Parody in the Middle Ages
| Author | : Martha Bayless |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
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Parody in the Middle Ages
| Author | : Martha Bayless |
| Publisher | : American Mathematical Soc. |
| Total Pages | : 440 |
| Release | : 1996 |
| Genre | : Foreign Language Study |
| ISBN | : 9780472106493 |
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Surveys and describes the lively tradition of medieval parody, and destroys the myth of medieval solemnity.
A Cultural History of Comedy in the Middle Ages
| Author | : Martha Bayless |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 233 |
| Release | : 2021-12-30 |
| Genre | : History |
| ISBN | : 1350187615 |
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Comedy and humor flourished in manifold forms in the Middle Ages. This volume, covering the period from 1000 to 1400 CE, examines the themes, practice, and effects of medieval comedy, from the caustic morality of principled satire to the exuberant improprieties of many wildly popular tales of sex and trickery. The analysis includes the most influential authors of the age, such as Chaucer, Boccaccio, Juan Ruiz, and Hrothswitha of Gandersheim, as well as lesser-known works and genres, such as songs of insult, nonsense-texts, satirical church paintings, topical jokes, and obscene pilgrim badges. The analysis touches on most of the literatures of medieval Europe, including a discussion of the formal attitudes toward humor in Christian, Jewish, and Islamic traditions. The volume demonstrates the many ways in which medieval humor could be playful, casual, sophisticated, important, subversive, and even dangerous. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics.
Comic Medievalism
| Author | : Louise D'Arcens |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 222 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1843843803 |
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The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of "heritage tourism" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also about modernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. Louise D'Arcens is Associate Professor in English Literatures at the University of Wollongong.
Fifteen Medieval Latin Parodies
| Author | : Martha Bayless |
| Publisher | : PIMS |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Parodies, Latin (Medieval and modern). |
| ISBN | : 9780888444851 |
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"The fifteen medieval Latin parodies edited in this volume are among the liveliest from a lively age of satire and literary mischief. That medieval clerical life was often high-spirited and entertaining was a secret the official Church was not eager to reveal. Thus, apart from a few exceptions, such as the drinking songs of the Carmina Burana (famously and anachronistically revived by Carl Orff), the medieval Latin of religion and the schools is rarely regarded as a repository of madcap humour. Instead it typically gives the impression of a medium of sombre and utilitarian literature, the dryness relieved by occasional flights of sophisticated love poetry. As the lingua franca of the medieval world, and above all of the medieval Church, Latin can certainly lay claim to innumerable works that prize worthiness above entertainment value. But the examples of clerical and scholarly merrymaking edited in this book--representatives of a widespread tradition--are testimony that the educated were just as fond of revelry as their more secular and plebeian contemporaries."--
Kinds of Parody from the Medieval to the Postmodern
| Author | : Nil Korkut |
| Publisher | : Peter Lang |
| Total Pages | : 148 |
| Release | : 2009 |
| Genre | : Englisch |
| ISBN | : 9783631592717 |
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This book approaches parody as a literary form that has assumed diverse forms and functions throughout history. The author handles this diversity by classifying parody according to its objects of imitation and specifying three major parodic kinds: parody directed at texts and personal styles, parody directed at genre, and parody directed at discourse. The book argues that different literary-historical periods in Britain have witnessed the prevalence of different kinds of parody and investigates the reasons underlying this phenomenon. All periods from the Middle Ages to the present are considered in this regard, but a special significance is given to the postmodern age, where parody has become a widely produced literary form. The book contends further that postmodern parody is primarily discourse parody - a phenomenon which can be explained through the major concerns of postmodernism as a movement. In addition to situating parody and its kinds in a historical context, this book engages in a detailed analysis of parody in the postmodern age, preparing the ground for making an informed assessment of the direction parody and its kinds may take in the near future.
Satire in the Middle Byzantine Period
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 397 |
| Release | : 2020-12-15 |
| Genre | : History |
| ISBN | : 9004442561 |
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This volume explores various forms, functions and meanings of satirical texts written in the Middle Byzantine period.
Medieval Literary Parody
| Author | : Paul Brians |
| Publisher | : |
| Total Pages | : 518 |
| Release | : 1968 |
| Genre | : Literature, Medieval |
| ISBN | : |
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Geoffrey Chaucer’s "The Tale of Sir Thopas": Elements of Parody and Satire
| Author | : Gregor Schönfelder |
| Publisher | : GRIN Verlag |
| Total Pages | : 19 |
| Release | : 2012-10-11 |
| Genre | : Foreign Language Study |
| ISBN | : 3656286426 |
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Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Tubingen (English Department), course: Underground Literature in Medieval England, language: English, abstract: In this work, I examine "The Tale of Sir Thopas" by Geoffrey Chaucer regarding its verious elements of parody. The tale mocks the typical medieval romance, therefore it is first necessary to estabish what the term "romance" means in this context. Then, the various parodied aspects of content will be examined, including Sir Thopas himself, his not-so-heroic battles, and love. However, formal aspects as well have been heavily parodied in Sir Thopas and will be in focus, namely rhyming, descriptions, the minstrel's introduction as well as the general structure of the tale, including its end.
The Laughter of the Saints
| Author | : Ryan D. Giles |
| Publisher | : University of Toronto Press |
| Total Pages | : 229 |
| Release | : 2009-10-31 |
| Genre | : History |
| ISBN | : 1442697091 |
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Between the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote. The first full-length treatment of the ways in which Spanish writers imitated religious depictions of saints' lives for comic purposes, Ryan D. Giles' erudite study explores the inversion of oaths, invocations, pious legends, and liturgical devotions. Analyzing a variety of texts from Libro de buen amor, to later works such as the Celestina, Carajicomedia, Lozana andaluza, and Lazarillo de Tormes, Giles not only sheds light on Golden Age Spanish literature, but also on the origins of the comic novel. A well-argued and convincing work, The Laughter of the Saints reveals the uproarious results of the collision of official and unofficial methods of storytelling.
