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Philosophy and Literary Modernism

Philosophy and Literary Modernism
Author: Robert P. McParland
Publisher: Cambridge Scholars Publishing
Total Pages: 255
Release: 2018-10-01
Genre: Philosophy
ISBN: 1527517845

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Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.


Modernism and the Language of Philosophy

Modernism and the Language of Philosophy
Author: Anat Matar
Publisher: Routledge
Total Pages: 225
Release: 2006-04-18
Genre: Language Arts & Disciplines
ISBN: 1134260091

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With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.


The Decline of Modernism

The Decline of Modernism
Author: Peter Bürger
Publisher: Penn State Press
Total Pages: 202
Release: 1992
Genre: Philosophy
ISBN: 9780271008905

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In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.


Modernist Idealism

Modernist Idealism
Author: Michael J. Subialka
Publisher: University of Toronto Press
Total Pages: 401
Release: 2021
Genre: History
ISBN: 1487528655

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Modernist Idealism develops a framework for understanding modernist production as the artistic realization of philosophical concepts elaborated in German idealism.


Wittgenstein and Modernism

Wittgenstein and Modernism
Author: Michael LeMahieu
Publisher: University of Chicago Press
Total Pages: 310
Release: 2017
Genre: Literary Criticism
ISBN: 022642040X

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Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."


Philosophy in the Condition of Modernism

Philosophy in the Condition of Modernism
Author: Ana Falcato
Publisher: Springer
Total Pages: 419
Release: 2018-05-03
Genre: Philosophy
ISBN: 3319770780

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Produced on the fringes of philosophy and literary criticism, this book is a pioneering study which aims to explicitly address and thematize what may be called a “critical philosophy in the condition of modernism”. Its most important and original contribution to both disciplines is a self-conscious reflection on possible modes of writing philosophy today, and a systematic comparison with what happened in literary modernism at the beginning of the twentieth-century. The volume is divided into six sections, where internationally renowned scholars discuss such pressing topics as the role of an unreliable narrator in a major philosophical treatise, the different mediums of art-production and how these impact on our perception of the Work itself, the role of narrative in animal ethics and the filmic adaption of a Modernist classic.


Philosophy Beside Itself

Philosophy Beside Itself
Author: Stephen W. Melville
Publisher: U of Minnesota Press
Total Pages: 221
Release: 1986-01-01
Genre: Literary Criticism
ISBN: 0816614377

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Michael Fried and Philosophy

Michael Fried and Philosophy
Author: Mathew Abbott
Publisher: Routledge
Total Pages: 268
Release: 2018-01-29
Genre: Philosophy
ISBN: 1317191846

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This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.


Henrik Ibsen and the Birth of Modernism

Henrik Ibsen and the Birth of Modernism
Author: Toril Moi
Publisher: OUP Oxford
Total Pages: 416
Release: 2008-02-14
Genre: Literary Criticism
ISBN: 0191502642

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Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.


Modernist Fiction and Vagueness

Modernist Fiction and Vagueness
Author: Megan Quigley
Publisher: Cambridge University Press
Total Pages: 243
Release: 2015-02-02
Genre: Literary Criticism
ISBN: 110708959X

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Modernist Fiction and Vagueness examines the development of the modernist novel in relation to changing approaches to philosophy. It argues that the puzzle of vagueness challenged the great thinkers of the early twentieth century and led to dramatic changes in both fiction and philosophy. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.