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| Author | : Robert Schumann |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 2014-09-30 |
| Genre | : Music |
| ISBN | : 9781502524683 |
Robert Schumann's Piano Sonata No. 3 in F Minor Opus 14 This edition is a reprint of the "Edition Peters" version.
| Author | : Muzio Clementi |
| Publisher | : |
| Total Pages | : 24 |
| Release | : 1968 |
| Genre | : |
| ISBN | : |
| Author | : Muzio Clementi |
| Publisher | : |
| Total Pages | : 44 |
| Release | : 1968 |
| Genre | : Piano music |
| ISBN | : |
| Author | : Xiao Wang (Pianist) |
| Publisher | : |
| Total Pages | : 42 |
| Release | : 2018 |
| Genre | : Musical analysis |
| ISBN | : |
The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14 Erste and Zweite Ausgabe edited by Clara Schumann of Robert Schumann's No.3 Op.14, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as notes, rhythms, metronome marking and expression signs is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Suggested solutions are followed by each example.
| Author | : |
| Publisher | : |
| Total Pages | : 73 |
| Release | : 2006 |
| Genre | : |
| ISBN | : |
Robert Schumann's 3rd Piano Sonata Op.14, known also as "Concerto without Orchestra", belongs to a relatively small group of the composer's unpopular and least performed piano works. It rarely appears in recital programs, and when it happens to be performed, it is usually and erroneously listed under both titles. The adverse publication history of this composition, along with the sporadic revisions and substitutions made by the composer and editors, might well be among the key reasons for existing confusions about Op. 14 and its reputation of a bizarre by-product of Schumann's young years. This document presents a detailed study of the history of the piece, the circumstances around its publication, and editorial notes based on the analysis of the changes (corrections, deletions) made by the composer himself as well as the changes made by editors later. Specifically, the study intends to analyze the options of the original compositional plan of the piece; to determine whether the changes in its structure and details were intentional or accidental; and consider whether these changes improve the music or disfigure and impair an otherwise successful composition.
| Author | : Boris Berman |
| Publisher | : Yale University Press |
| Total Pages | : 256 |
| Release | : 2008-10-01 |
| Genre | : Music |
| ISBN | : 0300145004 |
Boris Berman draws on his intimate knowledge of Prokofiev's work to guide music lovers and pianists through the composer's nine piano sonatas.
| Author | : Jeannie Yu |
| Publisher | : |
| Total Pages | : 90 |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
| Author | : David Beach |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2012-05-04 |
| Genre | : Music |
| ISBN | : 1136329765 |
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
| Author | : Harald Krebs |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 1999-02-25 |
| Genre | : Music |
| ISBN | : 0195353811 |
Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann's music, namely metrical conflict. Harald Krebs's imaginative yet rigorous study makes use of Schumann's fascinating projections of his own personality--the characters Florestan and Eusebius--as one means of addressing the biographical and aesthetic context of the music. In counterpoint with the remarks of these personae, Krebs develops an original theory of metrical conflict by adapting the concepts of consonance and dissonance to metrical analysis. He investigates how states of metrical dissonance arise, and shows how they are manipulated and resolved in the course of compositions. He offers new methods for understanding the metrical progressions of entire works or movements, and studies the interaction of metrical conflict with form, with pitch structure, and with the texts of Schumann's vocal works. Krebs includes a wealth of illustrations from the whole range of Schumann's work and offers numerous insights important for performance. In the final chapter, he provides richly detailed studies of pieces by Schumann in various genres, interspersing them with shorter discussions of music by Berlioz, Chopin, Clara Schumann, Ives, and Schoenberg. This is a book that will appeal not only to students and scholars of music theory, but to all musicians interested in the life, work, and unique personality of Robert Schumann.
| Author | : Stewart Gordon |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 0190629185 |
In Beethoven's 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven's pianos, performance practices, composer's indications, and the composer's development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.
