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Performing Shakespeare's Women

Performing Shakespeare's Women
Author: Paige Martin Reynolds
Publisher: Bloomsbury Publishing
Total Pages: 208
Release: 2018-12-13
Genre: Literary Criticism
ISBN: 1350002607

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Shakespeare's women rarely reach the end of the play alive. Whether by murder or by suicide, onstage or off, female actors in Shakespeare's works often find themselves 'playing dead.' But what does it mean to 'play dead', particularly for women actors, whose bodies become scrutinized and anatomized by audiences and fellow actors who 'grossly gape on'? In what ways does playing Shakespeare's women when they are dead emblematize the difficulties of playing them while they are still alive? Ultimately, what is at stake for the female actor who embodies Shakespeare's women today, dead or alive? Situated at the intersection of the creative and the critical, Performing Shakespeare's Women: Playing Dead engages performance history, current scholarship and the practical problems facing the female actor of Shakespeare's plays when it comes to 'playing dead' on the contemporary stage and in a post-feminist world. This book explores the consequences of corpsing Shakespeare's women, considering important ethical questions that matter to practitioners, students and critics of Shakespeare today.


Shakespeare's Women

Shakespeare's Women
Author: William Shakespeare
Publisher: SIU Press
Total Pages: 168
Release: 1986
Genre: Drama
ISBN:

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Serves both as a script for performance and as a text for high school and college theater and English classes. This self-contained script brings together different scenes from Shake­speare's plays to portray women "in all their infinite variety." Two narrators, a man and a woman, introduce and com­ment on these scenes, weaving together the different characters and situations. This book combines literary and theat­rical techniques in examining Shake­speare's women. Its promptbook format provides clear, helpful stage directions on pages facing each of the scenes. Also help­ful are concise glosses and footnotes to define difficult words and phrases plus a commentary to explain each scene in its dramatic context. Other features include sheet music for each song in the play, a bibliography on the topic of women in Shakespeare's plays, and suggestions for directors who wish to stage the play.


Women of Will

Women of Will
Author: Tina Packer
Publisher: Vintage
Total Pages: 354
Release: 2016-03-08
Genre: Literary Criticism
ISBN: 0307745341

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Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.


Brutus and Other Heroines

Brutus and Other Heroines
Author: Harriet Walter
Publisher:
Total Pages: 0
Release: 2016
Genre: LITERARY CRITICISM
ISBN: 9781848422933

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A rich journey of discovery through the greatest roles in Shakespeare, both female and male.


Spectrums of Shakespearean Crossdressing

Spectrums of Shakespearean Crossdressing
Author: Courtney Bailey Parker
Publisher: Routledge
Total Pages: 179
Release: 2019-10-21
Genre: Drama
ISBN: 1000735583

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Since young male players were the norm during the English Renaissance, were all cross-dressed performances of female characters played with the same degree of seriousness? Probably not. Spectrums of Representation in Shakespearean Crossdressing examines these varied types of female characters in English Renaissance drama, drawing from a range of play texts themselves in order to investigate if evidence exists for varying performance practices for male-to-female crossdressing. This book argues for a reading of the representation of female characters on the English Renaissance stage that not only suggests categorizing crossdressing along a spectrum of theatrical artifice, but also explores how this range of artifice enriches our understanding of the plays. The scholarship surrounding cross-dressing rarely makes this distinction, since in our study of early modern plays we tend to accept as a matter of course that all crossdressing was essentially the same. The basis of Spectrums of Representation in Shakespearean Crossdressing is that it was not.


Women Making Shakespeare

Women Making Shakespeare
Author: Gordon McMullan
Publisher: A&C Black
Total Pages: 383
Release: 2013-12-02
Genre: Literary Criticism
ISBN: 1472539389

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Women Making Shakespeare presents a series of 20-25 short essays that draw on a variety of resources, including interviews with directors, actors, and other performance practitioners, to explore the place (or constitutive absence) of women in the Shakespearean text and in the history of Shakespearean reception - the many ways women, working individually or in communities, have shaped and transformed the reception, performance, and teaching of Shakespeare from the 17th century to the present. The book highlights the essential role Shakespeare's texts have played in the historical development of feminism. Rather than a traditional collection of essays, Women Making Shakespeare brings together materials from diverse resources and uses diverse research methods to create something new and transformative. Among the many women's interactions with Shakespeare to be considered are acting (whether on the professional stage, in film, on lecture tours, or in staged readings), editing, teaching, academic writing, and recycling through adaptations and appropriations (film, novels, poems, plays, visual arts).


The First English Actresses

The First English Actresses
Author: Elizabeth Howe
Publisher: Cambridge University Press
Total Pages: 248
Release: 1992-06-04
Genre: Biography & Autobiography
ISBN: 9780521422109

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This book describes how and why women were permitted to act on the public stage after 1660 in England.


Performing Shakespeare's Women

Performing Shakespeare's Women
Author: Paige Reynolds
Publisher:
Total Pages: 194
Release: 2018
Genre: Death in literature
ISBN: 9781350002623

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Introduction: hunger artists -- Performing death and desire in Othello -- Playing parts in King Lear -- Being the female body in Macbeth -- Making love in Hamlet -- Falling and rising in Richard III -- Dying in Romeo and Juliet.


As She Likes It

As She Likes It
Author: Penny Gay
Publisher: Routledge
Total Pages: 221
Release: 2002-03-11
Genre: Performing Arts
ISBN: 1134862377

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As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.


Shakespeare and Feminist Performance

Shakespeare and Feminist Performance
Author: Sarah Werner
Publisher: Routledge
Total Pages: 146
Release: 2005-07-08
Genre: Literary Criticism
ISBN: 1134588038

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How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.