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Persistently Postwar

Persistently Postwar
Author: Blai Guarné
Publisher: Berghahn Books
Total Pages: 208
Release: 2019-03-27
Genre: Social Science
ISBN: 1785339605

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From melodramas to experimental documentaries to anime, mass media in Japan constitute a key site in which the nation’s social memory is articulated, disseminated, and contested. Through a series of stimulating case studies, this volume examines the political and cultural representations of Japan’s past, showing how they have reinforced personal and collective narratives while also formulating new cultural meanings, both on a local scale and in the context of transnational media production and consumption. Drawing upon diverse disciplinary insights and methodologies, these studies collectively offer a nuanced account in which mass media function as much more than a simple ideological tool.


A Companion to Japanese Cinema

A Companion to Japanese Cinema
Author: David Desser
Publisher: John Wiley & Sons
Total Pages: 724
Release: 2022-03-09
Genre: Performing Arts
ISBN: 1118955323

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Go beyond Kurosawa and discover an up-to-date and rigorous examination of historical and modern Japanese cinema In A Companion to Japanese Cinema, distinguished cinematic researcher David Desser delivers insightful new material on a fascinating subject, ranging from the introduction and exploration of under-appreciated directors, like Uchida Tomu and Yoshimura Kozaburo, to an appreciation of the Golden Age of Japanese cinema from the point of view of little-known stars and genres of the 1950s. This Companion includes new resources that deal in-depth with the issue of gender in Japanese cinema, including a sustained analysis of Kawase Naomi, arguably the most important female director in Japanese film history. Readers will appreciate the astute material on the connections and relationships that tie together Japanese television and cinema, with implications for understanding the modern state of Japanese film. The Companion concludes with a discussion of the Japanese media’s response to the 3/11 earthquake and tsunami that devastated the nation. The book also includes: A thorough introduction to the History, Ideology, and Aesthetics of Japanese cinema, including discussions of Kyoto as the cinematic center of Japan and the Pure Film Movement and modern Japanese film style An exploration of the background to the famous story of Taki no Shiraito and the significant and underappreciated contributions of directors Uchida Tomu, as well as Yoshimura Kozaburo A rigorous comparison of old and new Japanese cinema, including treatments of Ainu in documentary films and modernity in film exhibition Practical discussions of intermediality, including treatments of scriptwriting in the 1930s and the influence of film on Japanese television Perfect for upper-level undergraduate and graduate students studying Japanese and Asian cinema, A Companion to Japanese Cinema is a must-read reference for anyone seeking an insightful and contemporary discussion of modern scholarship in Japanese cinema in the 20th and 21st centuries.


Postwar

Postwar
Author: Tony Judt
Publisher: Penguin
Total Pages: 1000
Release: 2006-09-05
Genre: History
ISBN: 9780143037750

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Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.


Developments in the Japanese Documentary Mode

Developments in the Japanese Documentary Mode
Author: Marcos Centeno
Publisher: MDPI
Total Pages: 140
Release: 2021-06-10
Genre: Social Science
ISBN: 3039439138

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Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's contribution to the representation of real life in cinema and related forms. Donald Richie, who was instrumental in introducing Japanese cinema to the West, even claimed that Japan did not have a true documentary tradition due to the apparent preference of Japanese audiences for stylisation over realism, a preference that originated from its theatrical tradition. However, a closer look at the history of Japanese documentary and feature film production reveals an emphasis on actuality and everyday life as a major part of Japanese film culture. That 'documentary mode' – crossing genre and medium like Peter Brooks' 'melodramatic mode' rather than limited to styles of documentary filmmaking alone – identifies rhetoric of authenticity in cinema and related media, even as that rhetoric was sometimes put in service to political and economic ends. The articles in this Special Issue, ‘Developments in the Japanese Documentary Mode’, trace important changes in documentary film schools and movements from the 1930s onwards, sometimes in relation to other media, and the efforts of some post-war filmmakers to adapt the styles and ethical commitments that underpin documentary's "impression of authenticity" to their representation of fictional worlds


Legacies and Ambiguities

Legacies and Ambiguities
Author: Ernestine Schlant
Publisher: Woodrow Wilson Center Press
Total Pages: 340
Release: 1991-10
Genre: Literary Criticism
ISBN: 9780943875323

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The literary legacies of World War II have been mixed and varied, especially in West Germany and Japan, where the burden of defeat has been expressed by novelists and intellectuals in strikingly different ways. Reflecting the cultural differences between the two nations, and the experiences of occupation and democratization that occurred after the war, the postwar literatures of Germany and Japan intimately reveal the hopes and aspirations, the dreams and the nightmares, of two peoples confronting the harsh realities of war. Using a comparative approach, Ambiguous Legacies explores the conditions and values under which the postwar literatures of West Germany and Japan were created. Specifically, the book assesses the meaning of the German and Japanese literary responses to the World War II: the tendencies of denial or silence by German writers, the fatalism and passivity of Japanese novels, and the importance of the past in defining the recent "New subjectivism" among German writers and the outpourings of the "Introverted Generation" by Japanese novelists. Ernestine Schlant's introduction sets the context for the individual chapters and offers guideposts for further comparative scholarship. The book also includes a useful annotated bibliography and suggestions for further reading. The contributors are: Arnulf Baring, Carol Gluck, Walter Hinderer, Iremela Hijiya Kirschnereit, Peter Demetz, Marlene J. Mayo, J. Victor Koschmann, Judith Ryan, Van C. Gessel, Dagmar Barnouw, Kato Schuichi, Oda Makoto, and Peter Schneider.


Killers, Clients and Kindred Spirits

Killers, Clients and Kindred Spirits
Author: Lindsay Coleman
Publisher: Edinburgh University Press
Total Pages: 360
Release: 2019-05-09
Genre: Motion picture producers and directors
ISBN: 1474411827

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The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society.


Postwar Japan as History

Postwar Japan as History
Author: Andrew Gordon
Publisher: Univ of California Press
Total Pages: 514
Release: 1993-10-20
Genre: History
ISBN: 9780520074750

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As they examine three related themes of postwar history, the authors describe an ongoing historical process marked by unexpected changes, such as Japan's extraordinary economic growth, and unanticipated continuities, such as the endurance of conservative rule. --From publisher's description.


After Society

After Society
Author: João Pina-Cabral
Publisher: Berghahn Books
Total Pages: 232
Release: 2020-07-01
Genre: Social Science
ISBN: 178920769X

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In the early 1980s, when the contributors to this volume completed their graduate training at Oxford, the conditions of practice in anthropology were undergoing profound change. Professionally, the immediate postcolonial period was over and neoliberal reforms were marginalizing the social sciences. Analytically, the poststructuralist critique of the notion of ‘society’ challenged a discipline that dubbed itself as ‘social’. Here self-ethnography is used to portray the contributors’ anthropological trajectories, showing how analytical and academic engagements interacted creatively over time.


The Everyday in Visual Culture

The Everyday in Visual Culture
Author: François Penz
Publisher: Taylor & Francis
Total Pages: 237
Release: 2022-05-30
Genre: Art
ISBN: 1000569845

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This book explores how the comparative analysis of visual cultural artefacts, from objects to architecture and fiction films, can contribute to our understanding of everyday life in homes and cities around the globe. Investigating the multiple facets of the everyday, this interdisciplinary collection generates a new awareness of everyday lives across cultures and challenges our traditional understanding of the everyday by interweaving new thematic connections. It brings together debates around the analysis of the everyday in visual culture more broadly and explores the creation of innovative technological methods for comparative approaches to the study of the everyday, such as film databases, as well as the celebration of the everyday in museums. The volume is organized around four key themes. It explores the slices of everyday lives found in Visual Culture (Part I), Museums (Part II), the City (Part III) and the Home (Part IV). The book explores the growing area of the analysis of everyday life through visual culture both broadly and in depth. By building interdisciplinary connections, this book is ideal for the emerging community of scholars and students stemming from Visual Culture, Film and Media Studies, Architecture Studies and practice, Museum Studies, and scholars of Sociology and Anthropology as well as offering fresh insights into cutting-edge tools and practices for the rapidly growing field of Digital Humanities.