The Philosophy of Sound, and History of Music
Author | : William Mullinger Higgins |
Publisher | : |
Total Pages | : 276 |
Release | : 1838 |
Genre | : Music |
ISBN | : |
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Author | : William Mullinger Higgins |
Publisher | : |
Total Pages | : 276 |
Release | : 1838 |
Genre | : Music |
ISBN | : |
Author | : William Mullinger Higgins |
Publisher | : BoD – Books on Demand |
Total Pages | : 266 |
Release | : 2024-09-01 |
Genre | : Fiction |
ISBN | : 3368944258 |
Reprint of the original, first published in 1838.
Author | : William Mullinger Higgins |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : |
ISBN | : 9780243644803 |
Author | : W. Mullinger Higgins |
Publisher | : Literary Licensing, LLC |
Total Pages | : 264 |
Release | : 2014-03 |
Genre | : |
ISBN | : 9781497835085 |
This Is A New Release Of The Original 1838 Edition.
Author | : William Mullinger Higgins |
Publisher | : Andesite Press |
Total Pages | : 274 |
Release | : 2015-08-12 |
Genre | : |
ISBN | : 9781296791131 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : |
Total Pages | : 282 |
Release | : 2020-03-14 |
Genre | : History |
ISBN | : 9780371662953 |
Author | : Jing Wang |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 247 |
Release | : 2021-01-14 |
Genre | : Music |
ISBN | : 1501333496 |
From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.
Author | : John Dack |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 235 |
Release | : 2020-11-12 |
Genre | : Art |
ISBN | : 1527562042 |
This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a snapshot of contemporary research across a range of sound art and music disciplines, showcasing the variety, scope and scale of this exciting, if bewildering, area of study.
Author | : William Mullinger Higgins |
Publisher | : |
Total Pages | : 266 |
Release | : 2015-02-17 |
Genre | : |
ISBN | : 9781296135430 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Salome Voegelin |
Publisher | : A&C Black |
Total Pages | : 251 |
Release | : 2010-03-31 |
Genre | : Music |
ISBN | : 1441162070 |
A fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau-Ponty and others.