Piano Trio in F Major, Op. 120
| Author | : Gabriel (composer) Faure |
| Publisher | : |
| Total Pages | : |
| Release | : 1923 |
| Genre | : |
| ISBN | : |
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First piano trio, in D minor
| Author | : Robert Schumann |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1982 |
| Genre | : Piano trios |
| ISBN | : |
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Analysis of 18th- and 19th-century Musical Works in the Classical Tradition
| Author | : David Beach |
| Publisher | : Routledge |
| Total Pages | : 386 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 0415806658 |
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Chamber Music
| Author | : James M. Keller |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 518 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 0195382536 |
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Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."
The Sackbut
| Author | : |
| Publisher | : |
| Total Pages | : 598 |
| Release | : 1928 |
| Genre | : Music |
| ISBN | : |
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Why Beethoven
| Author | : Norman Lebrecht |
| Publisher | : Simon and Schuster |
| Total Pages | : 297 |
| Release | : 2023-05-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1639364129 |
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Without Beethoven, music as we know it wouldn’t exist. By examining one hundred of his compositions, a portrait emerges of the man behind the music. Lebrecht has immersed himself in the rich catalog of Beethoven recordings and presents a unique picture of the man through his music. He selects the best recordings of one hundred key pieces, showing the composer as we’ve never seen him before. Unruly, offensive, and hopeless in so much of his life, yet driven to a fault and devoted to his art, conquering deafness to pen masterpieces. Norman Lebrecht has been grappling with this icon at the heart of music for his entire life. Who was the irascible, unpredictable, warped genius who stretched what music could do to the breaking point? In this unique examination, Lebrecht attempts to understand the power of this man through his compositions, the history of who has performed them, and what it has meant to successive generations of audiences. In turn a detective story (we learn who Elise of “Fur Elise” is for the first time) and a confession, Why Beethoven aims to rise to the challenge of how to encompass the relentless energy of this singular genius. With a narrative that mirrors the wayward sequence of Beethoven’s compositions, Beethoven emerges as a cornerstone of the world as we know it.
The Music Sound
| Author | : Nicolae Sfetcu |
| Publisher | : Nicolae Sfetcu |
| Total Pages | : 6042 |
| Release | : 2014-05-07 |
| Genre | : Music |
| ISBN | : |
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A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Pianist, Scholar, Connoisseur
| Author | : Bruce Brubaker |
| Publisher | : Pendragon Press |
| Total Pages | : 290 |
| Release | : 2000 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9781576470015 |
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World-renowned pianist and pedagogue Jacob Lateiner is a prime example of the performer as scholar. A member of the Juilliard School faculty since 1966, Mr. Lateiner is an avid collector of musical first editions, letters, and other rare materials, and a notable lecturer on the subject of textual authenticity and its relationship to musical performance. This collection of essays in honor of his 70th birthday includes contributions by Mr. Lateiner's friends and colleagues that illuminate his interests.
Brahms and the Scherzo
| Author | : Ryan McClelland |
| Publisher | : Routledge |
| Total Pages | : 337 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317172841 |
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Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
The Cambridge Companion to Brahms
| Author | : Michael Musgrave |
| Publisher | : Cambridge University Press |
| Total Pages | : 352 |
| Release | : 1999-05-27 |
| Genre | : Music |
| ISBN | : 1139825305 |
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This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
