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| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Alfred Music |
| Total Pages | : 56 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457475696 |
A Piano Duet for 2 pianos, 4 hands, composed by Wolfgang Amadeus Mozart.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : |
| Release | : 197? |
| Genre | : Concertos |
| ISBN | : |
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : 66 |
| Release | : 1977 |
| Genre | : Concertos (Pianos (2)) |
| ISBN | : |
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Alfred Music |
| Total Pages | : 60 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457475825 |
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
| Author | : Stephan D. Lindeman |
| Publisher | : Routledge |
| Total Pages | : 666 |
| Release | : 2006-11-06 |
| Genre | : Music |
| ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 1900 |
| Genre | : Concertos |
| ISBN | : |
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : |
| Total Pages | : |
| Release | : 1975 |
| Genre | : Concertos |
| ISBN | : |
| Author | : University of Michigan. School of Music |
| Publisher | : |
| Total Pages | : 358 |
| Release | : 1952 |
| Genre | : Concert programs |
| ISBN | : |
| Author | : University of Michigan. School of Music, Theatre & Dance |
| Publisher | : UM Libraries |
| Total Pages | : |
| Release | : 1880 |
| Genre | : |
| ISBN | : |
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
| Author | : Stephan D. Lindeman |
| Publisher | : Pendragon Press |
| Total Pages | : 368 |
| Release | : 1999 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
