest-edited by Peter Trummer. It celebrates Piranesi's vision of ancient Rome and the disciplinary search of the endless realities within his Campo Marzio plan of Rome. For Trummer, Zero Piranesi suggests an ar- chitectural methodology based on a theory of replacement. With it, Piranesi's plan of Rome is transformed into an "Object Plan" - a plan where multiple authors' various positions are absorbed. Thus, the "Object Plan" contains a kaleidoscope of ideas which form a crust of architectural speculations accumulated within. Zero Piranesi presents the seminal projects of Peter Eisenman and amongst others, Michael Young and Marrikka Trotter. Trummer's own version of Campo Marzio comprises of drawings and a text that together construct Zero Piranesi. Finally, the journal features the award winning projects of Städel-
| Author | : Susanna Clarke |
| Publisher | : A&C Black |
| Total Pages | : 228 |
| Release | : 2009-12-21 |
| Genre | : Fiction |
| ISBN | : 1408809338 |
A gorgeously illustrated book of short stories from the world of Jonathan Strange and Mr Norrell, the 4-million-copy global bestseller 'These tales read as if Jane Austen had rewritten the Brothers Grimm ... wonderful' Spectator Faerie is never as far away as you think. Sometimes you find you have crossed an invisible line and must cope, as best you can, with petulant princesses, vengeful owls, ladies who pass their time embroidering terrible fates or with endless paths in deep, dark woods and houses that never appear the same way twice. The heroines and heroes bedevilled by such problems in these fairy tales include a conceited Regency clergyman, an eighteenth-century Jewish doctor and Mary, Queen of Scots, as well as two characters from Jonathan Strange & Mr Norrell: Strange himself and the Raven King.
