Photographic Global Notes (1 and 2).
Author | : |
Publisher | : |
Total Pages | : 307 |
Release | : 1993 |
Genre | : |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 307 |
Release | : 1993 |
Genre | : |
ISBN | : |
Author | : Tim Mantoani |
Publisher | : Silver Pixel Press |
Total Pages | : 309 |
Release | : 1994-01 |
Genre | : Commercial photography |
ISBN | : 9781883403232 |
The world's leading photographers share their imaging techniques. This collection of more than 70 article helps you master the techniques which made these pros famous. Each entry explains, in step-by-step detail, how the images were created, from start to finish. Not to be missed!
Author | : Thomas Sutton |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781016641845 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Thomas Sutton |
Publisher | : Nabu Press |
Total Pages | : 840 |
Release | : 2013-10 |
Genre | : |
ISBN | : 9781293097359 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Photographic Notes, Volumes 1-3 Thomas Sutton Sampson Low, Son & Company, 1856 Photography
Author | : Thomas Sutton, PH. |
Publisher | : Scholar's Choice |
Total Pages | : 840 |
Release | : 2015-02-15 |
Genre | : |
ISBN | : 9781296041519 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Sir David Salomons |
Publisher | : |
Total Pages | : 54 |
Release | : 1890 |
Genre | : Photography |
ISBN | : |
Author | : Terry Barrett |
Publisher | : Routledge |
Total Pages | : 249 |
Release | : 2020-11-29 |
Genre | : Photography |
ISBN | : 1000182363 |
Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live.
Author | : Malin Fabbri |
Publisher | : AlternativePhotography.com |
Total Pages | : 102 |
Release | : 2023-09-21 |
Genre | : Photography |
ISBN | : |
For the second year running, anthotype and alternative photographic process artists from all over the world came together. On Saturday, the 19th of August 2023, anthotypes were created and photographic prints were made from plants and pigments. The second World Anthotype Day was celebrated by artists creating vibrant and colourful photographs from homemade emulsions made from plants, powders or dyes, and then exposing the prints in the sun. World Anthotype Day was facilitated by a small team at AlternativePhotography.com and this book is a collection of the artists’ research, process and notes to learn and draw inspiration from. The collective research of almost 140 artists from 31 countries has been compiled in this book, covering emulsions made by: Annatto, Avocado, Bahraini almond, Balloon flower, Beach rose, Beetroot, Begonia, Bellflowers, Birch, Black elder, Black swallow wort, Blackcap raspberry, Bloodroot, Blueberry, Bougainvillea, Bracken, Brown-eyed Susan, Calendula, Chard, Chokeberries, Clematis, Cocoa, Cosmos, Costa Rican pitahaya, Crown lime, Dandelion, Fennel, Fern, Fireweed, Flame vine, Genipap, Geranium, Grape, Greater celandine, Hibiscus, Hollyhock, Hosta, Indian shot, Indigo, Iris, Jaboticaba, Jamaica flower, Juneberry, Kale, Lamb’s quarter, Lamb’s-ear, Lily of the valley, Lupine, Mallow, Mango, Mangosteen, Morning glory, Mulberry, Mustard, Nasturtium, Nettle, Oak, Onion, Paprika / Pepper, Peony, Peregrina, Persimmon, Plum shiso, Pokeweed, Poppy, Pumpkin, Red cabbage, Rocket, Rose, Saffron crocus, Saint George’s sword, Service berry, Silk floss tree, Sour cherry, Spinach, Squill, Strawberry, Sweet pea, Syngonium, Tayoba, Tea, Tomato, Tulip, Tulip tree, Turmeric, Walnut, Wine, Wineberry, Wonga-wonga vine and Yerba mate. Whether you are a beginner at the anthotype process or an experienced anthotypist, this book is invaluable and will save time in finding the next plant or pigment to use in your printing, or simply give you inspiration.
Author | : Elisabeth Blaikie |
Publisher | : |
Total Pages | : |
Release | : 2015-04-10 |
Genre | : |
ISBN | : 9781320810586 |
Author | : Anne McCauley |
Publisher | : Yale University Press |
Total Pages | : 409 |
Release | : 2017-01-01 |
Genre | : Photography |
ISBN | : 0300229089 |
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.