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| Author | : James Arvanitakis |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Computer crimes |
| ISBN | : 9781936117598 |
"A collection of texts that takes a broad perspective on digital piracy and attempts to capture the multidimensional impacts of digital piracy on capitalist society today"--
| Author | : Martin Paul Eve |
| Publisher | : punctum books |
| Total Pages | : 445 |
| Release | : 2021-12-15 |
| Genre | : Computers |
| ISBN | : 1685710360 |
When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites") in the mid- to late-1990s. The “Scene," as it is known, is highly illegal in almost every aspect of its operations. The term “Warez" itself refers to pirated media, a derivative of “software." Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age.
| Author | : Gini Graham Scott |
| Publisher | : Simon and Schuster |
| Total Pages | : 322 |
| Release | : 2016-03-22 |
| Genre | : Law |
| ISBN | : 1621534952 |
The international battle against Internet pirates has been heating up. Increasingly law enforcement is paying attention to book piracy as ebook publishing gains an ever-larger market share. With this threat to their health and even survival, publishers and authors must act much like the music, film, and software giants that have waged war against pirates for the past two decades. Now, The Battle against Internet Piracy opens a discussion on what happens to the victims of piracy. Drawing from a large number of interviews—from writers, self-publishers, mainstream publishers, researchers, students, admitted pirates, free speech advocates, attorneys, and local and international law enforcement officials—the text speaks to such issues as: •Why pirates have acted and how they feel about it •The conflict over constitutional rights and piracy •The current laws surrounding Internet piracy •Examples of cases taken against some pirates •Alternatives to piracy •Personal experiences of being ripped off •The ways piracy affects different industries and how they’ve responded Author Gini Graham Scott prepares readers to arm themselves against these modern perils by learning about copyright, infringement, and how to prevent, combat, and end book piracy. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
| Author | : Philip Gosse |
| Publisher | : Courier Corporation |
| Total Pages | : 402 |
| Release | : 2012-05-23 |
| Genre | : Transportation |
| ISBN | : 0486141462 |
Much imitated but never surpassed, this chronicle ranges from ancient to modern times to explore the rise of piracy. A dramatic narrative and colorful characters complement its impeccable scholarship. 21 black-and-white illustrations.
| Author | : Henry Arderne Ormerod |
| Publisher | : |
| Total Pages | : 302 |
| Release | : 1924 |
| Genre | : Mediterranean Region |
| ISBN | : |
| Author | : Adrian Johns |
| Publisher | : University of Chicago Press |
| Total Pages | : 636 |
| Release | : 2010-01-15 |
| Genre | : History |
| ISBN | : 0226401200 |
Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.
| Author | : Benerson Little |
| Publisher | : Simon and Schuster |
| Total Pages | : 388 |
| Release | : 2016-10-04 |
| Genre | : History |
| ISBN | : 1510713042 |
For thousands of years, pirates have terrorized the ocean voyager and the coastal inhabitant, plundered ship and shore, and wrought havoc on the lives and livelihoods of rich and poor alike. Around these desperate men has grown a body of myths and legends—fascinating tales that today strongly influence our notions of pirates and piracy. Most of these myths derive from the pirates of the “Golden Age,” from roughly 1655 to 1725. This was the age of the Spanish Main, of Henry Morgan and Blackbeard, of Bartholomew Sharp and Bartholomew Roberts. The history of pirate myth is rich in action, at sea and ashore. However, the truth is far more interesting. In The Golden Age of Piracy, expert pirate historian Benerson Little debunks more than a dozen pirate myths that derive from this era—from the flying of the Jolly Roger to the burying of treasure, from walking the plank to the staging of epic sea battles—and shows that the truth is far more fascinating and disturbing than the romanticized legends. Among Little’s revelations are that pirates of the Golden Age never made their captives walk the plank and that they, instead, were subject to horrendous torture, such as being burned or hung by their arms. Likewise, epic sea battles involving pirates were fairly rare because most prey surrendered immediately. The stories are real and are drawn heavily from primary sources. Complementing them are colorful images of flags, ships, and buccaneers based on eyewitness accounts. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
| Author | : Kerry Segrave |
| Publisher | : McFarland |
| Total Pages | : 228 |
| Release | : 2015-09-17 |
| Genre | : Performing Arts |
| ISBN | : 0786481609 |
Film piracy began almost immediately after the birth of the film industry. Initially it was a within-the-industry phenomenon as studios stole from each other. As the industry grew and more money was involved, outsiders became more interested in piracy. Stolen material made its way offshore since detection was less likely. Hollywood’s major film studios vigorously pursued pirates and had the situation fairly well under control by the middle 1970s—not eliminated but reduced to a low level—until videocassettes arrived. This work begins with a discussion of some of the earliest cases of piracy in vaudeville. It then considers how the problem continued to grow exacerbated by the lack of legal resource available to performers, and the ways film exhibitors cheated the film distributors and companies and the measures that the distributors and companies took to prevent piracy over the years. Also examined are the practices of American theater owners who tried to cheat Hollywood, especially through the practice known as bicycling—extra, unpaid for screenings of a legitimately held film—and altering paperwork to reduce the money owed to distributors on films screened on percentage contracts. Also examined, to a lesser degree, are Hollywood’s own efforts to cheat, including the disregard of copyrights held by others.
| Author | : Muhammad Al-Qasimi |
| Publisher | : Routledge |
| Total Pages | : 208 |
| Release | : 2020-10-07 |
| Genre | : History |
| ISBN | : 1000156370 |
The British became the dominant power in the Arab Gulf in the late eighteenth century. The conventional view has justified British imperial expansion in the Gulf region because of the need to supress Arab piracy. This book, first published in 1988, challenges the myth of piracy and argues that its threat was created by the East India Company for commercial reasons. The Company was determined to increase its share of Gulf trade with India at the expense of the native Arab traders, especially the Qawasim of the lower Gulf. However, the Company did not possess the necessary warships and needed to persuade the British Government to commit the Royal Navy to achieve this dominance. Accordingly the East India Company orchestrated a campaign to misrepresent the Qawasim as pirates who threatened all maritime activity in the northern Indian Ocean and adjacent waters. Any misfortune that happened to any ship in the area was attributed to the ‘Joasmee pirates’. This campaign was to lead eventually to the storming of Ras al-Khaimah and the destruction of the Qawasim. Based on extensive use of the Bombay Archives, previously unused by researchers, this book provides a thorough reinterpretation of a vital period in Gulf history. It also illuminates the style and method of the East India Company at a critical period in the expansion of the British Empire.
| Author | : Steven Caldwell Brown |
| Publisher | : Routledge |
| Total Pages | : 332 |
| Release | : 2018-04-19 |
| Genre | : Social Science |
| ISBN | : 1351657275 |
Non-Commercial digital piracy has seen an unprecedented rise in the wake of the digital revolution; with wide-scale downloading and sharing of copyrighted media online, often committed by otherwise law-abiding citizens. Bringing together perspectives from criminology, psychology, business, and adopting a morally neutral stance, this book offers a holistic overview of this growing phenomenon. It considers its cultural, commercial, and legal aspects, and brings together international research on a range of topics, such as copyright infringement, intellectual property, music publishing, movie piracy, and changes in consumer behaviour. This book offers a new perspective to the growing literature on cybercrime and digital security. This multi-disciplinary book is the first to bring together international research on digital piracy and will be key reading for researchers in the fields of criminology, psychology, law and business.
