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| Author | : Sylvie Buisson |
| Publisher | : Vilo International |
| Total Pages | : 220 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : |
Between 1860 and 1920, artists flocked to take up residence in Montmartre, including Degas, Pissarro, Renoir and Van Gogh. This book sets out to tell the story of these artists and to bring back to life the successive pictorial revolutions in Montmartre.
| Author | : Sue Roe |
| Publisher | : Penguin |
| Total Pages | : 386 |
| Release | : 2015-04-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 0698192230 |
A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the twentieth century In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression. Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape. A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art. Praise for In Montmartre "Lively and engaging….[Readers] will find a fresh sense of how all these people—the geniuses and the hangers-on, the wealthy collectors and the unworldly painters—related to each other…..In [Roe’s] entertaining, ingeniously structured account Roe brings Montmatre’s hedyday back to life." —Sunday Times (London) "With evocative imagery Roe sketches out the intensely visual spectacle on which Montmatre’s artistic community was able to draw…. Roe is particularly good at communicating the extraordinary devotion of Matisse and Picasso to their work." —Financial Times
| Author | : William A. Shack |
| Publisher | : Univ of California Press |
| Total Pages | : 214 |
| Release | : 2001-09-04 |
| Genre | : History |
| ISBN | : 0520225376 |
Illuminates the expatriate African American community of jazz musicians that thrived in the Montmartre district of Paris in the '20s and '30s and helped turn the "city of lights" into the major jazz capital it remains today.
| Author | : April Lily Heise |
| Publisher | : Tgrs Communications |
| Total Pages | : 304 |
| Release | : 2013-05-30 |
| Genre | : |
| ISBN | : 9780992005306 |
Is Paris really the eternal City of Love? Dumped suddenly by her Parisian boyfriend, sultry expat Lily is left wondering if je t'aime still exists. Instead of crying into her glass of wine, she decides to heal her bruised ego and quash her romantic doubts with a carefree summer fling . . . or as the French call it: une aventure. Supported by her faithful friends and trusty Saint Amour wine, Lily embarks on her presumably easy quest. Little does she know what-or whom-this adventure has in store! Rather than guide her into the arms of a perfect summer amoureux, the sexy streets of Paris lead her from one impossible candidate to another: disappearing foxy Frenchmen, unavailable Latino heartthrobs, overly-mysterious world travelers, mistress-hunting married men, and not-so-single amnesiacs-oh la la! As her amorous mishaps accumulate, Lily gradually re-evaluates her strategy. But will her good intentions be enough to lead her to the right homme . . . one who might last out the summer-and maybe even beyond? Or will she continue to get embroiled in more mesaventure? This novelized memoir tells the tantalizingly true romantic odyssey of a 21st-Century young woman caught in the mire of desires-which is only intensified by the passion of Paris.
| Author | : Cara Black |
| Publisher | : Soho Press |
| Total Pages | : 331 |
| Release | : 2007-03-01 |
| Genre | : Fiction |
| ISBN | : 1569477248 |
Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up?
| Author | : Philip Mark Katz |
| Publisher | : Harvard University Press |
| Total Pages | : 300 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780674323483 |
The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event. The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States). By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.
| Author | : Gary Inbinder |
| Publisher | : Simon and Schuster |
| Total Pages | : 199 |
| Release | : 2014-12-15 |
| Genre | : Fiction |
| ISBN | : 160598731X |
When the mutilated corpse of a beautiful dancer is found in a Montmartre sewer, a nervous public fears that Jack the Ripper has crossed the Channel—but Inspector Achille Lefebvre has his own theories. Amid the hustle and bustle of the Paris 1889 Universal Exposition, workers discover the mutilated corpse of a popular model and Moulin Rouge Can-Can dancer in a Montmartre sewer. Hysterical rumors swirl that Jack the Ripper has crossed the Channel, and Inspector Achille Lefebvre enters the Parisian underworld to track down the brutal killer. His suspects are the artist Toulouse-Lautrec; Jojo, an acrobat at the Circus Fernando, and Sir Henry Collingwood, a mysterious English gynecologist and amateur artist. Pioneering the as-yet-untried system of fingerprint detection and using cutting edge forensics, including crime scene photography, anthropometry, pathology, and laboratory analysis, Achille attempts to separate the innocent from the guilty. But he must work quickly before the “Paris Ripper” strikes again.
| Author | : Gabriel P. Weisberg |
| Publisher | : Rutgers University Press |
| Total Pages | : 326 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780813530093 |
Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.
| Author | : Qiu Miaojin |
| Publisher | : New York Review of Books |
| Total Pages | : 177 |
| Release | : 2014-06-03 |
| Genre | : Fiction |
| ISBN | : 1590177258 |
An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.
| Author | : Stanley Meisler |
| Publisher | : Macmillan + ORM |
| Total Pages | : 254 |
| Release | : 2015-04-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 1466879270 |
For a couple of decades before World War II, a group of immigrant painters and sculptors, including Amedeo Modigliani, Marc Chagall, Chaim Soutine and Jules Pascin dominated the new art scene of Montparnasse in Paris. Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence. Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.
