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Performativity

Performativity
Author: James Loxley
Publisher: Routledge
Total Pages: 229
Release: 2006-11-22
Genre: Literary Criticism
ISBN: 113433169X

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Do our writings and our utterances reflect or describe our world, or do they intervene in it? Do they, perhaps, help to make it? If so, how? Within what limits, and with what implications? Contemporary theorists have considered the ways in which the languages we speak might be ‘performative’ in just this way, and their thinking on the topic has had an important impact on a broad range of academic disciplines. In this accessible introduction to a sometimes complex field, James Loxley: offers a concise and original account of critical debates around the idea of performativity traces the history of the concept through the work of such influential theorists as J. L. Austin, John Searle, Stanley Fish, Jacques Derrida, Paul de Man and Judith Butler examines the implications of performativity for fields such as literary and cultural theory, philosophy, performance studies, and the theory of gender and sexuality. emphasises the political and ethical implications that its most important theorists have drawn from the notion of performativity suggests ways in which major debates around the topic have obscured its alternative interpretations and uses. For students trying to make sense of performativity and related concepts such as the speech act, ‘ordinary language’, and iterability, and for those seeking to understand the place of these ideas in contemporary performance theory, this clear guide will prove indispensable. Performativity offers not only a path through challenging critical terrain, but a new understanding of just what is at stake in the exploration of this field.


Performance

Performance
Author: Diana Taylor
Publisher: Duke University Press
Total Pages: 166
Release: 2015-12-30
Genre: Performing Arts
ISBN: 0822375125

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"Performance" has multiple and often overlapping meanings that signify a wide variety of social behaviors. In this invitation to reflect on the power of performance, Diana Taylor explores many of its uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. This book performs its argument. Images and texts interact to show how performance is at once a creative act, a means to comprehend power, a method of transmitting memory and identity, and a way of understanding the world.


Notes Toward a Performative Theory of Assembly

Notes Toward a Performative Theory of Assembly
Author: Judith Butler
Publisher: Harvard University Press
Total Pages: 257
Release: 2015-11-17
Genre: Philosophy
ISBN: 067449556X

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A Times Higher Education Book of the Week Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how. Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity—the destruction of the conditions of livability—has been a galvanizing force and theme in today’s highly visible protests. “Butler’s book is everything that a book about our planet in the 21st century should be. It does not turn its back on the circumstances of the material world or give any succour to those who wish to view the present (and the future) through the lens of fantasies about the transformative possibilities offered by conventional politics Butler demonstrates a clear engagement with an aspect of the world that is becoming in many political contexts almost illicit to discuss: the idea that capitalism, certainly in its neoliberal form, is failing to provide a liveable life for the majority of human beings.” —Mary Evans, Times Higher Education “A heady immersion into the thought of one of today’s most profound philosophers of action...This is a call for a truly transformative politics, and its relevance to the fraught struggles taking place in today’s streets and public spaces around the world cannot be denied.” —Hans Rollman, PopMatters


Performativity and Performance

Performativity and Performance
Author: Andrew Parker
Publisher: Routledge
Total Pages: 248
Release: 2013-11-05
Genre: Art
ISBN: 1135207577

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From the age of Aristotle to the age of AIDS, writers, thinkers, performers and activists have wresteled with what "performance" is all about. At the same moment, "performativity"--a new concept in language theory--has become a ubiquitous term in literary studies. This volume grapples with the nature of these two key terms whose traces can be found everywhere: in the theatre, in the streets, in philosophy, in questions of race and gender, and in the sentences we speak.


Performativity & Belonging

Performativity & Belonging
Author: Vikki Bell
Publisher: SAGE
Total Pages: 257
Release: 1999-08-27
Genre: Social Science
ISBN: 1848609175

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This book explores belonging as a performative achievement. The contributors investigate how identities are embodied and effected, and how lines of allegiance and fracture are produced and reproduced. Questions of ′difference′ are tackled from a perspective that attends to the complexities of history and politics. Drawing on sociology, philosophy and anthropology, this collection brings together leading commentators, including Judith Butler, Paul Gilroy and Arjun Appadurai, as well as a range of new scholars. It examines questions of visuality, political affiliation, ethics, mimesis, spatiality, passing, and diversity in modes of embodied difference. The volume advances conceptual and theoretical issues through testing various propositions around specific examples or questions. What emerges is a rich engagement with the complexity of contemporary forms of belonging.


Performativity

Performativity
Author: James Loxley
Publisher: Routledge
Total Pages: 200
Release: 2006-11-22
Genre: Language Arts & Disciplines
ISBN: 1134331703

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Do our writings and our utterances reflect or describe our world, or do they intervene in it? Do they, perhaps, help to make it? If so, how? Within what limits, and with what implications? Contemporary theorists have considered the ways in which the languages we speak might be ‘performative’ in just this way, and their thinking on the topic has had an important impact on a broad range of academic disciplines. In this accessible introduction to a sometimes complex field, James Loxley: offers a concise and original account of critical debates around the idea of performativity traces the history of the concept through the work of such influential theorists as J. L. Austin, John Searle, Stanley Fish, Jacques Derrida, Paul de Man and Judith Butler examines the implications of performativity for fields such as literary and cultural theory, philosophy, performance studies, and the theory of gender and sexuality. emphasises the political and ethical implications that its most important theorists have drawn from the notion of performativity suggests ways in which major debates around the topic have obscured its alternative interpretations and uses. For students trying to make sense of performativity and related concepts such as the speech act, ‘ordinary language’, and iterability, and for those seeking to understand the place of these ideas in contemporary performance theory, this clear guide will prove indispensable. Performativity offers not only a path through challenging critical terrain, but a new understanding of just what is at stake in the exploration of this field.


Economics and Performativity

Economics and Performativity
Author: Nicolas Brisset
Publisher: Routledge
Total Pages: 300
Release: 2018-07-27
Genre: Business & Economics
ISBN: 1351620940

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Economists do more than merely describe an external economic world. They shape it in the image of their theories and models. This idea, following the philosophy of language, puts forward that economic theories are performative, and not only descriptive. This idea has become a powerful critique of the scientificity of economics since it removes the idea of an external world against which our description could be evaluated as truth. If any theory can become true, there are no true theories per se because there is no such thing as a pre-existing economy to describe. Is such a relativist stance a fatality? This is the question at stake in this book. Furthermore, the author asks if any theory is able to ‘perform’ the social reality, or are there actually some limits to performativity? For philosophers, a performative statement is a statement that cannot fail to mean something, but can fail to do what it calls for. The state of the world may or may not be changed; the performative statement may be happy or unhappy. In economic terms, this can be interpreted as: some theories change the world while some do not. This book argues that this possibility of failure, a perspective previously missing from discussions on the subject, should be at the heart of any definition of failure. Taking on the question of why some theories change the world while others do not, this volume will be of interest to those studying advances courses on the philosophy of economics as well as those studying and researching in the areas of the philosophy of sciences and sociology of science and economics.


Performativity, Politics, and the Production of Social Space

Performativity, Politics, and the Production of Social Space
Author: Michael R. Glass
Publisher: Routledge
Total Pages: 319
Release: 2014-01-10
Genre: Social Science
ISBN: 1136208097

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Theories of performativity have garnered considerable attention within the social sciences and humanities over the past two decades. At the same time, there has also been a growing recognition that the social production of space is fundamental to assertions of political authority and the practices of everyday life. However, comparatively little scholarship has explored the full implications that arise from the confluence of these two streams of social and political thought. This is the first book-length, edited collection devoted explicitly to showcasing geographical scholarship on the spatial politics of performativity. It offers a timely intervention within the field of critical human geography by exploring the performativity of political spaces and the spatiality of performative politics. Through a series of geographical case studies, the contributors to this volume consider the ways in which a performative conception of the "political" might reshape our understanding of sovereignty, political subjectification, and the production of social space. Marking the 20th anniversary of the publication of Judith Butler’s classic, Bodies That Matter (1993), this edited volume brings together a range of contemporary geographical works that draw exciting new connections between performativity, space, and politics.


The Limits of Performativity

The Limits of Performativity
Author: Franck Cochoy
Publisher: Routledge
Total Pages: 193
Release: 2015-12-22
Genre: Social Science
ISBN: 1317691091

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The economy is commonly described either as the apolitical realm of calculation or as the fully political one of domination. This book scrutinizes the ways in which the economy is performed, in order to situate where precisely politics is located with regard to economic matters. Politics, the book demonstrates, thus appears at the turning point, in the place where the efficiency of economics is negotiated and where the need to forward it, reshape it, and complement it emerges. This book was originally published as a special issue of the Journal of Cultural Economy.


Alternative Performativity of Muslimness

Alternative Performativity of Muslimness
Author: Amina Alrasheed Nayel
Publisher: Springer
Total Pages: 247
Release: 2017-01-26
Genre: Social Science
ISBN: 3319440519

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The book highlights issues related to the construction of gender in Africa and African identity politics. It explores the limitations of the constructed category of “African Muslim woman” in West Yorkshire. Amina Alrasheed Nayel uses Black feminist epistemology along with postcolonial, feminist, and critical race theory to examine the multiple identities that Sudanese women negotiate in the UK. The diverse settings of Islam and Islamic culture, circumscribed around issues of performativity of Islam and identity construction in the diasporic space are unpacked in this volume. In addition, this work analyzes specific practices and performances, starting with the multifaceted nature of Islam and the problematic concepts of “Sunni/Sufi,” “Muslim woman,” “race,” and “blackness.” The book reveals that exile, nostalgia, and racial/ethnic differences within Islam and the wider UK community underpin the performativity of Muslimness of the Sudanese women living in West Yorkshire, and reiterates the importance of moving beyond the homogeneity of the idea of “Muslim woman” towards investigating the complexities of this group.