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| Author | : Robin Meloy Goldsby |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 296 |
| Release | : 2006-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780879308827 |
This entertaining memoir provides a glimpse into the comedies, tragedies, and mundane miracles witnessed from the business perspective of a world-traveling lounge musician.
| Author | : Charles Rosen |
| Publisher | : Simon and Schuster |
| Total Pages | : 262 |
| Release | : 2002-10-29 |
| Genre | : Music |
| ISBN | : 1439135223 |
Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
| Author | : Robin Meloy Goldsby |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 313 |
| Release | : 2021-06-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 1493056204 |
A pianist in lounges and lobbies around the world, Robin Meloy Goldsby tells her warm-hearted stories by linking people she has met with places she has played. Along the way, she connects the humanity of her audiences—princes and paupers, dreamers and doers, moguls, mobsters, wanna-bes, and has-beens—with the quiet soundtrack of her peripatetic, melodic life. Goldsby's autobiographical stories and essays deliver insights into the art and craft of piano playing, the merits of live music, and how the right song at the right moment can add color and depth to a drab, one dimensional world. Music, it turns out, connects us in unpredictable ways.
| Author | : Ann Ingalls |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 37 |
| Release | : 2010 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0618959742 |
An illustrated account of the childhood of jazz pianist, composer, and arranger Mary Lou Williams in Pittsburg, Pennsylvania, in the early twentieth century.
| Author | : Sherri Schoenborn Murray |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 346 |
| Release | : 2015-04-30 |
| Genre | : |
| ISBN | : 9781511793438 |
She plays from memory. Her memories. The day after her sixteenth birthday, Princess Alia finds out that she's been given away in marriage to a man she's never met. The war has just ended, and for Alia's protection, she must travel to her future kingdom disguised as a chicken farmer's daughter. This princess to pauper story is filled with problems, prayers and plenty of piano. Part one and two are combined in paperback.
| Author | : Margarita Engle |
| Publisher | : Atheneum Books for Young Readers |
| Total Pages | : 40 |
| Release | : 2019-08-27 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 148148740X |
Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?
| Author | : Nicky Gentil |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 224 |
| Release | : 2018-03-13 |
| Genre | : Music |
| ISBN | : 1788037634 |
“The natural tone of Nicky Gentil’s richly anecdotal narrative will delight not only pianists and jazz enthusiasts but anyone who just happens to like pianos in general.” - Cadence Info Magazine A collection of humorous, touching, unputdownable stories set in Paris, The Jazz-Girl, the Piano, and the Dedicated Tuner transports you into a feel-good world of jazz, pianos and the little-known art of piano tuning. An entertaining slice of life, regardless of whether or not you play a musical instrument, this book explores the world of Nina Somerville, an Englishwoman who - while others are going through a mid-life crisis - discovers by complete chance her true calling: jazz improvisation. In a bid to enjoy that passion to the full, she purchases the piano of her dreams - a Steinway baby grand - leading her to make yet another discovery: the intricate mysteries of the fascinating piano tuning profession. Against the backdrop of the Eiffel tower and the Champs-Élysées, from the quest for the perfect sound to an unexpected chance to perform in public, music takes Nina on a journey which is at times improbable and hilarious, but equally moving, not to mention extremely informative. Previously published in France, The Jazz-Girl has been greatly received, and has the interesting addition of being musically illustrated on the author’s YouTube channel with some characters playing pieces alluded to in the stories.
| Author | : Judith Barger |
| Publisher | : Routledge |
| Total Pages | : 429 |
| Release | : 2016-09-13 |
| Genre | : Music |
| ISBN | : 1315534916 |
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
| Author | : Elizabeth Smither |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Short stories, New Zealand |
| ISBN | : 9780995132986 |
Three musical sisters honour their mother with a piano recital every year in her memory. They compete with one another, practising in secret to see who can be the best. In other stories, music, food, and restaurants are themes. There is a woman who fends off a seducer by cooking up a storm; Fire Lady prepares flambe dishes in a restaurant. There is a cat called Min; an agonising breakup in a luxury hotel; a young woman obsessed with her breasts. The stories cover a wide range from schooldays and ballet lessons ('The Soul of Kate') to advanced age ('Scottie') where an elderly woman is the pet of a group of rakish young men. The style is engaging, humorous, but invariably compassionate. Introducing Elizabeth Smither as a fellow of The Academy of New Zealand Literature Louise O'Brien writes: 'I read Elizabeth Smither for the optimistic and freeing possibilities in her resistance to closure or conclusion, in character, narrative and, also, in life more broadly. Her stories acknowledge the uncontrollable messiness of life, the ragged edges of a self, the chaos of experience, the many aspects of an individual, and finds melody in the discord. Using multiple narrative perspectives and voices, moving between multiple places and times, her novels and stories accumulate the facets of a life and native without ever suggesting that these can be exhausted.'
| Author | : Cecilia Bjorken-Nyberg |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2016-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 1317021215 |
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
