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| Author | : Beth Fowkes Tobin |
| Publisher | : Duke University Press |
| Total Pages | : 324 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780822323389 |
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
| Author | : Ann Laura Stoler |
| Publisher | : Univ of California Press |
| Total Pages | : 356 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780520231115 |
Looking at the way cultural competencies and sensibilities entered into the construction of race in the colonial context, this text proposes that 'cultural racism' in fact predates its postmodern discovery.
| Author | : Paul S. Landau |
| Publisher | : Univ of California Press |
| Total Pages | : 408 |
| Release | : 2002-10-28 |
| Genre | : History |
| ISBN | : 9780520229495 |
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
| Author | : Sönke Kunkel |
| Publisher | : Berghahn Books |
| Total Pages | : 276 |
| Release | : 2015-12-01 |
| Genre | : Social Science |
| ISBN | : 1782388435 |
In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research into the visual media battles that shaped America's Cold War from West Germany and India to Tanzania and Argentina.
| Author | : James R. Ryan |
| Publisher | : Reaktion Books |
| Total Pages | : 274 |
| Release | : 2013-06-01 |
| Genre | : Science |
| ISBN | : 1780231636 |
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
| Author | : Beth Fowkes Tobin |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 274 |
| Release | : 2011-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 0812203682 |
With its control of sugar plantations in the Caribbean and tea, cotton, and indigo production in India, Britain in the eighteenth and nineteenth centuries dominated the global economy of tropical agriculture. In Colonizing Nature, Beth Fowkes Tobin shows how dominion over "the tropics" as both a region and an idea became central to the way in which Britons imagined their role in the world. Tobin examines georgic poetry, landscape portraiture, natural history writing, and botanical prints produced by Britons in the Caribbean, the South Pacific, and India to uncover how each played a crucial role in developing the belief that the tropics were simultaneously paradisiacal and in need of British intervention and management. Her study examines how slave garden portraits denied the horticultural expertise of the slaves, how the East India Company hired such artists as William Hodges to paint and thereby Anglicize the landscape and gardens of British-controlled India, and how writers from Captain James Cook to Sir James E. Smith depicted tropical lands and plants. Just as mastery of tropical nature, and especially its potential for agricultural productivity, became key concepts in the formation of British imperial identity, Colonizing Nature suggests that intellectual and visual mastery of the tropics—through the creation of art and literature—accompanied material appropriations of land, labor, and natural resources. Tobin convincingly argues that the depictions of tropical plants, gardens, and landscapes that circulated in the British imagination provide a key to understanding the forces that shaped the British Empire.
| Author | : Helen Watanabe-O'Kelly |
| Publisher | : |
| Total Pages | : |
| Release | : 2021 |
| Genre | : Electronic books |
| ISBN | : 9780192523365 |
The nineteenth century is notable for its newly proclaimed emperors, from the well-known, such as Napoleon and Queen Victoria, to the lesser known, like Pedro II of Brazil. This book examines how emperors used images, religion, international exhibitions, and pageants to project their imperial power.
| Author | : Annette Weissenrieder |
| Publisher | : Mohr Siebeck |
| Total Pages | : 478 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9783161485749 |
How do visual images from the ancient world shed light on New Testament texts? In a methodologically multifaceted manner, the contributions in this volume examine early Christian images with regard to their ancient context. Various New Testament texts (the synoptic gospels, the Johannine and Pauline corpora) are linked to ancient visual images. Various approaches in iconography are summarized and applied to the interpretation of texts, taking account of the strengths and limitations of these images, as well as possible future applications. These essays incorporate current viewpoints from archaeology and the history of art. The topics range from studies of the depictions of Christ and the disciples to the images of humans and the world. This volume provides an innovative basis for the discussion of the iconographic method and the New Testament.
| Author | : Harry O. Maier |
| Publisher | : A&C Black |
| Total Pages | : 290 |
| Release | : 2013-10-24 |
| Genre | : Religion |
| ISBN | : 0567192709 |
Pauline Christianity sprang to life in a world of imperial imagery. In the streets and at the thoroughfares, in the market places and on its public buildings and monuments, and especially on its coins the Roman Empire's imperial iconographers displayed imagery that aimed to persuade the Empire's diverse and mostly illiterate inhabitants that Rome had a divinely appointed right to rule the world and to be honoured and celebrated for its dominion. Harry O. Maier places the later, often contested, letters and theology associated with Paul in the social and political context of the Roman Empire's visual culture of politics and persuasion to show how followers of the apostle visualized the reign of Christ in ways consistent with central themes of imperial iconography. They drew on the Empire's picture language to celebrate the dominion and victory of the divine Son, Jesus, to persuade their audiences to honour his dominion with praise and thanksgiving. Key to this imperial embrace were Colossians, Ephesians, and the Pastoral Epistles. Yet these letters remain neglected territory in consideration of engagement with and reflection of imperial political ideals and goals amongst Paul and his followers. This book fills a gap in scholarly work on Paul and Empire by taking up each contested letter in turn to investigate how several of its main themes reflect motifs found in imperial images.
| Author | : Hayes Peter Mauro |
| Publisher | : U of Nebraska Press |
| Total Pages | : 298 |
| Release | : 2019-08-01 |
| Genre | : Social Science |
| ISBN | : 0803299958 |
In Messianic Fulfillments Hayes Peter Mauro examines the role of Christian evangelical movements in shaping American identity in the seventeenth, eighteenth, and nineteenth centuries. Focusing on Christianity’s fervent pursuit of Native American salvation, Mauro discusses Anglo American artists influenced by Christian millenarianism, natural history, and racial science in America. Artists on the colonial, antebellum, and post–Civil War frontier graphically projected their idealization of Christian-based identity onto the bodies of American Indians. Messianic Fulfillments explores how Puritans, Quakers, Mormons, and members of other Christian millenarian movements viewed Native peoples as childlike, primitive, and in desperate need of Christianization lest they fall into perpetual sin and oblivion and slip into eternal damnation. Christian missionaries were driven by the idea that catastrophic Native American spiritual failure would, in Christ’s eyes, reflect on the shortcomings of those Christians tasked with doing the work of Christian “charity” in the New World. With an interdisciplinary approach drawing from religious studies and the histories of popular science and art, Messianic Fulfillments explores ethnohistorical encounters in colonial and nineteenth-century America through the lens of artistic works by evangelically inspired Anglo American artists and photographers. Mauro takes a critical look at a variety of visual mediums to illustrate how evangelical imagery influenced definitions of “Americaness,” and how such images reinforced or challenged historically prevailing conceptions of what it means (and looks like) to be American.
