Passagen
Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 2004 |
Genre | : Arts |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 2004 |
Genre | : Arts |
ISBN | : |
Author | : Anke Gleber |
Publisher | : Princeton University Press |
Total Pages | : 299 |
Release | : 2020-09-01 |
Genre | : Performing Arts |
ISBN | : 0691218064 |
Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.
Author | : David Frisby |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2013-09-13 |
Genre | : Social Science |
ISBN | : 1134459920 |
Fragments of Modernity, first published in 1985, provides a critical introduction to the work of three of the most original German thinkers of the early twentieth century. In their different ways, all three illuminated the experience of the modern urban life, whether in mid nineteenth-century Paris, Berlin at the turn of the twentieth century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of rationalization of capital (Kracauer) and the fantasy world of commodity fetishism (Benjamin). In each case they focus on those fragments of social experience that could best capture the sense of modernity.
Author | : Heidrun Friese |
Publisher | : Liverpool University Press |
Total Pages | : 217 |
Release | : 2001-09-01 |
Genre | : Philosophy |
ISBN | : 1781387710 |
Modern philosophical thought has a manifold tradition of emphasising ‘the moment’. ‘The moment’ demands questioning all-too-common notions of time, of past, present and future, uniqueness and repetition, rupture and continuity. This collection addresses the key questions posed by ‘the moment’, considering writers such as Nietzsche, Husserl, Benjamin and Badiou, and elucidates the connections between social theory, philosophy, literary theory and history that are opened up by this notion.
Author | : Susan Buck-Morss |
Publisher | : MIT Press |
Total Pages | : 512 |
Release | : 1991-07-01 |
Genre | : Philosophy |
ISBN | : 9780262521642 |
Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose "materialist metaphysics" he admired) were the prototype, the 19th century "ur-form" of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time—from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons—as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south—Moscow Paris, Berlin-Naples—and shows how such thinking in coordinates can explain his understanding of "dialectics at a standstill." She argues for the continuing relevance of Benjamin's insights but then allows a set of "afterimages" to have the last word.
Author | : Leslie Budd |
Publisher | : Psychology Press |
Total Pages | : 252 |
Release | : 2004 |
Genre | : Business & Economics |
ISBN | : 9780415339551 |
This rigorous text takes a critical view of the dot-com hype and considers the fundamental realities of the e-economy from a range of business perspectives.
Author | : Herbert Hrachovec |
Publisher | : Walter de Gruyter |
Total Pages | : 330 |
Release | : 2013-05-02 |
Genre | : Philosophy |
ISBN | : 3110328488 |
This is the second of two volumes of the proceedings from the 30th International Wittgenstein Symposium in Kirchberg, August 2007. It contains selected contributions on the Philosophy of media, Philosophy of the Internet, on Ethics and the political economy of information society. Also included are papers presented in a workshop on electronic philosophy resources and open source/open access.
Author | : Christa Sommerer |
Publisher | : Springer Science & Business Media |
Total Pages | : 200 |
Release | : 2008-08-19 |
Genre | : Mathematics |
ISBN | : 3540798692 |
Artists and creators in interactive art and interaction design have long been conducting research on human-machine interaction. Through artistic, conceptual, social and critical projects, they have shown how interactive digital processes are essential elements for their artistic creations. Resulting prototypes have often reached beyond the art arena into areas such as mobile computing, intelligent ambiences, intelligent architecture, fashionable technologies, ubiquitous computing and pervasive gaming. Many of the early artist-developed interactive technologies have influenced new design practices, products and services of today's media society. This book brings together key theoreticians and practitioners of this field. It shows how historically relevant the issues of interaction and interface design are, as they can be analyzed not only from an engineering point of view but from a social, artistic and conceptual, and even commercial angle as well.
Author | : |
Publisher | : |
Total Pages | : 524 |
Release | : 1993 |
Genre | : Book industries and trade |
ISBN | : |
Author | : Xu, Xiaoge |
Publisher | : IGI Global |
Total Pages | : 569 |
Release | : 2016-06-16 |
Genre | : Computers |
ISBN | : 1522504702 |
Digital innovations, such as mobile technologies, have had a significant impact on the way people relate to one another, as well as the way they obtain and distribute information. As mobile devices continue to evolve, it has become easier to socialize; however, these mobile advancements have also made certain aspects of interaction more complex. The Handbook of Research on Human Social Interaction in the Age of Mobile Devices features an interdisciplinary perspective on mobile innovations and the use of this technology in daily life. Investigating the successes, issues, and challenges of the utilization of mobile technology, this handbook of research is a comprehensive reference source for professionals, educators, policymakers, and students interested in the impact these devices have on digital interaction, media, and communication.