Philosophical Perspectives On Depiction PDF Download
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| Author | : Catharine Abell |
| Publisher | : OUP Oxford |
| Total Pages | : 256 |
| Release | : 2010-07-08 |
| Genre | : Philosophy |
| ISBN | : 0191585114 |
Download Philosophical Perspectives on Depiction Book in PDF, ePub and Kindle
Pictures are representations that depict their objects. Although depiction plays as important a role as language in contemporary culture and communication, its function is relatively poorly understood. This volume of specially written essays by leading philosophers offers to set the agenda for the philosophy of depiction. It addresses a wide range of philosophical issues, concerning the nature and value of depiction, the role of our perceptual processes in interpreting pictures, and the role of depiction in everyday communication.
| Author | : Catharine Abell |
| Publisher | : Oxford University Press |
| Total Pages | : 254 |
| Release | : 2010-07-08 |
| Genre | : Philosophy |
| ISBN | : 0199585962 |
Download Philosophical Perspectives on Depiction Book in PDF, ePub and Kindle
Depiction plays as important a role as language in our culture and communication, but its function is still not well understood. This volume of specially written essays by leading philosophers investigate the nature and value of depiction and its role in our understanding of the world. They set the agenda for the philosophy of depiction.
| Author | : Ben Blumson |
| Publisher | : Open Book Publishers |
| Total Pages | : 225 |
| Release | : 2014-09-21 |
| Genre | : Philosophy |
| ISBN | : 1783740728 |
Download Resemblance and Representation Book in PDF, ePub and Kindle
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.
| Author | : James D. Reid |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 281 |
| Release | : 2019-12-13 |
| Genre | : Philosophy |
| ISBN | : 1498555942 |
Download Agency and Imagination in the Films of David Lynch Book in PDF, ePub and Kindle
Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker’s work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch’s films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch’s penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch’s work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.
| Author | : Gary Kemp |
| Publisher | : Routledge |
| Total Pages | : 324 |
| Release | : 2016-06-10 |
| Genre | : Philosophy |
| ISBN | : 1317278658 |
Download Wollheim, Wittgenstein, and Pictorial Representation Book in PDF, ePub and Kindle
Pictorial representation is one of the core questions in aesthetics and philosophy of art. What is a picture? How do pictures represent things? This collection of specially commissioned chapters examines the influential thesis that the core of pictorial representation is not resemblance but 'seeing-in', in particular as found in the work of Richard Wollheim. We can see a passing cloud as a rabbit, but we also see a rabbit in the clouds. 'Seeing-in' is an imaginative act of the kind employed by Leonardo’s pupils when he told them to see what they could - for example, battle scenes - in a wall of cracked plaster. This collection examines the idea of 'seeing-in' as it appears primarily in the work of Wollheim but also its origins in the work of Wittgenstein. An international roster of contributors examine topics such as the contrast between seeing-in and seeing-as; whether or in what sense Wollheim can be thought of as borrowing from Wittgenstein; the idea that all perception is conceptual or propositional; the metaphor of figure and ground and its relation to the notion of 'two-foldedness'; the importance in art of emotion and the imagination. Wollheim, Wittgenstein and Pictorial Representation: Seeing-as and Seeing-in is essential reading for students and scholars of aesthetics and philosophy of art, and also of interest to those in related subjects such as philosophy of mind and art theory.
| Author | : Paul Woodruff |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2018-07-02 |
| Genre | : Philosophy |
| ISBN | : 0190669462 |
Download The Oedipus Plays of Sophocles Book in PDF, ePub and Kindle
Oedipus presents ceaseless paradoxes that have fascinated readers for centuries. He is proud of his intellect, but he does not know himself and succumbs easily to self-deceptions. As a ruler he expresses the greatest good will toward his people, but as an exile he will do nothing to save them from their enemies. Faced with a damning prophecy, he tries to take destiny into his own hands and fails. Realizing this, he struggles at the end of his life for a serenity that seems to elude him. In his last misery, he is said to illustrate the tragic lament that it is better not to be born, or, once born, better to die young than to live into old age. Such are the themes a set of powerful thinkers take on in this volume-self-knowledge, self-deception, destiny, the value of a human life. There are depths to the Oedipus tragedies that only philosophers can plumb; readers who know the plays will be startled by what they find in this volume. There is nothing in literature to compare with the Oedipus plays of Sophocles that let us see the same basic myth through different lenses. The first play was the product of a poet in vibrant late middle age, the second of a man who was probably in his eighties, with the vision of a very old poet still at the height of his powers. In the volume's introduciton, Paul Woodruff provides historical backdrop to Sophocles and the plays, and connections to the contributions by philosophers and classicists that follow.
| Author | : A. Voltolini |
| Publisher | : Springer |
| Total Pages | : 437 |
| Release | : 2015-05-28 |
| Genre | : Philosophy |
| ISBN | : 1137263296 |
Download A Syncretistic Theory of Depiction Book in PDF, ePub and Kindle
What is depiction? A new answer is given to this venerable question by providing a syncretistic theory of depiction that tries to combine the merits of the previous theories on the matter while dropping their defects. Thus, not only perceptual, but also both conventional and causal factors contribute in making something a picture of something else.
| Author | : Lambert Wiesing |
| Publisher | : Cultural Memory in the Present |
| Total Pages | : 148 |
| Release | : 2010 |
| Genre | : Philosophy |
| ISBN | : 9780804759410 |
Download Artificial Presence Book in PDF, ePub and Kindle
These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.
| Author | : Fiona Macpherson |
| Publisher | : Oxford University Press |
| Total Pages | : 425 |
| Release | : 2010-11-23 |
| Genre | : Philosophy |
| ISBN | : 0199780722 |
Download The Senses Book in PDF, ePub and Kindle
The senses, or sensory modalities, constitute the different ways we have of perceiving the world, such as seeing, hearing, touching, tasting and smelling. But how many senses are there? How many could there be? What makes the senses different? What interaction takes place between the senses? This book is a guide to thinking about these questions. Together with an extensive introduction to the topic, the book contains the key classic papers on this subject together with nine newly commissioned essays. One reason that these questions are important is that we are receiving a huge influx of new information from the sciences that challenges some traditional philosophical views about the senses. This information needs to be incorporated into our view of the senses and perception. Can we do this whilst retaining our pre-existing concepts of the senses and of perception or do we need to revise our concepts? If they need to be revised, then in what way should that be done? Research in diverse areas, such as the nature of human perception, varieties of non-human animal perception, the interaction between different sensory modalities, perceptual disorders, and possible treatments for them, calls into question the platitude that there are five senses, as well as the pre-supposition that we know what we are counting when we count them as five (or more). This book will serve as an inspiring introduction to the topic and as a basis from which further new research will grow.
| Author | : Fiona Macpherson |
| Publisher | : Oxford University Press |
| Total Pages | : 432 |
| Release | : 2011-05-09 |
| Genre | : Philosophy |
| ISBN | : 0190452617 |
Download The Senses Book in PDF, ePub and Kindle
The senses, or sensory modalities, constitute the different ways we have of perceiving the world, such as seeing, hearing, touching, tasting and smelling. But how many senses are there? How many could there be? What makes the senses different? What interaction takes place between the senses? This book is a guide to thinking about these questions. Together with an extensive introduction to the topic, the book contains the key classic papers on this subject together with nine newly commissioned essays. One reason that these questions are important is that we are receiving a huge influx of new information from the sciences that challenges some traditional philosophical views about the senses. This information needs to be incorporated into our view of the senses and perception. Can we do this whilst retaining our pre-existing concepts of the senses and of perception or do we need to revise our concepts? If they need to be revised, then in what way should that be done? Research in diverse areas, such as the nature of human perception, varieties of non-human animal perception, the interaction between different sensory modalities, perceptual disorders, and possible treatments for them, calls into question the platitude that there are five senses, as well as the pre-supposition that we know what we are counting when we count them as five (or more). This book will serve as an inspiring introduction to the topic and as a basis from which further new research will grow.
