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| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Alfred Music |
| Total Pages | : 60 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457475825 |
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Braithwaite Press |
| Total Pages | : 32 |
| Release | : 2013-01-01 |
| Genre | : Music |
| ISBN | : 9781447476061 |
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 36 |
| Release | : 1985-03 |
| Genre | : Music |
| ISBN | : 9780769281889 |
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : 68 |
| Release | : 1999 |
| Genre | : Concertos (Piano) |
| ISBN | : |
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Franz Schubert |
| Publisher | : Omnibus Press |
| Total Pages | : 100 |
| Release | : 1997 |
| Genre | : Piano music |
| ISBN | : 9780949789242 |
| Author | : Carlo Maria Giulini |
| Publisher | : |
| Total Pages | : |
| Release | : 2003 |
| Genre | : |
| ISBN | : |
| Author | : Oliver Sacks |
| Publisher | : Vintage |
| Total Pages | : 384 |
| Release | : 2015-04-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385352557 |
NATIONAL BESTSELLER • A “wonderful memoir” (Los Angeles Times) about a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human. • “Intimate.... Brim[s] with life and affection.” —The New York Times When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humor, Sacks writes about the passions that have driven his life—from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—W. H. Auden, Gerald M. Edelman, Francis Crick—who have influenced his work.
| Author | : Hal Leonard Corp. |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 1003 |
| Release | : 1992-02-01 |
| Genre | : Music |
| ISBN | : 1458492044 |
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Alfred Music |
| Total Pages | : 30 |
| Release | : 2006-02-17 |
| Genre | : Music |
| ISBN | : 1457422530 |
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
