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Performing Medieval Text

Performing Medieval Text
Author: Ardis Butterfield
Publisher: Legenda
Total Pages: 230
Release: 2019-06-03
Genre: Literary Criticism
ISBN: 9781781883785

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d104s of different kinds grant insight into the rich cultural canvas of the Middle Ages: epic poetry, vernacular lyric, and music; liturgical rites and ceremonial manuals; manuscripts, illuminations, modern adaptations and editions, and many more. Adopting a range of disciplinary perspectives--literary studies, liturgical studies, and musicology--this collection of essays reveals the two-fold performative nature of such texts: they document, mediate, or prefigure acts of performance, while at the same time taking on performative roles themselves by generating additional layers of meaning. Focussing on acts, authors, and performative processes of reception, the contributors demonstrate the significance of the performative to the culture and study of the High and Late Middle Ages (c.1000-1500), from troubadour songs and Minnesang to motets, from the biblical figure of Job to Christine de Pizan and Dante, from Scandinavia to Béarn and Imperial Augsburg. Henry Hope (Music) and Pauline Souleau (French) are early-career researchers at the universities of Bern and Oxford; with Ardis Butterfield (John M. Schiff Professor of English, Professor of French and Music at Yale University) they share an interest in transcending linguistic, national, generic, and disciplinary borders in the study of medieval texts.


Performing Medieval Narrative

Performing Medieval Narrative
Author: Evelyn Birge Vitz
Publisher: DS Brewer
Total Pages: 290
Release: 2005
Genre: History
ISBN: 9781843840398

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A survey of an investigation into whether medieval narrative was designed for performance.


Acts and Texts

Acts and Texts
Author: Laurie Postlewate
Publisher: Rodopi
Total Pages: 363
Release: 2007
Genre: Art
ISBN: 9042021918

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For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the "performed" life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.


Performing Medieval and Renaissance Music

Performing Medieval and Renaissance Music
Author: Elizabeth V. Phillips
Publisher: New York : Schirmer Books
Total Pages: 352
Release: 1986
Genre: Music
ISBN:

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This is a practical and systematic introduction to all major categories of the ensemble repertory from the Middle Ages and the Renaissance. The book stresses basic principles of performance that are both historically sound and viable for today's musicians. Includes performance guides for specific works of this period, with some biographical and historical background of the works and their style.


Visualizing Medieval Performance

Visualizing Medieval Performance
Author: Elina Gertsman
Publisher: Routledge
Total Pages: 517
Release: 2017-07-05
Genre: Performing Arts
ISBN: 1351537369

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Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.


Visualizing Medieval Performance

Visualizing Medieval Performance
Author: Elina Gertsman
Publisher: Routledge
Total Pages: 367
Release: 2017-07-05
Genre: Performing Arts
ISBN: 1351537377

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Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.


The Cambridge History of Medieval Music

The Cambridge History of Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
Total Pages:
Release: 2018-08-09
Genre: Music
ISBN: 1108577075

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.


Early English Performance: Medieval Plays and Robin Hood Games

Early English Performance: Medieval Plays and Robin Hood Games
Author: John Marshall
Publisher: Routledge
Total Pages: 383
Release: 2019-10-08
Genre: Drama
ISBN: 0429765010

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Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).


Performing Texts

Performing Texts
Author: Michael Issacharoff
Publisher: University of Pennsylvania Press
Total Pages: 168
Release: 2016-11-11
Genre: Literary Criticism
ISBN: 1512802875

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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.


Performing Bodies in Pain

Performing Bodies in Pain
Author: M. Carlson
Publisher: Springer
Total Pages: 227
Release: 2010-08-16
Genre: History
ISBN: 0230111483

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This text analyzes the cultural work of spectacular suffering in contemporary discourse and late-medieval France, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.