Picasso, the Ludwig Collection
Author | : Pablo Picasso |
Publisher | : Prestel Publishing |
Total Pages | : 290 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
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Author | : Pablo Picasso |
Publisher | : Prestel Publishing |
Total Pages | : 290 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 0 |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Evelyn Weiss |
Publisher | : |
Total Pages | : 0 |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Pablo Picasso |
Publisher | : Robert Hull Fleming Museum |
Total Pages | : 144 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Author | : Janie Cohen |
Publisher | : |
Total Pages | : 2 |
Release | : 1995 |
Genre | : Female nude in art |
ISBN | : |
Author | : Pablo Picasso |
Publisher | : |
Total Pages | : 136 |
Release | : 1995 |
Genre | : Prints |
ISBN | : 9780500092514 |
Author | : Julia Friedrich |
Publisher | : Verlag Der Buchhandlung Walther Konig |
Total Pages | : 252 |
Release | : 2021-09-30 |
Genre | : |
ISBN | : 9783753300672 |
Bernard Eisenschitz, Boris Pofalla, Emilie Bouvard, Georg Seeßlen, Gunter Jordan, Hubert Brieden, Iliane Thiemann, Julia Friedrich, Stefan Ripplinger, Theresa Nisters, Thorsten Schneider, Yilmaz Dziewior
Author | : Karl Ruhrberg |
Publisher | : Rizzoli International Publications |
Total Pages | : 332 |
Release | : 1986 |
Genre | : Art |
ISBN | : |
Selective catalogue published on the occasion of the opening of the new Ludwig Museum, Cologne, September 1986
Author | : Hans Ludwig C. Jaffé |
Publisher | : ABRAMS |
Total Pages | : 170 |
Release | : 1964 |
Genre | : Art |
ISBN | : |
How is one to write about a man who is himself a legend? Pablo Picasso--no artist's name is more famous today, no artist's work more widely known. To do him full justice would require volumes; on the other hand, a mere sketch reduces an Olympian to a stick figure. This book is neither a compendious study, nor a brief survey/ With its text, picture commentaries, and lavish illustrations in color and in black-and-white, the reader will find his way to an introductory view or a concentrated review--depending on his previous knowledge of the master's career--of the full sweep of Picasso's phenomenal diversity and abundance. A powerful imagination surges through Picasso's art, constantly changing the course of his work--which, however, always reflects the passage of the human spirit through the vicissitudes of life. New styles, new forms, new materials--we have come to expect these from Picasso, but we can never anticipate them. No artist of our era, and perhaps none in the history of art, can match Picasso's forceful variety, which ranges from his protean talent as a young man to his later, impetuous espousal of techniques, materials, world events, and most recently, of masterworks by other painters, in which he acknowledges his kinship with their genius. Paintings, sculptures, ceramics, graphic art of many kinds; Blue Period, Cubism, Surrealism--one can easily become bewildered among there many facets of Picasso's art. Yet with this text and these illustrations we begin to recognize a man of our time, a warm, suffering, triumphant, intimate, formidable human being, prodigiously gifted but not unknowable. Picasso is more than a legend; as our greatest artist today, his works are ours to discover, to admire, and to make our own. This book seeks to guide the reader to this privileged goal--book jacket flap.
Author | : John Richardson |
Publisher | : Knopf |
Total Pages | : 657 |
Release | : 2008-12-24 |
Genre | : Biography & Autobiography |
ISBN | : 030749649X |
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.