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The Politics of Popular Representation

The Politics of Popular Representation
Author: Kenneth MacKinnon
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 268
Release: 1992
Genre: Biography & Autobiography
ISBN: 9780838634745

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These, together with the emphasis on individual responsibility for health and material security - not to mention resurgent machismo and a restored belief in the natural and unnatural - help to explain the health disaster experienced in the United States, United Kingdom, and elsewhere. A review of English-language cinematic entertainment of the eighties reveals that the health crisis was scarcely alluded to, although such values as those of militarism, masculinity, and family loyalty were addressed - whether supportively or critically. It is the argument of this book that the HIV virus and AIDS are approached, if at all, only obliquely, particularly within the genre of the horror film, and especially through those films dealing with corporeality or with lethal challenges to the traditional nuclear family.


We Are the Mutants

We Are the Mutants
Author: Kelly Roberts
Publisher: Watkins Media Limited
Total Pages: 244
Release: 2022-10-11
Genre: Social Science
ISBN: 1914420748

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An offbeat odyssey through the most daring and disruptive phase of American cinema since the advent of sound — during the most transformative and tumultuous period of American history since the Civil War. We Are the Mutants is a critical reassessment of what is arguably the most discussed and beloved stretch of movies in Hollywood history. Documenting the period between the arrival of US combat troops in Vietnam and the end of President Ronald Reagan’s second term, it forgoes the usual and restrictive exemplars of “auteur cinema,” and instead focuses on an eclectic selection of films and genres — horror, documentary, disaster, vigilante action, neo-noir, post-apocalyptic sci-fi — to track this period's tumultuous transformation in American life, culture, and politics. Covering everything from Rosemary’s Baby and Enter the Dragon to Escape from New York and Fatal Attraction, and from manufactured blockbusters and studio sleepers to forgotten Bs and cult classics, We Are the Mutants re-writes the history of modern American cinema, and in doing so, the history of America itself.


100 American Independent Films

100 American Independent Films
Author: Jason Wood
Publisher: Bloomsbury Publishing
Total Pages: 272
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838713921

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This revised and updated new edition provides a guide to 100 of the most interesting and influential American independent films, from Bonnie and Clyde to Junebug by way of Reservoir Dogs and The Blair With Project with an introduction to the genre and a rich selection of images from the films discussed, plus key credits.


The Advocate

The Advocate
Author:
Publisher:
Total Pages: 64
Release: 2006-02-28
Genre:
ISBN:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.


It Looks At You

It Looks At You
Author: Wheeler Winston Dixon
Publisher: State University of New York Press
Total Pages: 262
Release: 1994-12-23
Genre: Social Science
ISBN: 1438401256

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This book is a study of one of the most insidious and pervasive phenomena in the study and reception of cinema: the "returned gaze" from the screen, in which the audience is actually surveilled by the film being projected on the screen. Rather than the usual process of watching a film, in those films which return the gaze of the viewer, the film looks at us, confronting our voyeur's embrace of the spectacle it presents. The book cites examples as diverse as Andy Warhol's Vinyl, Laurel and Hardy two-reel comedies, the films of Jean-Marie Straub, Jean-Luc Godard, Roberto Rossellini, and Wesley E. Barry's Creation of the Humanoids. It also discusses the history of the returned gaze in video, pornography, surveillance systems, and the related plastic arts.


Catching Bullets

Catching Bullets
Author: Mark O'Connell
Publisher: Splendid Publications Limited
Total Pages: 265
Release: 2012-09-03
Genre: Performing Arts
ISBN: 0956950590

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When Jimmy O'Connell took a job as chauffeur for 007 producers Eon Productions, it would not just be Cubby Broccoli, Roger Moore and Sean Connery he would drive to James Bond his grandson Mark swiftly hitched a metaphorical ride too. In Catching Bullets: Memoirs of a Bond Fan, Mark O'Connell takes us on a humorous journey of filmic discovery where Bond films fire like bullets at a Thatcher era childhood, closeted adolescence and adult life as a comedy writer still inspired by that Broccoli movie magic. Catching Bullets is a unique and sharply-observed love-letter to James Bond, Duran Duran title songs and bolting down your tea quick enough to watch Roger Moore falling out of a plane without a parachute.


The Advocate

The Advocate
Author:
Publisher:
Total Pages: 64
Release: 2006-02-28
Genre:
ISBN:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.


Queer Images

Queer Images
Author: Benshoff
Publisher: Rowman & Littlefield Publishers
Total Pages: 334
Release: 2005-10-13
Genre: Performing Arts
ISBN: 0742568571

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From Thomas Edison''s first cinematic experiments to contemporary Hollywood blockbusters, Queer Images chronicles the representation of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores not only the ever-changing images of queer characters onscreen, but also the work of queer filmmakers and the cultural histories of queer audiences. Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood''s Golden Age; classical Hollywood''s (failed) attempt to purge "sex perversion" from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity—as reflected on the silver screen—has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. Queer Images is an essential volume for film buffs and anyone interested in sexuality and culture.


Queer Looks

Queer Looks
Author: Martha Gever
Publisher: Routledge
Total Pages: 432
Release: 2013-06-17
Genre: Social Science
ISBN: 1136648186

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Queer Looks is a collection of writing by video artists, filmmakers, and critics which explores the recent explosion of lesbian and gay independent media culture. A compelling compilation of artists' statements and critical theory, producer interviews and image-text works, this anthology demonstrates the vitality of queer artists under attack and fighting back. Each maker and writer deploys a surprising array of techniques and tactics, negotiating the difficult terrain between street pragmatism and theoretical inquiry, finding voices rich in chutzpah and subtlety. From guerilla Super-8 in Manila to AIDS video activism in New York, Queer Looks zooms in on this very queer place in media culture, revealing a wealth of strategies, a plurality of aesthetics, and an artillary of resistances.


Spike, Mike, Slackers & Dykes

Spike, Mike, Slackers & Dykes
Author: John Pierson
Publisher: University of Texas Press
Total Pages: 491
Release: 2014-04-15
Genre: Performing Arts
ISBN: 0292761015

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“A fast-moving account of the era bookended by Stranger Than Paradise and Pulp Fiction . . . [a] Baedeker of off-Hollywood where all roads lead to Park City.” —Interview The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution. At the epicenter of the industry in the 1980s and ’90s, John Pierson reveals what it took to launch such films as Stranger Than Paradise, Clerks, She’s Gotta Have It, and Roger and Me. A chronicle of a remarkable decade for the American independent low-budget film, Spike, Mike, Slackers & Dykes also celebrates the nearly two dozen first-time filmmakers whom Pierson helped make a name for themselves and the hundred others whose success stories he observed at close quarters. “John Pierson has faithfully chronicled the American independent scene. He was there, he knows.” —Spike Lee “Sly, knowledgeable, deeply entertaining . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —Entertainment Weekly “The most contentiously witty and revealing view of off-Hollywood around.” —Rolling Stone “Mr. Pierson, who has lived, breathed, and hunted film for most of his adult life, covers his territory with urgency and conviction, and his single-mindedness is ravishing.” —The New York Times Book Review “Pierson’s prose is quick-moving and witty and reads like a Who’s Who of the off-Hollywood mavericks who make the movies we’d like to see but can’t always find.” —The Washington Post “A marvelously entertaining, educational, and caustic account of the rise of American independent filmmaking.” —The Globe and Mail