Philippine Folk Dances and Games
Author | : Francisca Reyes Tolentino |
Publisher | : |
Total Pages | : 88 |
Release | : 1927 |
Genre | : Folk dance music, Filipino |
ISBN | : |
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Author | : Francisca Reyes Tolentino |
Publisher | : |
Total Pages | : 88 |
Release | : 1927 |
Genre | : Folk dance music, Filipino |
ISBN | : |
Author | : Mellie Leandicho Lopez |
Publisher | : UP Press |
Total Pages | : 526 |
Release | : 2006 |
Genre | : Folk literature, Philippine |
ISBN | : 9789715425148 |
The voluminous book provides a range of international theories and methodologies in analytical folklore investigations, and a classification scheme based on genre is offered as the system of taxonomy for Philippine traditional materials. Lopez counts on the regional folklorists to refine the classification according to the texts of their respective areas. The different genres, too, are explained and examined in another part of Lopez's study. The reader will definitely find interesting and useful, the illustrative examples for each genre.
Author | : Francisca S. Reyes-Tolentino |
Publisher | : |
Total Pages | : 92 |
Release | : 1935 |
Genre | : Folk dance music |
ISBN | : |
Author | : Francisca Reyes Tolentino |
Publisher | : |
Total Pages | : 70 |
Release | : 1935 |
Genre | : Dance |
ISBN | : |
Author | : Francisca Reyes Aquino |
Publisher | : |
Total Pages | : 130 |
Release | : 1976 |
Genre | : Dance |
ISBN | : |
Author | : Serafin Aquino |
Publisher | : |
Total Pages | : 220 |
Release | : 1922 |
Genre | : Folk dancing |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 138 |
Release | : 1960 |
Genre | : Dance |
ISBN | : |
Author | : Jovita Sison Friese |
Publisher | : |
Total Pages | : 230 |
Release | : 1980 |
Genre | : Performing Arts |
ISBN | : |
Author | : Theodore S. Gonzalves |
Publisher | : Temple University Press |
Total Pages | : 229 |
Release | : 2009-09-25 |
Genre | : Music |
ISBN | : 159213730X |
Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances—and parodies of them—these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification. Gonzalves traces a genealogy of performance repertoire from the 1930s to the present. Culture nights serve several functions: as exercises in nostalgia, celebrations of rigid community entertainment, and occasionally forums for political intervention. Taking up more recent parodies of Pilipino Cultural Nights, Gonzalves discusses how the rebellious spirit that enlivened the original seditious performances has been stifled.
Author | : Kanami Namiki |
Publisher | : Anvil Publishing, Inc. |
Total Pages | : 212 |
Release | : 2017-10-02 |
Genre | : Performing Arts |
ISBN | : 9712730514 |
“I know of no other work that succeeds beautifully in weaving together a history of the development of Filipino folk dance over the twentieth century, an outsider’s insider’s account of one of the top two folk dance companies in the Philippines, and a sensitive, wide-ranging reflection on how a ‘foreign’ (in this case, Japanese) dancer learns to become Filipino in bodily movement and sensibility.” — From the Foreword by Reynaldo C. Ileto