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| Author | : Herbert Spencer |
| Publisher | : MIT Press |
| Total Pages | : 172 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780262693035 |
A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.
| Author | : Herbert Spencer |
| Publisher | : MIT Press (MA) |
| Total Pages | : 160 |
| Release | : 1983-01 |
| Genre | : Design |
| ISBN | : 9780262690812 |
Since it was first published in 1969, it has served as the standard guide to the impact of twentieth century avant-garde movements on graphic design and typography.
| Author | : Philip B. Meggs |
| Publisher | : Van Nostrand Reinhold Company |
| Total Pages | : 552 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : |
Here is the first definitive history of graphic communication. More than a thousand vivid illustrations chronicle our fascinating & unceasing quest to give visual form to ideas.
| Author | : Jeremy Aynsley |
| Publisher | : Miller/Mitchell Beazley |
| Total Pages | : 256 |
| Release | : 2004 |
| Genre | : Design |
| ISBN | : 9781840009392 |
New design experiment - Bauhaus - Art Deco - Studio Boggeri - Hendrik Werkman - Pop subversion and alternatives - Late modern and postmodernism - Design in the digital era.
| Author | : Angella M. Nazarian |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Women |
| ISBN | : 9781614280392 |
Presents brief biographies on some of the most important women of the twentieth and twenty-first century, including Wangari Maathai, Frida Kahlo, Golda Meir, and Somaly Mam.
| Author | : Jan Tschichold |
| Publisher | : Univ of California Press |
| Total Pages | : 236 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780520250123 |
"Probably the most important work on typography and graphic design in the twentieth century."--Carl Zahn, The Museum of Fine Arts, Boston
| Author | : Jens Müller |
| Publisher | : Callisto Publishers |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Commercial artists |
| ISBN | : 9783981753912 |
"This book for the first time tells the fascinating story of German graphic design in all its detail, from the late monarchy to the 'Wirtschaftswunder' after World War II. The author explores the interrelationship between the groundbreaking early inventions of Germany's graphic design pioneers and the nation?s explosive politics, shedding light not only on the development of the profession but on its international influence."--
| Author | : Willa Cather |
| Publisher | : Union Square & Co. |
| Total Pages | : 127 |
| Release | : 2024-06-25 |
| Genre | : Fiction |
| ISBN | : 1454954582 |
When the Bergson family leave their home in Sweden to travel to the United States in search of a better life, they, like many immigrants, are awed by the beautiful harshness of their new life in Nebraska. When their father, John Bergson, grows sick and dies, he leaves the farm in the hands of his eldest daughter Alexandra Bergson. Resourceful and determined, Alexandra devotes her life to her family's farm, determined to prosper even as her neighbors are overwhelmed by the unremitting demands of pioneer life. But when she falls in love with her childhood friend, Carl Linstrum, Alexandra must choose between her duty to the land, and to her heart. A spirited celebration of the immigrants who have shaped the United States, O Pioneers! is a masterpiece by a Pulitzer Prize-winning author.
| Author | : Ellen Lupton |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 106 |
| Release | : 1996-03 |
| Genre | : Art |
| ISBN | : 9781568980522 |
The best letterhead designs from 1915 to 1950.
| Author | : Johanna Drucker |
| Publisher | : University of Chicago Press |
| Total Pages | : 306 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 0226165027 |
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
