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Picturing the Passion in Late Medieval Italy

Picturing the Passion in Late Medieval Italy
Author: Anne Derbes
Publisher: Cambridge University Press
Total Pages: 290
Release: 1998-02-13
Genre: Art
ISBN: 9780521639262

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This study examines the narrative paintings of the Passion of Christ created in Italy during the thirteenth century. Demonstrating the radical changes that occurred in the depiction of the Passion cycle during the Duecento, a period that has traditionally been dismissed as artistically stagnant, Anne Derbes analyzes the relationship between these new images and similar renderings found in Byzantine sources. She argues that the Franciscan order, which was active in the Levant by the 1230s, was largely responsible for introducing these images into Italy.


The Cross in Christian Tradition

The Cross in Christian Tradition
Author: Elizabeth Dreyer
Publisher: Paulist Press
Total Pages: 276
Release: 2000
Genre: Religion
ISBN: 9780809140008

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For the past two thousand years, the cross has been a powerful symbol of the Christian faith and an anchor of its symbol system. In this volume, a group of distinguished scholars delves into the theologies and spiritualities of the cross at select moments in the tradition. They examine biblical texts and commentaries, lectionaries, liturgical poetry, sermons, and theological spiritual treatises in: Paul, the early liturgy, Origen, Augustine and Bonaventure. Each chapter provides a window into how particular contexts influenced the interpretation of the cross and how the cross functioned in each unique historical moment. Originally presented at Saint Mary's College, these papers offer a fresh and distinctive approach to the literature on the cross. The authors' historical perspective points to the tradition as a transforming agent for theology and spirituality today. Contributors: - Elizabeth A. Dreyer - Jerome Murphy-O'Connor - Nathan D. Mitchell - Peter J. Gorday - John Cavadini Here is a book that will interest liturgists and Christian educators, university and seminary students and members of religious orders. Although scholarly in tone, can be read with profit by adult educated Christians as well. +


Late Medieval Italian Art and Its Contexts

Late Medieval Italian Art and Its Contexts
Author: Donal Cooper
Publisher: Boydell & Brewer
Total Pages: 413
Release: 2022-11-29
Genre:
ISBN: 178327090X

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Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.


The Living Icon in Byzantium and Italy

The Living Icon in Byzantium and Italy
Author: Paroma Chatterjee
Publisher: Cambridge University Press
Total Pages: 301
Release: 2014-03-17
Genre: Art
ISBN: 1107782961

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This is the first book to explore the emergence and function of a novel pictorial format in the Middle Ages, the vita icon, which displayed the magnified portrait of a saint framed by scenes from his or her life. The vita icon was used for depicting the most popular figures in the Orthodox calendar and, in the Latin West, was deployed most vigorously in the service of Francis of Assisi. This book offers a compelling account of how this type of image embodied and challenged the prevailing structures of vision, representation and sanctity in Byzantium and among the Franciscans in Italy between the eleventh and thirteenth centuries. Paroma Chatterjee uncovers the complexities of the philosophical and theological issues that had long engaged both the medieval East and West, such as the fraught relations between words and images, relics and icons, a representation and its subject, and the very nature of holy presence.


Byzantine Art and Renaissance Europe

Byzantine Art and Renaissance Europe
Author: Angeliki Lymberopoulou
Publisher: Routledge
Total Pages: 307
Release: 2016-12-05
Genre: History
ISBN: 1351953869

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Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.


Images-within-Images in Italian Painting (1250-1350)

Images-within-Images in Italian Painting (1250-1350)
Author: P?r Bokody
Publisher: Routledge
Total Pages: 407
Release: 2017-07-05
Genre: Art
ISBN: 1351563254

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The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.


Stone, Flesh, Spirit: The Entombment of Christ in Late Medieval Burgundy and Champagne

Stone, Flesh, Spirit: The Entombment of Christ in Late Medieval Burgundy and Champagne
Author: Donna L. Sadler
Publisher: BRILL
Total Pages: 251
Release: 2015-03-20
Genre: History
ISBN: 9004293140

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Grief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler examines the sculptural Entombments from Burgundy and Champagne through a variety of lenses, including performance theory, embodied perception, and the invocation of the absent presence of the Holy Sepulcher. The author demonstrates how the action of Joseph of Arimathea and Nicodemus entombing Christ in the presence of the Marys and John operates in a commemorative and collective fashion: the worshiper enters the realm of the holy and becomes a participant in the biblical event.


Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500

Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500
Author: Renana Bartal
Publisher: Taylor & Francis
Total Pages: 301
Release: 2017-04-21
Genre: Art
ISBN: 1351809288

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Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500, focuses on the unique ways that natural materials carry the spirit of place. Since early Christianity, wood, earth, water and stone were taken from loca sancta to signify them elsewhere. Academic discourse has indiscriminately grouped material tokens from holy places and their containers with architectural and topographical emulations, two-dimensional images and bodily relics. However, unlike textual or visual representations, natural materials do not describe or interpret the Holy Land; they are part of it. Tangible and timeless, they realize the meaning of their place of origin in new locations. What makes earth, stones or bottled water transported from holy sites sacred? How do they become pars pro toto, signifying the whole from which they were taken? This book will examine natural media used for translating loca sancta, the processes of their sanctification and how, although inherently abstract, they become charged with meaning. It will address their metamorphosis, natural or induced; how they change the environment to which they are transported; their capacity to translate a static and distant site elsewhere; the effect of their relocation on users/viewers; and how their containers and staging are used to communicate their substance.


Pathos in Late-Medieval Religious Drama and Art

Pathos in Late-Medieval Religious Drama and Art
Author: Gabriella Mazzon
Publisher: BRILL
Total Pages: 326
Release: 2018-05-23
Genre: Drama
ISBN: 9004355588

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Pathos in Late-Medieval Religious Drama and Art explores the connections between the language of European late-medieval drama and co-temporary themes and motifs in visual communication, focussing on the triggering of emotional reactions in the viewers as a persuasive device.


ReVisioning

ReVisioning
Author: James Romaine
Publisher: Wipf and Stock Publishers
Total Pages: 395
Release: 2014-05-20
Genre: Social Science
ISBN: 1630871826

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ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.