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| Author | : Amanda Eubanks Winkler |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2023-01-26 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1009241206 |
The first book on Restoration Shakespeare in performance, drawing on theatre history, musicology and literary criticism.
| Author | : Amanda Eubanks Winkler |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2023-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1009241249 |
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.
| Author | : Richard Schoch |
| Publisher | : Cambridge University Press |
| Total Pages | : 160 |
| Release | : 2021-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 110878867X |
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
| Author | : Barbara A. Murray |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 316 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780838639184 |
Between 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him.
| Author | : Amanda Eubanks Winkler |
| Publisher | : Arden Shakespeare |
| Total Pages | : 0 |
| Release | : 2023-05-18 |
| Genre | : Literary Criticism |
| ISBN | : 1350273481 |
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. Founder of the Duke's Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare. The eBook editions of this work are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Queen's University Belfast.
| Author | : J. L. Styan |
| Publisher | : Cambridge University Press |
| Total Pages | : 292 |
| Release | : 1986-08-29 |
| Genre | : Drama |
| ISBN | : 9780521274210 |
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
| Author | : Hazelton Spencer |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 1927 |
| Genre | : Theater |
| ISBN | : |
| Author | : Fiona Ritchie |
| Publisher | : Cambridge University Press |
| Total Pages | : 469 |
| Release | : 2012-04-19 |
| Genre | : Drama |
| ISBN | : 0521898609 |
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
| Author | : Deborah Payne Fisk |
| Publisher | : Cambridge University Press |
| Total Pages | : 326 |
| Release | : 2000-05-11 |
| Genre | : Drama |
| ISBN | : 9780521588126 |
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
| Author | : Diana Solomon |
| Publisher | : University of Delaware |
| Total Pages | : 274 |
| Release | : 2013-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1611494230 |
This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
