Piano Concerto No. 18, K. 456
Author | : |
Publisher | : Eulenburg |
Total Pages | : 0 |
Release | : 1983-10 |
Genre | : |
ISBN | : 9783795763961 |
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Schott
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Author | : |
Publisher | : Eulenburg |
Total Pages | : 0 |
Release | : 1983-10 |
Genre | : |
ISBN | : 9783795763961 |
Schott
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 80 |
Release | : 1979 |
Genre | : Concertos (Piano) |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : |
Release | : 1951 |
Genre | : |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Author | : Michael Steinberg |
Publisher | : Oxford University Press |
Total Pages | : 523 |
Release | : 2000-10-26 |
Genre | : Music |
ISBN | : 019802634X |
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Author | : |
Publisher | : Edition Peters |
Total Pages | : |
Release | : 2022-06 |
Genre | : Music |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : Courier Corporation |
Total Pages | : 383 |
Release | : 1978-05-01 |
Genre | : Music |
ISBN | : 0486235998 |
This volume contains six complete piano concertos in full score: No. 17 in G Major, K.453; No. 18 in B-flat Major, K.456; No. 19 in F Major, K.459; No. 20 in D Minor, K.466; No. 21 in C Major, K. 467; No. 22 in E-flat Major, K. 482. Also included are Mozart's own cadenzas for Nos. 17, 18, and 19. All six concertos are photographically reprinted from the Breitkopf & Hartel printed text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment."
Author | : T. A. Johnson |
Publisher | : |
Total Pages | : 71 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Wolfgang A. Mozart |
Publisher | : |
Total Pages | : |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Stephan D. Lindeman |
Publisher | : Taylor & Francis |
Total Pages | : 666 |
Release | : 2006 |
Genre | : Music |
ISBN | : 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.