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Participation

Participation
Author: Claire Bishop
Publisher:
Total Pages: 212
Release: 2006
Genre: Art
ISBN:

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Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.


The Art of Engagement

The Art of Engagement
Author: Elaine Lally
Publisher: University of Western Australia Press
Total Pages: 264
Release: 2011
Genre: Art
ISBN:

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"Sydney's Museum of Contemporary Art and three cultural institutions in Western Sydney - Casula Powerhouse Arts Centre, Penrith Visual and Performing Arts and the Campbelltown Arts Centre - have teamed up as 'C3West' to demonstrate that contemporary artists can play a unique role in social innovation eyond the confines of the art world, without giving up artistic value... This collection of essays and documentation puts the C3West experiement in an international context, and invites us to rethink what contemporary art can mean in Australia..."--Back cover.


Interactive Contemporary Art

Interactive Contemporary Art
Author: Kathryn Brown
Publisher: I.B. Tauris
Total Pages: 320
Release: 2016-06-30
Genre: Art
ISBN: 9781784535575

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Audience participation has polarized recent debates about contemporary art. This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject. Internationally renowned art historians, curators and artists analyze the impact of collaborative aesthetics on personal and social identity, concepts of the artist, the ontology of art and the role of museums in contemporary society. Essential reading for students and specialists, Interactive Contemporary Art offers a vital critical evaluation of interactivity in contemporary art.


The One and the Many

The One and the Many
Author: Grant H. Kester
Publisher: Duke University Press
Total Pages: 330
Release: 2011-09-12
Genre: Art
ISBN: 0822349876

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DIVExamines questions of agency, artisanship, and identity in relation to collaborative art practice./div


The Participator in Contemporary Art

The Participator in Contemporary Art
Author: Kaija Kaitavuori
Publisher: Bloomsbury Publishing
Total Pages: 256
Release: 2018-08-30
Genre: Art
ISBN: 1838609571

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The early 21st century has seen contemporary art make continued use of audience participation, in which the spectator becomes part of the artwork itself. In this book, Kaija Kaitavuori claims that the `participator' is a new artistic role that does not fall under the auspices of artist or spectator and in proving such she devises a four-group typology of involvement. Her classification distinguishes between different forms of engagement and identifies their specific features. The key criteria she proposes are how concepts of authorship and ownership shift in relation to collectively created work, how contracts regulating the use and production of shared work are arranged and the extent to which involvement in making art can be regarded as democratic. This highly original book thus offers students and teachers the tools with which to improve their understanding of participatory art and removes the confusing terminology that has characterized so many other discussions.


Ground Works

Ground Works
Author: Grant Kester
Publisher: Regina Miller Gallery
Total Pages: 200
Release: 2005
Genre: Art
ISBN: 0977205312

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Participation

Participation
Author: Claire Bishop
Publisher:
Total Pages: 212
Release: 2006-12-06
Genre: Art
ISBN:

Download Participation Book in PDF, ePub and Kindle

Participation in art has become a prevalent and contested phenomenon since the 1990s. Artists have increasingly sought to create situations and events that invite spectators to become active participants, in dialogue both with their context and with each other. This reader charts a historical lineage and theoretical framework for this tendency, presented through the writings of artists, curators and philosophers from the late 1950s to the present--Publisher's description.


Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement

Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement
Author: Shin, Ryan
Publisher: IGI Global
Total Pages: 417
Release: 2016-11-29
Genre: Art
ISBN: 1522516662

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Art is a multi-faceted part of human society, and often is used for more than purely aesthetic purposes. When used as a narrative on modern society, art can actively engage citizens in cultural and pedagogical discussions. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement is a pivotal reference source for the latest scholarly material on the relationship between popular media, art, and visual culture, analyzing how this intersection promotes global pedagogy and learning. Highlighting relevant perspectives from both international and community levels, this book is ideally designed for professionals, upper-level students, researchers, and academics interested in the role of art in global learning.


Creative Collaboration in Art Practice, Research, and Pedagogy

Creative Collaboration in Art Practice, Research, and Pedagogy
Author: M. Kathryn Shields
Publisher: Cambridge Scholars Publishing
Total Pages: 444
Release: 2019-01-31
Genre: Art
ISBN: 1527527565

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This collection reflects current and nuanced discussions of the ways collaboration and participation meaningfully inform the production, study, and teaching of art with innovative and unexpected results. It illustrates how the shifting boundaries of power, position, and identity, between domains of knowledge and collaborative participants, result in new relationships. The chapters in this book share stories applicable or relevant to readers’ own classrooms, art practice, or scholarship. As such, it directly appeals to college professors of studio art and design, art history, and art education, as well as to artists, scholars, and teachers who work collaboratively. It may also draw readership from business professionals seeking critical thinkers and creative problem solvers to energize their industries. The volume will inspire conversations about the ways relationships become crucial for construction, reception and display; meaning and power; design, content, and action.